Location
The Netherlands
Users
Engineers of Philips NatLab, J.H. Van Den Broek, J.B. Bakema, J. Stokla, G. Lans
Maintained by
Ingenieurs van het Natuurkundig Laboratorium van Philips
Duration
1971
Category
urban-development, social
Nr. and Title
055
‘t Hool
Initiator
Van Den Broek & Bakema
Description
The project started as an initiative of some of the Philips's engineers working in the NatLab. They realised that the quality of living involved more than just individual dwellings, so they established a housing corporation (Woon en Wijk) to build a new neighbourhood in Eindhoven, adapted to their needs and requirements. At that time, it was an unusual assignment, so after various architects had rejected the offer, they commissioned Van den Broek and J. Bakema (Team 10) who attended to their interests. Team 10 are well known for their recognition of Functionalism as a form of Humanism. The design for 't Hool resulted in 14 housing types based on the resident's requirements taking action about the urban expansion and their environment, mainly integrating the green area into the houses.
Goals
The aim was to build a whole neighbourhood adapted to the interests and needs of its inhabitants, involving them in the decision-making.
Beneficial Outcomes
It brought some alternative solutions, among them: split level apartment with the elevated street; back to back houses or a terrace dwelling. The project has been described as living under, between and on the trees (Jan Stokla).
Images
Location
Austria, Italy
Users
Michael Rakowitz, citizens
Maintained by
Michael Rakowitz
Duration
2004
Category
urban-development, economy
Nr. and Title
029
(P)LOT: Proposition I
Initiator
Michael Rakowitz
Description
The project questions the occupation of public space and encourages new ways of participation in city life. The project proposes the rental of parcels of land and public space for alternative purposes. Users may acquire municipal permits and simple payment of parking meters to repurpose the use of public space, for instance, they may establish temporary encampments or establish a temporary garden, outdoor dining, etc.
Goals
To question the occupation and dedication of public space and encourages reconsiderations of “legitimate” participation in city life.
Beneficial Outcomes
For a small amount of money, users may use public space alternatively.
Images
Location
Mexico
Users
Paulina Cornejo, readers
Maintained by
Centro Nacional de Prevención del Delito y Participación Ciudadana (National Center of Crime prevention and citizen's participation), Mexican Federal Government, Museo Tamayo
Duration
2012
Category
pedagogical, politics, economy, social
Nr. and Title
467
100 Tácticas Creativas para la seguridad ciudadana
Initiator
Paulina Cornejo
Description
This work is a publication consisting of 100 examples and projects carried out by designers, architects and cultural workers from all over the world, which propose, through art and creativity, solutions to local social urgencies. Enclosed in it, there are maps, tables, and a leaflet with the goal of evaluating the projects in social contexts.
Goals
To offer a tool for organisers, initiators, users, communities, organisations, as well as local and national governments to develop creative tactics and strategies for solving concrete urgencies.
Beneficial Outcomes
It brings new ideas of how to manage the most common social problems nowadays, giving concrete advice about the organisation of these kind of projects.
Images
Location
Italy
Users
The artists, citizens and tourists.
Maintained by
Lorenza Cossutta, Giulia Gabrielli, Isabella Sannipoli.
Duration
2006 - 2008
Category
economy, environment, social
Nr. and Title
248
100% Pubblica
Initiator
Lorenza Cossutta, Giulia Gabrielli, Isabella Sannipoli
Description
Italians were the first consumers of bottled mineral water in the world, and this produces high costs and levels of pollution from plastic bottles. The project 100% Pubblica puts attention on the issue of water privatisation. Through this initiative, bottles of 0.5 lt. of water and a map of the public fountains were given to people. This project also allows users to explore areas of the city outside the canonical tourist paths.
Goals
The aim is to promote the use of water as public goods, a human inheritance, a cooperation and solidarity source, respecting the further generations’ rights.
To make people aware that water is a primary and vital resource and should be free for everyone.
To stop plastic consumption.
Beneficial Outcomes
Citizens and tourists got free bottles of water and a map of the town displaying public fountains.
Images
Location
The Netherlands
Users
Citizens, scientists
Maintained by
The artist, DA4GA, Fisher Scientific
Duration
2011 - ongoing
Category
scientific, social
Nr. and Title
280
2.6g 329m/s
Initiator
Jalila Essaïdi
Description
2.6g 329m/s are the maximum weight and velocity of a .22 caliber Long Rifle bullet from a Type 1 bulletproof vest which should protect you. Assuming that spider silk is much stronger than steel, Jalila Essaïdi implanted in vitro this woven material in a human skin sample to test the outcomes. Some slowed bullets were stopped but not the one at full speed. The purpose of this project is, therefore, to demonstrate how this invention could be a form of safety for society.
Goals
Essaïdi wants to explore the social, political, ethical and cultural issues surrounding safety in a world with access to new biotechnologies; as well as the issues around the ancient human desire for invulnerability.
Beneficial Outcomes
A partial bulletproof skin. Besides this, the project opened new avenues of research in different scientific fields: medical, forensic, etc.
Images
Location
Germany
Users
The artists, undocumented inmigrants.
Maintained by
Boran Burchhardt, Folkwang Museum Essen (Exhibition: Hacking the City), Kunstverein Heidelberg.
Duration
2010 - ongoing
Category
politics, urban-development, social
Nr. and Title
485
3D 87 Deutschlandbilder
Initiator
Boran Burchhardt, Ana Siler
Description
The project uses a system of signs to navigate the legal gray area of medical care for people without health insurance, residence permits and papers. In the form of a sticker attached on the back side of parking zone signs in over 50 languages the artist informs the public about the network of medical offices. The project started in 2010 in Essen and continued to Heidelberg and Hamburg. An extension to other cities around the Ruhr and Northern Germany is in preparation. The title alludes to Article 87 of the Residence Act, that committs public employees to report ‘undocumented’ persons. This contrasts with medical confidentiality to protect patient privacy.
Goals
The goal of the project is to make visible one of the invisible boundaries that divides public space. This boundary has its origin in the 1987 Residence Act, which is for everyone readable and visible, but its effects stay invisible.
Beneficial Outcomes
To offer information on medical care to those without health insurance, residence permits and papers in 50 different languages, referring them to the Medibüros offices. Medibüros are non-governmental contact points, established with the aim of giving anonymous and free medical assistance to illegals. In addition, the project also seeks to raise awareness of the issue with those who walk past the sign.
Images
Location
Mexico
Users
Raúl Cárdenas Osuna, Marcela Guadiana Cardenas, Shijune Takeda Bernardo Gutierrez, Jorge Blancarte, Ana Martínez Ortega, Enrique Jiménez, Rodolfo Argote and artists, architects, scientists, enginers, writers, chefs, curators, designers, musicians and Dj’s), Ruido Blanco, Carmen Duran Ponce, and other 9 families
Maintained by
Torolab
Duration
2002 - 2005
Category
urban-development, social
Nr. and Title
222
9 familias, Arquitectura de Emergencia
Initiator
Torolab
Description
The project focuses on Lagunitas, an underdeveloped neighbourhood in Tijuana, and it suggests a sustainable and alternative model for architecture development in a city where traditional planning development has not been able to keep up with its fast growth. Frequently, the buildings lack basic infrastructures such as electricity and sewage. For the project 9 families living in the neighbourhood worked together with the artists, who acted as facilitators, to activate a process of co-design for their own homes.
Goals
Be a support tool for revealing spaces of possibilities.
Beneficial Outcomes
Providing new homes for families.
Images
Location
United States
Users
Bonnie Ora Sherk and the A.L.L. team, local residents and organisations, schools and students, government agencies, businesses and corporations, private foundations, etc.
Maintained by
Life Frames, Inc., local staff with students and volunteers from each Branch Living Library & Think Park in diverse communities – locally and globally
Duration
1981 - ongoing
Category
urban-development, environment, social
Nr. and Title
503
A Living Library
Initiator
Bonnie Ora Sherk
Description
A Living Library (ALL) transforms public open spaces that have fallen into disuse or dilapidation into ecological wonderlands and landscapes the local community can learn in and from. Each site contains a themed, content-rich landscape, integrated with community programs and hands-on learning that establishes the sites as vital, life-long learning magnets for the whole community. Additionally contributing to each community’s development economically and culturally by improving public areas and creating these green, ecological areas as accessible community resources.
Goals
To develop ecological sites that are culturally-sensitive and place-based. To transform communities by allowing them to engage in learning programs that incorporate local resources—human, ecological, economic, historic, technological, and aesthetic. To link ALL branches from different communities—near and far—so that cultural and ecological experiences and differences become shared knowledge.
Beneficial Outcomes
Transforms barren, under-used, or damaged public places into thriving, interactive, learning landscapes that benefit the local community. They are lush environments where people of all ages can learn new skills and understanding. An established and growing international network that allows experiences to be shared from all around the world leads us towards a greater and more peaceful understanding of our planet and each other.
Images
Location
The Netherlands
Users
The initiator and those who take up the process.
Maintained by
Jeannette Petrik
Duration
2012
Category
economy, environment
Nr. and Title
476
A Parasitical Breed of Consumer
Initiator
Jeannette Petrik
Description
The focus of this case study is on leftovers of supermarkets as distributors of food, especially the Ekoplaza supermarkets in Eindhoven. Petrik collected their 'waste' material, mostly consisting of fruit and vegetables. The amount of vegetables and fruit thrown away daily is vast and normally in a good condition, so Petrik decided to apply techniques of preservation and conservation such as sausage making, drying and curing in order to lift quickly decaying materials of low economic value. The tools needed for these processes are also made by the 'parasite' herself, again, out of leftover low quality materials which are transformed into useful objects through the application of craft techniques and skills.
Goals
To raise awareness on the local sources of useful leftovers and other materials in Eindhoven. To exemplify possible uses through the demonstration thereof (in a working project space and through a publication, the 'parasite' cookbook') to a wide range of users.
Beneficial Outcomes
People can reuse leftovers from the supermarket for free.
Images
Location
Portugal
Users
WochenkKausur, Danielle van Zuijlen, Students, City of Porto
Maintained by
Culturgest (exhibition Guests become Host), City of Porto
Duration
2010
Category
urban-development, economy, social
Nr. and Title
443
A Vacant House for Students
Initiator
WocheKlausur
Description
Wochenklausur succeeded in activating one of the many vacant buildings for a group of students in Porto. The city is full of vacant houses with many students searching for cheap accommodation. Since there are many vacant buildings, Wochenklausur contacted an official in charge and made a proposal: A couple of students could be commissioned by the city to refurbish one of these empty houses and would in return get to live there free of charge. Afterwards, the owner (the city), will get back a refurbished house in good condition. WochenKlausur convinced the city who agreed to offer a house for this purpose and also found a group of ten students from the Faculty of Fine Arts that were interested enough to take a look at the proposed house. In the end, both partners agreed and it was even possible to find sponsors that agreed to donate part of the expensive construction materials.
Goals
To offer cheap accommodation to students and recuperate part of the historical structure and architecture of the city.
Beneficial Outcomes
The students have a free house to live in. The city receives a refurbished house in good condition.
Images
Location
Argentina
Users
The artists, residents of the area
Maintained by
Ala Plastica, activist groups and ONGs.
Duration
2000 - ongoing
Category
scientific, pedagogical, politics, economy, environment, social
Nr. and Title
370
AA Project
Initiator
Ala Plastica
Description
Ala Plastica has developed the AA project in collaboration with schools, which are the point of connection between local families. Through the collection of oral information, it was possible to create a memory database with family photos and narratives, supplemented with land and satellite maps, to create a comprehensive picture of the Rio de la Plata delta region. Thanks to the collected information the group built embankments to prevent flood damage, developing training programmes in carpentry, beekeeping and organic farming for the inhabitants of the area.
Goals
To design a cognitive, participatory map, whose purpose was to recover local knowledge of the region's topography, habitats and cultural-agricultural traditions.
Beneficial Outcomes
The community members exchanged information and generated effective alternatives to the governmental proposal of the IIRSA as the "Integral Strategic Plan for the Conservation and Sustainable Use of the Paraná Delta" (PIECAS-DP).
Images
Location
Cuba
Users
Núria Güell, 37 Cubans could use the free service
Maintained by
Núria Güell
Duration
2008
Category
pedagogical, politics, social
Nr. and Title
025
Acceso a lo denegado
Initiator
Núria Güell
Description
Acceso a lo denegado, was a project that provided internet access to Cuban citizens, as the Cuban telecommunication enterprise only offers the service to foreigners and denies it to residents. The payment for the service was based on bartering system, in exchange for it people offered the artist information about how a foreigner could understand the Cuban system. Through this project, a standard of strategies and insights on Cuba was developed, and is shown in the documentation stages of the piece.
Goals
‘Providing Cuban citizens with access to internet for whoever wants to use it. Changing power relationships established by the Cuban state on the use of free information through internet.’ (N. Güell).
Beneficial Outcomes
Access to internet.
Images
Location
United States and United Kingdom
Users
Open to all users.
Maintained by
Sullivan Galleries Chicago (Fall 2014) Middlesbrough Institute of Modern Art 2015 onwards.
Duration
2014 - ongoing
Category
pedagogical, social
Nr. and Title
519
Addams-Dewey Gymnasium
Initiator
Pablo Helguera
Description
The Addams-Dewey Gymnasium honours and activates both meanings of the word gymnasium: a space for physical activity and a preparatory school of higher learning. The space, reflecting turn of the century gymnasiums, is inspired by the educational philosophies of Jane Addams and John Dewey, Chicago-based contemporaries who were pioneers of progressive education in both theory and practice at the turn of the century. The central tenet of their approach was the primacy of experience and took form in a curriculum that included art making and physical activities. Looking at the rich history of socially engaged art in Chicago, this project explores what could be some of the intellectual and historical roots of this practice. In this spirit, the Gymnasium enacts the curriculum practiced at Dewey’s Chicago Laboratory School and Addams’ Hull House founded in 1889 for migrants and working classes in Chicago. Additionally it presents new experimental actions that draw inspiration from the legacy of these educators, seeking to bring the relevance of their ideas into twenty-first century art and education practice.
The Gymnasium is currently being developed for a permanent home at the Middlesbrough Institute of Modern Art as part of its Institutional reprogramming as the Useful Museum.
Goals
To provide a holistic education of exercise, wellbeing, arts, food and social development.
Beneficial Outcomes
Increased physical, social and mental wellbeing for individual and group users.
Images
Location
Worldwide. First manned flight in United States
Users
Artists, lighter-than-air aeronautical engineers, balloonists, scientists, climate activists, public.
Maintained by
Tomás Saraceno Studio
Duration
2015 - ongoing
Category
scientific, environment, social
Nr. and Title
548
Aerocene
Initiator
Tomás Saraceno Studio
Description
Aerocene is an artistic project, a collective endeavour that is being currently developed by a team, united under a non-profit organisation. Aerocene manifests as a series of air-fuelled sculptures that will achieve the longest, emission-free journey around the world: becoming buoyant only by the heat of the Sun and infrared radiation from the surface of Earth. The sculptures float without burning fossil fuels, without using solar panels and batteries; and without helium, hydrogen or other rare gases. The Aerocene D-O AEC air-filled sculpture successfully carried passengers without any use of propane for nearly three hours in a collaborative experiment in November 2015 in White Sands, New Mexico, achieving the first and longest purely solar-powered, certified, lighter-than-air tethered flight. Aerocene is a fully open project, relying on worldwide social action and interaction, and aiming at mobilizing groups of individuals for multiple concrete solutions for our common environment. Aerocene is related to Cloud Cities, a project focusing around the idea of cities in the sky, a speculative project by Tomás Saraceno.
Goals
Aerocene is an open participatory platform of knowledge production and distribution. The Aerocene action and project enlivens the discussion on 2-degree climate thresholds; it materialises debates on climatic shifts in social, collaborative practices.
Beneficial Outcomes
The sculpture sets the road for the most sustainable and energy efficient vehicle humans have ever created.
Images
Location
The Netherlands
Users
Willem de Ridder, Peter Muller, Ruud Schoonman, artists, graphic designers, magazine's readers / writers.
Maintained by
Willem de Ridder, Peter Muller, Ruud Schoonman, artists, graphic designers, magazine's readers / writers.
Duration
1969-1974
Category
politics, economy, social
Nr. and Title
002
Aloha
Initiator
Willem de Ridder, Peter Muller, Ruud Schoonman...
Description
Aloha started in 1965 as a music magazine called Hitweek, equipped with the first four-color offset printer in the Netherlands.
In 1969 it changed its name to Aloha, a magazine focused on music, graphic design, comics and counterculture alongside national and international social issues.
Aloha was independent and operated without permanent writing staff or editors, so everybody was welcome to write an article or publish a drawing.
Aloha was ironic, critical, unconventional and seasoned with absurd humour.
Goals
Produce a publication where a new generation could feel free of manipulation and produce their own content.
Beneficial Outcomes
It offered critical reports about political and social issues beyond the official version given by the conventional media and some tricks on how to endure "outside" the system. f.i. On number 35 (1970), Aloha provided a free small guide for diggers called "Free and surprising Amsterdam" where you could find all kind of suggestions to survive in the city without any money. This satirical and radical tradition later continued in ‘Frietkaas’.
Images
Location
United States
Users
Tenants, Activists, Artists
Maintained by
Anti Eviction Mapping Project
Duration
2013 - ongoing
Category
politics, urban-development, economy, social
Nr. and Title
558
Anti Eviction Mapping Project
Initiator
Anti Eviction Mapping Project
Description
The project consist of a website for data-visualisation, data analysis, and storytelling collective formed to document and make visible the dispossession of San Francisco Bay Area residents and to facilitate and organise collective resistance. The project studies the displacement of people and the way in which evictions and gentrification target specific communities in the Bay Area. The website provides many resources and tools to help tenants to look up landlords and speculator information, it also tracks illegal vacation rentals with a crowdsource system. The project collaborates with many local groups who fight against displacement such as Eviction Free SF.
Goals
Make this issue public, share stories, promote boycotts of serial evictors, protect tenants, facilitate collective resistance.
Beneficial Outcomes
Communicates the details of the issue, shares factual research to foster community resistance.
Images
Location
Spain, Online
Users
Citizens who wish to expropriate money to banks and learn how to make money from debt.
Maintained by
Produced by Fundació Guasch Coranty/ Maintained by the artist.
Duration
2010 - 2011
Category
politics, economy, social
Nr. and Title
026
Aplicación Legal Desplazada #1: Reserva Fraccionaria
Initiator
Núria Güell
Description
The project consists of a program of lessons and conferences aiming at sharing strategies about how to expropriate money from banks. Starting from applying the same law that banks apply to their customers such as investing the fractional reserve system, the project explains how to create money out of nothing.
The training is divided into two phases: during the first one the artist invited the economist Qmunty and bank expropriators Lucio Urtubia and Enric Duran to deliver a lecture about "How can we expropriate money from banks?”; during the second phase the artist published a manual including various expropriation strategies, legal consultation, and analytical texts, made public online and by distributing copies to several libraries across Spain.
Goals
To teach how to expropriate money from banks as well as make visible the perverse strategy used by banks to create money from nowhere. To prove that the term legal is not synonymous of legitimate and that there are some laws which we need to reconsider.
Beneficial Outcomes
To empower the Spanish population by generating general financial literacy even in questions that are usually reserved to experts.
Images
Location
United Kingdom
Users
Owen Hodgkinson, Emma Payne, Ella Perkins, Tom Davies, Ian Daniell, Chloe Carson, Daniel Dutton. Audiences of 500 over 3 days. Artist Gardeners, Dimitri Launder with a fruity thanks to the Grow It Together.
Maintained by
Dimitri Launder
Duration
2009 - 2011
Category
pedagogical, urban-development, environment, social
Nr. and Title
499
Apothecary Arboretum
Initiator
Dimitri Launder
Description
The Apothecary Arboretum was designed and built by the artist gardener Dimitri Launder with a group of students of Camberwell College of Arts in London. The aim was to create a garden both medicinal and edible, in a concrete neighbourhood. His latest project was to create a living eco-system of vertical, functional, agricultural, apothecary sculpture: prototype 1.0.
Goals
Using recycled materials to harvest rainwater and incubate plants that are grown from bio-diverse seed stock and foraged herbal and medicinal plant seed sourced from waste lands in London. This Free Farm explores the plants around us in the hope that it makes people think about their relationship with nature. Planting Propaganda for a public planting transformation; planting on rooftops, in and on buildings, to reclaim and illustrate sustainable solutions.
Beneficial Outcomes
An edible and medicinal garden.
Images
Location
The Arctic and circumpolar region
Users
The artists and initiators. The indigenous people of the North and Arctic regions.
Maintained by
The Arctic Perspective Initiative working group, led by Marko Peljhan and Matthew Biederman.
Duration
2006 - ongoing
Category
scientific, politics, environment, social
Nr. and Title
540
Arctic Perspective Initiative
Initiator
Marko Peljhan, Matthew Biederman.
Description
The Arctic Perspective Initiative (API) is a non-profit international group of individuals and organizations, founded by artists Marko Peljhan and Matthew Biederman, whose goal is to promote the creation of open authoring, communications and dissemination infrastructures for the circumpolar region. Its aim is to work with, learn from, and empower the North and Arctic peoples through open source technologies and applied education and training. By creating access to these technologies while promoting the creation of shared communications and data networks without costly overheads, continued and sustainable development of autonomous culture, traditional knowledge, science, technology and education opportunities for peoples in the North and Arctic regions is enabled.
Goals
To work with, learn from, and empower the North and Arctic Peoples through open source technologies and applied education and training.
Beneficial Outcomes
The project benefits communities in the unique and difficult landscape of the Arctic in multiple ways, including:
- Iglutaq, a mobile, lightweight, warm, sustainable, zero impact modular living and research unit.
- New hydroponic systems to grow vegetables.
- Climate and land sensor networks.
- Open source information and communications technology literacy workshops.
- Presentation activities within the circumpolar region.
- Exhibitions and publications drawing attention to the global cultural and environmental significance of the Arctic region.
Images
Location
Brasil
Users
Vito Acconci, Giselle Beiguelman, Casa Blindada, Waltercio Caldas, Maurício Dias / Walter Riedweg, Carlos Fajardo, Nelson Felix, Hannes Forster, José Wagner Garcia, Marco Giannotti, Carmela Gross, Rem Koolhaas, Atelier Van Lieshout, Antoni Muntadas, Ary Perez, Hermann Pitz, Avery Preesman, José Resende, Schie 2.0 / Urban Fabric, Regina Silveira, Ana Tavares, Cassio Vasconcellos, Angelo Venosa, Carlos Vergara, Krzysztof Wodiczko among the others and the residents of Sao Paulo
Maintained by
Arte Cidade, CIAC – Centro da Indústria, Arte e Cidade de Minas Gerais.
Duration
1994 - ongoing
Category
politics, urban-development, economy, social
Nr. and Title
330
Arte Cidade
Initiator
Grupo de Intervenção Urbana, Nelson Brissac, Agnaldo Farias
Description
Arte/Cidade aims to discuss and plan new forms of artistic interventions in urban megacities, in areas which have both structural complexity and socio-spatial dynamics. The project speculates about a new approach toward possibilities for artistic and urban interventions: urban planning, extensive research of the regions, selection of sites and development of interventions. The project has had four editions: 1 - City Without Windows (1994); 2 - The City and its Fluxes (1994); 3 - The City and Its Stories (1997); 4 - East Zone (2002).
Goals
Arte/Cidade aims to discuss and plan new forms of artistic interventions in urban megacities, in areas which have both structural complexity and socio-spatial dynamics.
Beneficial Outcomes
Interventions that relate the vast territory of megacities and the global reconfigurations of economy, power and art.
Images
Location
France
Users
Art students, painters and striking workers
Maintained by
The faculty and student body of the Ecole des Beaux Arts, Atelier Populaire
Duration
1968
Category
politics, social
Nr. and Title
006
Atelier Populaire
Initiator
Atelier Populaire
Description
On May 16th, art students, painters from outside the university and striking workers decided to permanently occupy the art school in order to produce posters that would "give concrete support to the great movement of the workers on strike who are occupying their factories in defiance of the Gaullist government". The posters of the ATELIER POPULAIRE were designed and printed anonymously and were distributed for free.
Goals
The posters produced by the ATELIER POPULAIRE are weapons in the service of the struggle and are an inseparable part of it. Their rightful place is in the centers of conflict. To use them for decorative purposes, to display them in bourgeois places of culture or to consider them as objects of aesthetic interest is to impair both their function and their effect.
Beneficial Outcomes
The posters were seen on the barricades, carried in demonstrations and were plastered on walls all over France. Their bold and provocative messages were extremely influential and still resonate in our own time
Images
Location
Various
Maintained by
Host institutions
Duration
2014 - 0ngoing
Category
scientific, social
Nr. and Title
515
Autonomy Cube
Initiator
Trevor Paglen and Jason Applebaum
Description
Pursuing the possibility of emancipatory use of technology, Paglen, together with Jacob Appelbaum, developed Autonomy Cube (2014). Autonomy Cube is a sculpture and internet router designed to be housed in civic spaces. The sculpture is meant to be both “seen” and “used.” Formally it references Hans Haacke's 'Condensation Cube' (1963-65). Inside the cube, however, the wireless router offers free, open-access, encrypted, Internet hotspot which enables private, un-surveyed communication. Anyone can join this network and use it to browse the Internet, undetected.
Autonomy Cube does not provide a normal internet connection. The sculpture routes all Wi-Fi traffic over the Tor network, a global network of thousands of volunteer-run servers, relays, and services designed to help anonymize data. Autonomy Cube is itself a Tor relay, and can be used by others around the world to anonymize their internet use.
Goals
Providing a tool for surveillance-free internet infrastructure in which data and internet use can be anonymous. Reclaim the space within which users log on through the autonomy cube as public, civic space.
Beneficial Outcomes
Allow the host institution and users to log on to the internet without being traced or surveyed.
Images
Location
Palestinian territories
Users
Women of Nablus, tourists, researchers, artists, academics
Maintained by
A.M. Qattan Foundation, Cittadellarte – Fondazione Pistoletto, Associazione Donne-Nuove, Associazione Pacefuturo, Lions Club International & Soroptimist Biella, Stichting DOEN, FARE Contemporary Art Association, Niklas fa*gerholm Design, Osteria La Villetta, Rising Voices, Roberto Cimetta Fund, Slow Food (International, Basso Mantovano, Bergamo, Firenze), Step Beyond Travel Grant, The Mosaic Rooms and royalties from the publication CAKE. Bait al Karama is currently sustaining itself.
Duration
2012 - ongoing
Category
pedagogical, economy, social
Nr. and Title
531
Bait al Karama
Initiator
Beatrice Catanzaro, Fatima Kadumy, Cristiana Bottigella
Description
Bait al Karama consists in a sociocultural centre run by women and managed according to a social enterprise business model, where food-related activities are the vehicle to develop regular income for the women involved, as well as the means to sustain a socially and culturally meaningful programme. The centre is run and managed by disadvantaged women living in the Old City of Nablus, and features among other relevant social and educational activities, the first female-run Cookery School in Palestine. Through income-generating activities, Bait al Karama aims to achieve long-term financial sustainability, and to accomplish its sociocultural mission, whilst offering the women of the Old City employment and the chance to develop income and self-sustainability. Bait al KARAMA is the first Slow Food Convivium in Nablus and since 2012 it has been participating in the Terramadre-Salone del Gusto fair in Turin as Palestinian representation.
Goals
To support the social and economic needs of women of the Old City of Nablus struggling in the aftermath of the occupation by means of a food-based social enterprise. To draw international attention to the Old City of Nablus as a place of Food and Culture, by initiating a number of cultural and educational initiatives involving the local and wider Palestinian scene as well as international guests, and to encourage sustainable tourism.
Beneficial Outcomes
The project offers the women employment and creates the first space of aggregation for women in the Old City of Nablus. The centre features a Palestinian Cookery School for foreigners visiting Palestine.
Images
Location
Spain
Users
José Brito, Laura Brito, Andrés Betancort, Tatiana González, Eva Cabrera, Pedro Santana, Hugo Escobar, Samanta León, Ariel Betancor, Caín Santana, Cristina Mendoza, Gisela Rodríguez, Tania Cantallops, Román Brito, Marcos Pulido, Ancor Alfonso, Laura Hernández, participants and neighbors.
Maintained by
Asociación Cultural "Orquesta Bela Bartok”, Fundación Canaria Mapfre Guanarteme, Fundación DISA, Fundación Jungle Sanjuán - SATOCAN, Grupo CAPISA, Obra Social Fundación “La Caixa”, Fundación La Caja de Canarias y BANKIA, Dirección General de Protección a la Infancia y la Familia del Gobierno de Canarias, Restaurante Quebeque, Arimotor Canarias, Concejalía de Cultura del Ayuntamiento de Las Palmas de Gran Canaria, Consejería de Cultura y Consejería de Educación y Juventud del Cabildo de Gran Canaria, Aula Alfredo Kraus del Vicerrectorado de Cultura y Atención Integral de la Universidad de las Palmas de Gran Canaria, Fundación SGAE and crowdfunding.
Duration
2011 - ongoing
Category
pedagogical, economy, social
Nr. and Title
535
Barrios Orquestados (Orchestrated neighborhoods)
Initiator
José Brito
Description
The project has formed string orchestras (violins, violas, cellos and basses) in the suburbs of the capitals of Canary Islands that have special needs at a social and cultural level. In this context, access to the culture does not appear as a priority and is mostly nonexistent. Currently, it is even more complicated within the context of cuts and new regulations on education which are eliminating Arts and Philosophy as subjects of study.
The process of BO is based on local conditions as well as the social and personal background of the participants. The admission to the program is based on the level of respect and commitment to the project by each candidate and their closest relatives, besides the musical skills of each participant (although this is not a requirement in itself). For this purpose, the project shares the learning process with its students, families, volunteer teachers, and also with the specialist teachers of music schools in the district.
Goals
To integrate all citizens in a society which prides itself in being egalitarian in opportunities and possibilities, where they can feel useful and included. This process itself is the main objective, not the final result that may be offered in an auditorium.
Beneficial Outcomes
Barrios Orquestados is already woking in four districts of Gran Canaria (Tamaraceite, Cono Sur, Jinamar and Risco de San Nicolás) and one in Tenerife (La Cuesta and Finca España). They have presented their project at several conferences, including at the University of la Serena in Chile and Colombia. The project has received national and international awards and has been invited to several music festivals.
Images
Location
Germany
Users
Walter Gropius, Hannes Meyer and Mies van der Rohe, teachers (Johanness itten, Lyonel Feininger, Gerhard Marcks, Oskar Schlemmer, Paul Klee, Wassily Kandinsky, Theo van Doesburg, El Lissitzky, László Moholy-Nagy, Lucia Moholy, Marianne Brandt, Herbert Bayer, Marcel Breuer...), students, industrial companies.
Maintained by
Regional and local government, Ludwig Mies van der Rohe
Duration
1919 - 1933
Category
pedagogical, economy, social
Nr. and Title
464
Bauhaus
Initiator
Walter Gropius
Description
A school for artists, architects and craftsman that combined fine arts and crafts with production for commercial and industrial purposes. The school had a programme based on the idea of creating a "total" work of art, where all the arts were integrated. Its style became one of the most influential currents in modern design, architectural education, graphic design, interior design and typography. The Bauhaus was lead in its different locations - Weimar, Dessau and Berlin - by Walter Gropius, Hannes Meyer and Ludwig Mies van der Rohe respectively. Within its teachers were architects, painters, sculptors and designers.
Goals
To undertake design that combined rationality, functionality and mass production systems breaking the barriers between craftsman and artist.
Beneficial Outcomes
The Bauhaus brought art and design closer to daily-life.
Images
Location
US
Users
People living in homeless shelters
Maintained by
A Blade of Grass, Brooklyn Arts Council, Asian Arts Initiative, ArtPlace America, the Visual Artist Network Exhibition Residency, Esopus Foundation.
Duration
2006 - ongoing
Category
economy, social
Nr. and Title
552
Beauty in trasition
Initiator
Jody Wood
Description
The project consists of a mobile hair salon built inside an old ice cream truck. The pop-up salon provides beauty services to people living in homeless shelters, including hair wash, cut, and color from a team of volunteer stylists. While offering access to a cosmetic service may seem unessential for people who always negotiate for basic services, ‘Beauty in Transition’ provides a space where people feel dignified by choosing self-representation.
Goals
To provide cosmetic services to people living in homeless shelters.
Beneficial Outcomes
People can have cosmetic services for free. By experiencing an ‘unnecessary’ service they may re-access a part of their forgotten identity linked to how they appear in society.
Images
Location
The Netherlands
Users
General public and everybody who enjoys biodiversity and a variety in their diet.
Maintained by
The Blindpainters Foundation and citizen in the neighbourhood(s). General directions and specific details are peered with a scientific group of advisors and the individual activities have been made possible by the following: Rijkswaterstaat (Ministry of Infrastructure and Environment), the Province Noord-Holland, the Prins Bernhard Culture Fond, City of Amsterdam, Amsterdam Council West, Amsterdam Council East, the GWL terrain, De Alliantie, ABC Alliantie West, Groen en Doen, het Fonds voor Oost, ANMEC, NMA, HB|3D bv, 3D Orbit and Veldtwerk.
Duration
2011 - ongoing
Category
scientific, pedagogical, politics, urban-development, economy, environment, social
Nr. and Title
487
BeeCare – The Inner City as Nature Reserve for Pollinators
Initiator
Hans Kalliwoda
Description
BeeCare is an interdisciplinary art project that combines sociological, ecological and educational elements through performative acts, sculptures and scientific research. It is a series of art interventions in public space, addressing the urgency of the global pollination problematic by creating Inner Cities as Nature Reserves for pollinators. Pollinators are the basis of a healthy ecology and the cause of being in the midst of the sixth mass extinction. There are 360 different species of bees in the Netherlands, half of them are on the list of being endangered and becoming extinct. There is one species of honeybee, the rest of the species are wild bees. Honey bees are quantity and wild bees (solitary bees and bumblebees) are quality pollinators and form the very basis of the biodiversity in the ecosystem.
Nowadays, bees do better in inner cities than on the countryside. This is mainly due to toxicity in the water system through the use pesticide over the last 50 years, monoculture of crops grown that delivers food only in certain periods of the year and destruction of nesting opportunities. Between the beginning of the 90’s and 2018 we measured a decline of 75% of flying insects. The trend goes towards a greater loss, which will have grave consequences for biodiversity in the near future.
Buckminster Fuller says: ‘If you want to change how someone thinks, give it up; you cannot change how another thinks. Give them a tool, the use of which will lead them to think differently.’ The sculptures that are placed in public space are tools for local citizens to get hands-on engaged in creating Nature Reserves for pollinators. A healthy social cohesion is a precondition for ecological sustainability. The sculptures are made in partnership with the Dutch Nature museum (Naturalis), the ecology department of the TU Darmstadt in Germany and a group of entrepreneurs, who through the means of state-of-the-art 3D printing processes believe in a holistic approach with circularity and upcycling as a must. BeeCare is a GLOCAL intervention project in public space, conceived/executed by Hans Kalliwoda and produced by the Blindpainters foundation.
Goals
Awareness creation of problems and potential solutions in inner-city neighbourhoods by using diverse artistic methods. Installing tools for local citizens to engage them in spiritual and cultural transformation. Establishing thresholds of healthy environments with an infrastructure where indigenous bees can survive and flourish until the countryside has lost its toxicity. BeeCare contributes to knowledge creation and transfer, avoids species extinction and advances biodiversity.
Beneficial Outcomes
Taking away stinging fear by door-to-door leaflet spreading on differences between bees and wasps; The RefuBee campaign in public space; Lobby on green policy management to adjust mowing; Organic beekeeping with own honey bees; Symposia on ‘Biodynamic Beekeeping' and ‘The Inner City as a Nature Reserve’; Distribution of 5-star Bee hotels; Annual Bee Film Festivals at the local cinema; Guerrilla gardening, sowing and planting with people in all seasons in the neighbourhood; Workshops on gardening and on making bee hotels; Distribution of information via various media channels (newspapers, digital); The Veggie Rocket' education project in Amsterdam schools; Inspiration sessions on swarm intelligence for top managers of Rijskwaaterstaat at the 'Future Pollination Lab' ; Pushing for alternatives to pesticide used in parks and on roadsides. With the support of people in the neighbourhood, we set up an exemplary case to replicate and implement in other Inner-city neighbourhoods, nationally and internationally.
Images
Location
Turkey
Users
Hikers and everyone who is concerned about urban and landscape transformations in the area of Istanbul
Maintained by
Serkan Taycan and volunteers. It was initially supported by the 13th Istanbul Biennial.
Duration
2013 - ongoing
Category
urban-development, environment, social
Nr. and Title
583
Between Two Seas
Initiator
Serkan Taycan
Description
The project consists of a four-day walking route in the near West of Istanbul, between the Black Sea and the Marmara Sea. While walking, users can experience the threatening changes in the urban landscape starting from the outermost periphery of the city, passing through rural and uninhabited areas and water basins, to its centre. The route is 60-km long and it is composed of four 15-km parts, which can be covered over four days. The lignite mines are along the way, as well as the area reserved for the new airport, the road leading to the 3rd bridge on Bosphorus, excavation dump sites, industrial sites and residential areas, inner-city vegetable gardens, and sites of cultural and historical significance such as the Yarımburgaz Caves. The latter is the oldest settlement in Istanbul. The project provides a platform to witness the ongoing radical transformation of the city, which is threatening both the ecological and the social life of the inhabitants. It stimulates the perception and the understanding of the surroundings in an experience-oriented way through walking. The project was initiated in collaboration with an urban geographer (Jean-François Perouse), a graphic designer (Didem Ateş), a multidisciplinary design studio (Superpool), a trail maker (Kate Clow), and other professionals, including architects, urban planners, biologists, cartographers, and historians.
Goals
The route, as a ‘passage’ between the Black Sea and the Marmara Sea, is a tool that allows its users to experience the urban transformation of Istanbul in an unmediated way. Following the environmental debates which were raised during the Gezi Park protests in 2013, the project becomes a platform for the discussion of the latest developments on projects of urban transformation. The project aims at encouraging citizens to experience the city through the act of walking.
At times when being an active citizen is difficult in Turkey, the project helps to catalyse media coverage and to link the local discussion to an international context.
Beneficial Outcomes
The project keeps record of how the route is used by hikers. Maps, photographs, video footages, films and sketches which consistently record the changes in the landscape are constantly being produced. Each hiker becomes an active witness as well as a co-producer of the project. The route helps to create and expand an international network of individuals and organizations who are concerned about urban issues and consider the act of walking as a tool. The initiator created another route in Athens, Greece that was adapted to local urgencies. Between Two Seas became a member of the ‘Cultural Routes in Turkey’ Association. More than 30 group-walks have been organized, 6 of which were conceived as excursions for research groups, including KTH Royal Institute of Technology - Sustainable Urban Planning and Design, Harvard University Graduate School of Design Mellon Urban Initiative, Bergen School of Architecture, ENSA Paris-Malaquais School of Architecture, University of Minnesota School of Architecture. Individuals and separate groups have also organized their own walks using the published map - available in bookshops across Istanbul- of which 50,000 have been printed so far (the Istanbul Foundation for Culture and Arts (İKSV) published two editions of 10,000 each, and ATLAS magazine, a geographical monthly, printed 30,000 copies as a free supplement).
Images
Location
Spain
Users
Citizens of Barcelona, professionals and anyone interested in self-built construction systems using natural-compostables or re-used materials.
Maintained by
BaM-Bioarquitectura Mediterranean Association, SiteSize, Olab, Labs, Meridiano70yMedio. Besides, they developed a crowd funding campaign and they have the support of many organizations like Barcelona Permaculture , Research Canyera , Sitesize , COAC Barcelona and companies offering materials such as Slow -House (ground), Casaspasivas ( straw) Hempsystem ( hemp ) , Olab -Labs ( digital manufacturing).
Duration
2014-2017
Category
urban-development, economy, environment, social
Nr. and Title
527
BioBui(L)t Txema
Initiator
V. Maini (BaM), E. Silvestre, T. Solanas, J. Capell's, 20 professionals and activists.
Description
Spain is a country with more than 25% of unemployment combined with huge political and social crises. In capital cities as Barcelona we find a high density of cultural institutions combined with large, dense and diverse populations but the lack of dialogue among different institutions and citizens is overwhelming, showing in all its roughness the economical and social cost of not being able to value human & space resources. The local government of Barcelona has opened the door for civil management of the space. BioBuil(L)t Txema is a collaborative self-built construction using natural-compostables or re-used materials to create a public space where develop 3 years of activities to show that is possible to create bridges among citizen, companies and institutions: learning, teaching and discussing around self-buildt systems, providing new models for citizens to build, use and living public spaces. It has created a collective design process, which has integrated the variable and free cooperation of passionate and qualified specialist. They will build a 90m2 polyvalent space created with healthy materials such as straw, clay, hemp, cane and lime. The construction is open to the public and it is expected to last a year. Once finished, it will allow the usage to everybody who wants to meet people, mingle with specialists and support each other to grow up in a healthier and fairer environment. The building is located next to many other important and cultural buildings.
Goals
Build a space that is an example and tool for other projects, showing to the citizens it is possible to auto-build / Experiment and collect data of the usage of materials like straw, clay and hemp / Promote technological innovation and citizens teamwork ability / Example of good practices in social and environmental impacts of construction / Create meeting spaces for knowledge exchange between professionals from different fields and citizens / Teach knowledge about healthy materials usage / Support small and/or specialists committed to healthy building / Set up a "machine" that creates a new economy using basically creativity and ability to connect fields of disperse know-how and material resources.
Beneficial Outcomes
BioBui(l)t Txema’s space will be used for training, research and promotion of healthy building practices and activities in the Mediterranean area. They are willing to create a meeting and exchange space to enable the learning and promotion of the participant’s capabilities and innovative communication systems. This project and the construction retrieves the social purpose of the construction act.
Images
Location
Spain
Users
Fernando García-Dory, Dorian Moore, Stewart Breck, Research Wildlife Biologist - National Wildlife Research Center Yellowstone/ Eugenio Sillero ISOM & Dpto. Ingeniería Electrónica - E.T.S.I. de Telecomunicación / National Park of Picos de Europa / Laboral Centro de Arte / Libellium, sheeps and shepherds.
Maintained by
Fernando García-Dory.
Duration
2006 - ongoing
Category
scientific, economy
Nr. and Title
264
Bionic Sheep
Initiator
Fernando García-Dory
Description
The bionic sheep project comprises a device (Flock Protection System) placed around the neck of the sheep that emits an ultrasonic signal, audible and annoying only for wolves and other canidae. This first prototype was field tested in 2008. Another prototype had also been developed, equipped with a system of geo-positioning which transmits a signal to the PDA of the shepherd who can see where the flock of sheep is localised. Both devices have been developed with the assistance of shepherds.
Goals
To develop a portable, solar-powered, ultrasonic Flock Protection System to help shepherds protect their sheep.
Beneficial Outcomes
The Flock Protection System provides a technological and creative solution to the age-old pastoral rivalry of the shepherd and the wolf so that wildlife and farmers can co-exist in harmony. The system is intended to have an open source license (such as the TAPR Noncommercial Hardware License) meaning that any interested person or organisation would be free to reproduce and improve it.
Images
Location
Online
Users
Users of the website
Maintained by
Bioswop
Duration
2009 - ongoing
Category
economy, social
Nr. and Title
359
Bioswop
Initiator
Natasha Sadr Haghighian
Description
Bioswop is a cv-exchange platform. The idea is to provide curriculum vitae, bios, resumés for people to use and borrow. With a list of several institutions, the assembly of a CV is possible without utilising existing CVs. The assembled or borrowed CV can be downloaded as a pdf file. It will carry a footnote 'this CV was borrowed through www.bioswop.net'. The project is entirely based on trust and involves no monetary exchange.
Goals
In best-case scenario the project should devalue the notion of CVs altogether, and their essentialist elements such as ‘origin’, as well as the accumulated trade value created through image exchange on the market place.
Beneficial Outcomes
People can provide CVs and/or borrow names and programmes of institutions as basics elements for CVs assembly.
Images
Location
Indonesia
Users
Villagers of Muntuk, visiting artists, ecologists and NGO workers.
Maintained by
Marco Kusumawijaya and other co-workers from Rujak Centre for Urban Studies, Arsitek Komunitas (ARKOM) Yogyakarta, Antariksa of Kunci Cultural Studies Centre.
Duration
2012 - ongoing
Category
economy, environment, social
Nr. and Title
542
Bumi Pemuda Rahayu
Initiator
Marco Kusumawijaya and other co-workers from Rujak Centre for Urban Studies, Arsitek Komunitas (ARKOM) Yogyakarta, Antariksa of Kunci Cultural Studies Centre
Description
Bumi Pemuda Rahayu aims to support a vision of ecological sustainability through works with communities and arts on practical and theoretical levels. Architecturally the site itself is built on a model of self-sustainability, using various methods to approach minimum carbon footprint. All the materials used have been chosen for its lowest impact on energy, using recycled materials with the main building itself made from bamboo. All its waste will be recycled or composted, with specially designed human waste recycling plant to generate electrical power. The garden has been planned to be completely edible. Aside from its architectural and environmental focus the other important aim is to support the local community. People from the local area were invited to be an integral part of this new centre and have already been employed to help build the centre, including the main bamboo multipurpose hall. They have been given training in new skills from master bamboo builders and expert architects and landscape designers. The centre’s arts programs aims at process and forms that are innovative and creative for the local area within an international context. The activities that have been run in the past include science workshops for children, bamboo making workshops, artist residencies, puppet making with the local children and video making classes with women from Munthuk.
Goals
Developing and supporting ideas for ecological sustainability through works with communities and arts on practical and theoretical levels.
Beneficial Outcomes
Employment of the villagers of Muntuk; Knowledge exchange between villagers, architects, artists and others; Seeding of new longer term projects investigating ecological sustainability.
Images
Location
United Kingdom
Users
Homeless, displaced people, scholars and public.
Maintained by
Charity
Duration
1991 - ongoing
Category
pedagogical, economy, social
Nr. and Title
171
Cardboard Citizens
Initiator
Adrian Jackson
Description
Cardboard Citizens is a theatre project and performing arts collective staged, in the street, in hostels, prisons, schools as well as traditional theatre venues, whose theme relates to the living conditions of homeless and displaced people. The purpose is to let the public understand the problems of these people. For this reason, following the Theater of the Oppressed methodology, instead of recruiting homeless men and women, the organisation has an open and ongoing process, which create dialogues and workshops to determine the nature of the performances.
Goals
To use theatre as a catalyst for change, growth and learning for participants and audience.
Beneficial Outcomes
In addition to offering opportunities for the excluded people bringing out all kind of issues around homelessness, Cardboard Citizens supports the performers through the housing, education, health, employment, personal and professional development.
Images
Location
United Kingdom
Users
Gerard Morgan-Grenville, Volunteers, students and visitors.
Maintained by
Funded by donations from Morgan-Grenville's contacts, companies and manufacturers provided products to be displayed and demonstrated in use.
Duration
1973 - ongoing
Category
urban-development, economy, environment, social
Nr. and Title
260
Centre for Alternative Technology (CAT)
Initiator
Gerard Morgan-Grenville
Description
The CAT originated in 1973 in Wales as an experimental community dedicated to eco-friendly principles and a 'test bed' for new ideas and technologies. In 1975 it opened a Visitor Centre and, in the 1980s, a study centre running residential courses on all aspects of green living: environmental building, eco-sanitation, woodland management, renewable energy, energy efficiency and organic growing.
Goals
To search for globally sustainable, whole and ecologically sound technologies and ways of life.
Beneficial Outcomes
During the last 40 years, the center has been offering free information, curriculum-based education, residential education trips, and teacher training to visiting schools, colleges and universities. It also publishes books on key environmental issues, runs a graduate school, and a successful volunteer programmes for those that want to gain hands-on experience. Finally, it has a growing network of supporter members who receive their quarterly magazine and an invite to their annual conference.
Images
Location
Albania
Users
the artist, inhabitants of Alexander cel Bun.
Maintained by
Tirana 2 Biennial
Duration
2003
Category
urban-development, economy, social
Nr. and Title
037
Cesme
Initiator
Matei Bejenaru
Description
The project consisted in a public intervention in the city centre of Tirana, in front of Enver Hoxa Monument, realised to distribute free drinking water by temporary using the city water main during the Tirana Biennial. The project started from the fact that a large number of the population in Tirana did not have access to drinking water.
Goals
Offer a public service within the context of one of the most iconic symbols of the communist state.
Beneficial Outcomes
The inhabitants had free access to drinking water during the Biennial.
Images
Location
Mexico
Users
Chiapas Media Project, Promedios France, CLACPI (América Latina), Zapatista Communities.
Maintained by
Angelica Foundation, Daniele Agostino Foundation, Chace Fund, Funding Exchange, Fund for Global Human Rights, Goldman Environmental, Foundation Global, Fund for Human Rights, Honor the Earth Fund, John D. and Catherine T. MacArthur Foundation, Joshua Mailman Foundation, Peace Development Fund, Reebok Human Rights Award, Riverside Sharing Fund, Solidago Foundation, Unitarian Universalist Service Committee, US-Mexico Fund for Culture Vanguard Foundation, William H. Donner Foundation
Duration
1998 - ongoing
Category
pedagogical, politics, economy, social
Nr. and Title
533
Chiapas Media Project (Promedios de comunicación comunitaria)
Initiator
Promedios
Description
CMP is a project established by a group of filmmakers and media artists that went to Chiapas to report about Human Rights violations and the situation with the Zapatistas Communities. They decided to provide video equipment, computers and training enabling marginalised indigenous communities in Southern Mexico to create their own media. CMP instructors worked in close collaboration with autonomous Zapatista communities sharing knowledge, technics and skills. As a consequence, indigenous youth with little formal education, and often working without reliable electricity, have produced videos on critical issues as agricultural collectives, fair trade coffee, women’s collectives, autonomous education, traditional healing and the history of their struggle for land.
Goals
Responding to the Zapatistas Communities demands of media access. Offer training and resources to document and denounce Human Rights violations, building their own autonomy through communication.
Beneficial Outcomes
CMP has distributed over 6000 indigenous produced videos. These videos have been screened at universities, museums, and film and video festivals worldwide. All the participants got a complete professional training. Currently, CMP functions solely as a distributor of the Zapatista productions and other documentaries from Mexico and Promedios de Comunicación Comunitaria continues working with the Zapatista communities.
Images
Location
United States
Users
Homeless people
Maintained by
Dan Peterman, Resource Center
Duration
1988
Category
urban-development, economy, social
Nr. and Title
226
Chicago Compost Shelter
Initiator
Dan Peterman
Description
While working for the Resource Center, a non-profit recycling organization, Dan Peterman converted an adjacent lot into a temporary shelter for the homeless. Peterman created Chicago Compost Shelter with a Volkswagen van body, burying it in compost to retain heat. The van’s seats were removed, making the space large enough for a bed and some furniture. The compost used for the shelter was collected as part of a project to recycle organic waste in Chicago by the Resource Center. The compost consisted of a mixture of leaves, grass, clippings, and police horse manure.
Goals
Temporary shelter for homeless in the winter, using organic material to produce heat.
Beneficial Outcomes
Heated, temporary shelter without the danger of fire.
Images
Location
The Netherlands, Austria
Users
CAE, Creation is Crucifixion and the Carbon Defense League, Teenage boys
Maintained by
CAE, coproduced by Carbon Defense League, Institute for Applied Autonomy, RTMark.com
Duration
1998 - 2001
Category
scientific, pedagogical
Nr. and Title
431
Child as audience
Initiator
Carbon Defense League, Critical Art Ensemble
Description
This project began in 1998 by the Carbon Defense League, with the support of Critical Art Ensemble and Institute for Applied Autonomy. It was designed for teenagers and consist in a package composed of a host of radical software, a hardcore CD, instructions on how to hack a Nintendo Game Boy and a pamphlet on the oppression of youth.
Goals
The final aim was to provide the necessary information on how to hack a Nintendo Game Boy. It meant to bring together the efforts of the Carbon Defense League, and Creation Is Crucifixion, to digitally invade one of the icons of the consumer age, the Nintendo Gameboy.
Beneficial Outcomes
The teenagers discovered how to hack a Gameboy and the first CDL game.
Images
Location
United States
Users
Josiah Warren, inhabitants of Cincinnati.
Maintained by
Josiah Warren and clients
Duration
1827 - 1830
Category
politics, economy, social
Nr. and Title
454
Cincinnati Time Store
Initiator
Josiah Warren
Description
A store where customers could purchase goods with "labour notes", which represented an agreement to perform labour. This was determined on the principle of the equal exchange of labour, measured by the time taken, and exchanged hour for hour with other kinds of labour. Warren embraced the labour theory of value, which says that the value of a commodity is the amount of labour that goes into producing or acquiring it. Warren summed up this policy in the phrase "Cost the limit of price," with "cost" referring to the amount of labour one exerted in producing a good. He set out to examine if his theories could be put into practice by establishing his "labour for labour store". His experiment proved to be successful.
Goals
To establish various colonies whose participants all agreed to use "cost the limit of price" in all economic transactions, hoping that all of society would eventually adopt the tenet in economic affairs.
Beneficial Outcomes
Anyone could purchase goods without money but with an exchange of labour. Created a new system in how to value goods.
Images
Location
The Netherlands
Users
Stichting Terremoto (UlrikeHelmer and Boris Everts), Residents of Nieuw Unicum.
Maintained by
Stichting Nieuw Unicum, SKOR
Duration
1995 - ongoing
Category
urban-development, social
Nr. and Title
298
Circuit II
Initiator
John Körmeling
Description
Körmeling has created a circuit for wheelchairs for the inhabitants of Nieuw Unicum Foundation, a communal accommodation facility for physically handicapped people in the dune area of Zandvoort. The artist has thus transformed his art work in a project designed to improve the life of these people and let them enjoy the natural environment at the same time. Slopes and turns, are designed to give easy access for wheelchairs. The project was completed with a film "Stichting Earthquake" about how to use the circuit.
Goals
Increase the possibilities of movement and freedom through the dunes to the wheelchair's users.
Beneficial Outcomes
The dwellers of Nieuw Unicum could go outside through the dunes with their wheelchairs.
Images
Location
United Kingdom
Users
Models
Maintained by
Hussein Chalayan
Duration
2000
Category
urban-development
Nr. and Title
225
Coffee Table skirt
Initiator
Hussein Chalayan
Description
Hussein Chalayan realised a set of portable furniture, including a coffee table that transforms into a wooden skirt, 4 chairs cases that transform into dresses or fold into travel suitcases. He presented the project as a living room set on the catwalk stage. Furniture turned into dresses and suitcases, so the models could leave their stages with their portable objects.
Goals
It was inspired by the designer's thinking on the wartime impermanence that finds homes raided and families forced to flee or be killed.
Beneficial Outcomes
The furniture is portable and wearable.
Images
Location
United Kingdom
Users
People living in Barking and Dagenham and wider east London, clients who buy drinks, commission bars, and researchers who use Company Drinks as a case study.
Maintained by
Initially funded by the 2014 Create Art Award, today the project is a Community Interest Company and it is run by Kathrin Böhm, Cam Jarvis, Pip Field, Oribi Davies and Tracky Crombie, Alice Masson-Taylor and Shaun Tuck (all part-time). Company Drinks is organized around a diverse set of economic underpinnings, stressing the monetary and non-monetary factors. Funders of the 2018 programme include The Wellcome Trust, Heritage Lottery Fund, the Greater London Borough of Barking and Dagenham, Big Lottery Fund, Barking and Dagenham Renew, Arts Council England and Santander Discovery Grant.
Duration
2014 - ongoing
Category
economy, social
Nr. and Title
577
Company Drinks
Initiator
Kathrin Böhm, Myvillages
Description
Company Drinks is a community enterprise which links the history of east London families 'going picking' (fruit and hops) to the constitution of a new business which incorporates the whole drinks production cycle, and makes each step of the cycle accessible. The commercial aspect of the enterprise supports the communal and cultural one, and Company Drinks runs a year-round intergenerational programme that includes growing, picking, making, socializing, trading and discussing economy. The base is a former sports pavilion in a park in the London Borough of Barking and Dagenham, which has a large club room, a training and production kitchen and a large outdoor area with growing and recreational spaces. Workshops, public events and 'Hopping Afternoons' are held here which combine local heritage, local resources such as spare fruit and growing spaces, local skills such as recipe ideas, drinks production, specialist and localised knowledge, and a local economy. The drinks range change every year according to who are the people who go picking, where they pick and which recipes they might suggest.
Goals
Company Drinks produces syrups, sodas, saps, tonics, ciders, pop, and beers to be sold in order to establish an enterprise based on the principles of community economy, and to sustain a wide program of cultural activities such as workshops, events and study days about alternative economies. In addition, the project creates an open public space where different generations of people coming from different cultural background can meet and produce drinks. Drinks are mainly sold during events locally and London wide. It is possible to buy them at the Barking Pavilion or in honesty fridges across London.
Beneficial Outcomes
Every year around 1200 local residents engage with the project through various activities. The project has been recognised on a national and international level and today, it has developed into a fully-fledged community enterprise with a permanent base in Barking Park.
Images
Location
United States
Users
Jon Rubin, Dawn Weleski, staff, and customers.
Maintained by
The Frank-Ratchye STUDIO for Creative Inquiry at Carnegie Mellon University, The Benter Foundation, The Heinz Endowments, The Sprout Fund, Jon Rubin, and Dawn Weleski.
Duration
2010 - ongoing
Category
politics, social
Nr. and Title
433
Conflict Kitchen
Initiator
Jon Rubin and Dawn Weleski
Description
Each Conflict Kitchen includes events, performances, and discussions that seek to expand public engagement with the culture, politics, and issues at stake within the focus country. The restaurant rotates identities every few months in relation to current geopolitical events. For example the focus started in 2015 was on the food, culture, and politics of Iran. The food comes packaged in wrappers that include interviews with Iranians on subjects ranging from culture to politics. The thoughts and opinions from the interviews and programming are often contradictory and complicated by personal perspective and history. These natural contradictions reflect a range of thought within each country and serve to bring about questioning, conversation, and debate with customers. Previous focus countries have included Afghanistan, Cuba, North Korea, Palestine, and Venezuela.
Goals
Engage the general public in discussions about countries, cultures, and people that they might know little about outside of the polarising rhetoric of governmental politics and the narrow lens of media headlines.
Beneficial Outcomes
Customers eat food from other countries. It has presented the only Iranian, Afghan, and Venezuelan restaurants the city has ever seen. Questioning, conversation, and debates have been ignited.
Images
Location
Russian Federation
Users
Workers, artists
Maintained by
Karl Ioganson
Duration
1923
Category
economy, social
Nr. and Title
277
Constructivism – Finishing Machine
Initiator
Karl Ioganson
Description
In 1923 Karl Ioganson achieved the constructivist fantasy of the artist-engineer working in the metal industry. He decided to stop working as a sculptor and he started working as a metal cutter at the Krasnyi Prokatchik, a metal rolling factory in Moscow. There he invented a "finishing machine", which consisted in a mechanized system for the treating of aluminum, tin and lead that would raise the productivity of labor by 150%.
Goals
Change the role of artists, to become the artist-producer (‘khudozhnik-proizvodstennik’) as Nikolai Tarabukin wrote, to design the process through aspects of production. He became a true worker at the factory workbench who is also an inventor, rather than an artist fulfilling a managerial-designer role.
Beneficial Outcomes
A closer integration of art, work and life. The invention of a machine that raised the production.
Images
Location
The Netherlands, Spain
Field
Loopholes, Hacking, Extraterritorial Reciprocity, Userhsip
Strategy
Legislative Change, Use of the space as a common good, Space Hijack, Housing Rights, Right to the city
Users
Open to all users
Maintained by
Initial supporter was Casco Office for Art Design and Theory, Utrecht. It is maintained by the initiator in collaboration with hosting institutions that organise readings of the convention such as Centro de Arte Dos de Mayo (Madrid) and Tenderpixel (London)
Duration
2015 - ongoing
Category
urban-development, economy, social
Nr. and Title
530
Convention on the use of space
Initiator
Adelita Husni-Bey
Description
The project consists of a legal instrument drafted as a response to the housing crisis: the lack of affordable homes, absence of provisions for those without the legal right to stay, rising rents, and the criminalisation of squatting. Husni-Bey, in collaboration with different participants (lawyers, activists, academics, squatters, researchers and cultural workers), wrote the text through a series of public drafting assemblies. During the collective sessions, the document was created, amended, critiqued and transformed. To be able to assist in making legal claims in court, the convention was written with the assistance of lawyers, yet it uses a legitimate form to make claims that are currently not considered legal. The document, therefore, provides an explanation of the motive behind an illegal action - squatting, for instance - and attempts to unite and protect struggles against the privatisation of space and housing.
Context
The Convention declares that occupation should be re-legalized, or made legal, or protected, depending on the state where the Convention is taken to, and that urban space should not be speculated upon, should be protected, essentially that everybody should have a right to space. The different claims that it makes in the orientations and different directions that this gets taken to are the result of different legislations that the Convention approaches because every single country in Europe has its own legal codes around housing. Therefore the Convention needs to be a travelling document that goes to each different European state in order to rewrite itself according to local legislation.
Goals
Legitimate and protect certain uses of ‘empty’ space to be occupied to produce non-marketable uses: living, sharing knowledge and skills, occupying space in protest, running cooperative systems of wealth and labour distribution, providing mental and physical support, or protecting space from environmental destruction. Going forward the Convention will be hosted in different EU countries, translated and open to further amendments, in order to produce a ‘European Convention on the Use of Space’.
Beneficial Outcomes
Facing the absence of European laws protecting the urban commons, the convention supplies the lack and acts as a contract. Subjects that sign it agree with its principles and guidelines. The convention can be used as a supportive document in court and affixed in spaces threatened with eviction.
Images
Location
United States
Users
The members of the co-operative
Maintained by
Melusina Fay Peirce
Duration
1870
Category
urban-development, economy, social
Nr. and Title
275
Cooperative Housekeeping
Initiator
Melusina Fay Peirce
Description
Melusina Fay Peirce was a writer, a social scientist, and a feminist who developed a cooperative housekeeping model as a solution to reduce the burden of housework for women in order that they could pursue other interests. She extended an idea already implemented for labour movements and consumer cooperatives such as farmers for the benefit of women. In 1870, she founded the Cooperative Housekeeping Association with a group of 15-20 women that would carry out the common tasks of cooking, laundry and sewing. The common tasks would be done by skilled women on a wage, and the goods and services being sold to members with profits shared. Peirce theorized about her idea of communal kitchens and laundries from neighborhoods of detached houses to apartment blocks and even patented her design for a co-operative apartment building. She used the term 'cooperative housekeeping' for her proposal published in the journal Atlantic Monthly from 1868-69.
Goals
The co-operative housekeeping would permit women to develop other activities in many different fields. It pursued the idea of bringing together women from hugely different backgrounds and did away with house-servants.
Beneficial Outcomes
The members of the cooperative shared domestic-tasks earning some money and time to spare in other fields.
Images
Location
Mathare slum, Kenya
Users
Diana Adhiambo, Margert Adhiambo, Philgona Aluo, Brian Bera, Mary Mueni, Ann Mwikali, Millicent Ochieng, Susan Odhiambo, Rose Onyango, Nancy Opondo, Maureen Otieno, Alicja Wysocka, clients of the cooperative and artists who collaborated with the cooperative: Joanna Rajkowska, Małgorzata Markiewicz, Radek Szlaga, Paulina Ołowska, Dawid Polony
Maintained by
The project was made possible thanks to the support and assistance of the Razem Pamoja Foundation.
Duration
2017 - ongoing
Category
pedagogical, economy, social
Nr. and Title
570
Cooperative Spółdzielnia Ushirika
Initiator
Alicja Wysocka (Alfa Omegi), Razem Pamoja Foundation
Description
Cooperative Spółdzielnia Ushirika is a socio-artistic project, grounded in traditions of cooperative movements, run by the initiator and the community of Mathare Valley in Nairobi. Members of the cooperative produce mainly clothes and other accessories such as bags, school rucksacks, and travel bags, which are sold on and offline. Workers have an active role in the final form of the product they create, the work is not just limited to a passive re-making of a pre-established design. All cooperative members are provided with health insurance, a training, and workshops for learning how to use manual and electric sewing machines. According to the tribal tradition of the region, conversations and communal meals prepared by cooperative members are part of everyday work. Women are allowed to go to work with their children. Today, 10 women and a man are employed in the cooperative, the cooperative is equipped with 9 sewing machines (including 3 electric ones). The regular work shift is from Monday to Friday, 9:00 to 16:00 including a lunch break.
Goals
To provide workplaces to people excluded by the economic system, contributing to a fair redistribution of goods. To ensure safe and healthy working condition. To provide training and skills improvement in sewing for its new members. The profit generated by the cooperative covers the salaries of the members and it sustains cooperative's costs such as rent, materials, equipment maintenance, purchase of food for communal meals and the remuneration for the teachers leading workshops.
Beneficial Outcomes
The cooperative fosters a change of economic and social situation of the cooperative's employees. It encourages well-being and comfort at work. Workers learn skills in preparation for labour market. The cooperative uses locally sourced materials, thereby supporting the local economy. Used tires and plastic bags are recycled. In the first 5 months of activity, workers have produced over 200 bags (the first 3 months consisted in the training period for the workers). Today workers produce around 200 bags and backpack per month. With the help of a local cobbler, workers produced a collection of sandals made from recycled plastic bags. The current team is: Elizabeth Akoth, Diana Adhiambo, Margert Adhiambo, Philgona Aluo, Brian Bera, Mary Mueni, Ann Mwikali, Millicent Ochieng, Susan Odhiambo, Maureen Otieno, Alicja Wysocka.
Images
Location
Italy, China
Users
The artists, Audience.
Maintained by
Alterazioni Video
Duration
2005 - ongoing
Category
economy, social
Nr. and Title
271
Copy-right no Copy-right
Initiator
Alterazioni Video
Description
This project consists of an open multimedia archive, while at the same time, it is also a physical place. Alterazioni Video, as a kind of gift, makes artists’ multimedia archives (films, pictures, mp3. etc.) available to the public – allowing people to download and upload files for free, while also sharing their own information.
Goals
The aim is to invite users to ponder the meaning of memory.
Beneficial Outcomes
Visitors can download for free whatever they want from the archive.
Images
Location
Online
Users
Everyone
Maintained by
Coursera staff
Duration
2012 - ongoing
Category
pedagogical, economy
Nr. and Title
269
Coursera
Initiator
Daphne Koller and Andrew Ng
Description
Daphne Koller and Andrew Ng founded Coursera, a social entrepreneurship company that partners with top universities in the world to offer courses online for anyone to take, for free. Coursera envisions a future where the top universities are educating millions of students. The technology enables the best professors to teach hundreds of thousands of students. Their hope is to give everyone access to the world-class education that has so far been available only to a select few. Coursera wants to empower people with education that will improve their lives, the lives of their families, and the communities they live in.
Goals
Empower people with education to improve their lives, the lives of their families, and the communities they live in. Improve resumes, advance careers, or just learn more and expand knowledge.
Beneficial Outcomes
Coursera creates accessible education and a global classroom. It offers courses in a wide range of topics, spanning the Humanities, Medicine, Biology, Social Sciences, Mathematics, Business, Computer Science, and many others, all for free.
Images
Location
Turkey
Users
Designers, Architects, Artists, Engineers, Advertisers, Students.
Maintained by
The project started as a school project; now it is sustained by one of the initiator, Bilal Yılmaz
Duration
2014 - ongoing
Category
urban-development
Nr. and Title
569
Crafted In Istanbul
Initiator
Bilal Yilmaz, Seda Erdural, Baris Gumustas
Description
Craftsmanship in Istanbul is under the danger of extinction with all the knowledge accumulated with generations of masters and apprentices. After visiting some workshops in the city, craftsmen shared with the initiators how their condition and businesses have changed since they started working. Many of them see their practice disappearing due to the growing industrialization, gentrification of the city, urban transformation, and the lack of support from the government. Almost 95% of artisans haven't taken on apprentices and their average age is over 50 years old, meaning that it is going to be more and more difficult to keep their expertise alive for the next generations. The project questions the possibilities of integration of traditional makers, small manufacturers and artisans into today's production and consumption system, in order to avoid their complete disappearance. Initially, an online map has been created with data gathered by the initiators' research. Today, craftsmen who want to appear on the map can contact directly the project via the dedicated website and request to be included on the map. After that, the initiators visit every workshop to gather information about their practice and consequently, the workshop is added to the map. The project allows people, especially designers, architects, artists, engineers, advertisers, and students, who might need to work with a specific material, such as glass, metal, wood, to get in touch with the most convenient person for their needs.
Goals
Crafted in Istanbul aims at creating a map system that makes craftsmen visible, making it possible for designers and other productive sectors to collaborate with craftsmen. The project, not only documents and analyzes the evolution of craftsmanship in the city, but also creates new opportunities for both artisans and designers by collaboration. Through the online map, it is possible to access basic information about craftsmen’s workshops, contact information and area of expertise, and workshop images and stories of the products.
Beneficial Outcomes
Provides a database of craftsman for designers and art producers with a classification according to their expertise. The current map consists of 99 craftsmen who specialized in metalwork, wood, glass and textile products. They are mostly located in the Historical Peninsula, Dolapdere and Shishane region.
Images
Location
United States
Users
Bonnie Ora Sherk, neighborhood residents and art community.
Maintained by
The Trust For Public Land
Duration
1974 - 1987
Category
urban-development, environment, social
Nr. and Title
007
Crossroads Community (The Farm)
Initiator
Bonnie Ora Sherk
Description
Located on 7 acres adjacent to the intersection of several freeway overpasses in San Francisco, The Farm was the home of over 70 domestic animals, gardens, a theatre, a state preschool, an art gallery, a communal kitchen, and a punk rock club. Neighborhood residents, as well as the art community, were invited to participate in The Farm’s interdisciplinary, environmentally oriented activities.
Goals
As a life-scale environmental and social artwork, it brought many people from different disciplines and cultures together with each other and other species—plants and animals. The project involved extensive land transformation including the integration of disparate land parcels—all adjacent to and incorporating a major freeway interchange into a new city culture-ecology park.
Beneficial Outcomes
The Farm transitioned into a new city park with community gardens.
Images
Location
The Internet
Users
Anyone with access to the internet can use the app. If a user signs up as a CSIA agent using an email account, they can gain access to all of the features. Without signing up, users can access the Resource library and social media Post Inspector.
Maintained by
Derek Curry and Jennifer Gradecki
Duration
2015 - ongoing
Category
scientific, pedagogical, politics, social
Nr. and Title
563
Crowd-Sourced Intelligence Agency
Initiator
Derek Curry, Jennifer Gradecki
Description
The Crowd-Sourced Intelligence Agency (CSIA) is an online application that replicates and displays some of the known techniques used by intelligence agencies to collect and process open source information. The app uses technical manuals, research reports, academic papers, leaked documents, and Freedom of Information Act files to construct an Open Source Intelligence (OSINT) system that's accessible to the public. OSINT is gathered from publicly available sources like social media, academic articles, and public data. The application consists of five main parts: The Social Media Monitor, a surveillance interface where users evaluate Tweets based on their threat to national security. Two Naïve Bayes supervised machine-learning classifiers that automatically label tweets as suspicious or not suspicious that users can review for accuracy and idiosyncrasies. The Social Media Post Inspector, where users can submit text to see if a post is likely to be considered threatening by intelligence agencies before sharing it on social media. The Watchlist, where users can target themselves and others as subjects of social media monitoring, and which provides automated evaluations from our machine-learning classifiers to show how social media posts may be treated by OSINT surveillance systems. A Resource Library that links to documents that informed the creation of the app.
Goals
The goal of the CSIA is to expose potential problems, assumptions, and oversights inherent in current dataveillance systems in order to help people understand the effectiveness of OSINT processing and its impact on our privacy.
Beneficial Outcomes
The CSIA provides first-hand experience with social media monitoring, allowing users to choose how they want to navigate social media surveillance.
Images
Location
Colombia
Users
Residents of Bogotá
Maintained by
City Council of Bogotá
Duration
1995 - 1998 / 2001 - 2003
Category
pedagogical, politics, economy, social
Nr. and Title
156
Cultura Ciudadana
Initiator
Antanas Mockus
Description
Antanas Mockus, who had no political experience, successfully ran for mayor of Bogotá. With an educator’s inventiveness, Mockus turned Bogotá into a social experiment, just as the city was choked with violence, lawless traffic and corruption. For ‘Women’s Night’ in 2001, he asked men to stay home and care for their families while the women went out. That night the police commander was a woman, and 1500 women police were in charge of Bogotá’s security. To avoid legal challenges, the mayor stated that the men’s curfew was strictly voluntary. Men who simply couldn’t bear to stay indoors during the six-hour restriction were asked to carry self-styled ‘safe conduct’ passes.
Goals
To make the city safer for women to be in public. To reflect on women’s role in society. To examine the role of men in both domestic and public violence.
Beneficial Outcomes
Under Mockus's leadership, Bogotá saw improvements such as: water usage dropped 40%, 7000 community security groups were formed and the homicide rate fell 70%, traffic fatalities dropped by over 50%, drinking water was provided to all homes (up from 79% in 1993), and sewerage was provided to 95% of homes (up from 71%). For ‘Women’s Night’, about 700 000 women went out, flocking to free, open-air concerts. They flooded into bars that offered women-only drink specials and strolled down a central boulevard that had been converted into a pedestrian zone. Men learned the joys and responsibilities of ‘women’s work’.
Images
Location
United Kingdom
Users
Lawson Park staff and visitors.
Maintained by
Lawson Park staff
Duration
2009 - ongoing
Category
pedagogical, economy, environment
Nr. and Title
482
Culture Shop
Initiator
Grizedale Arts
Description
Culture Shop is a collection of fermenting cultures for use in food produce.
Goals
To use and disseminate yeast-based cultures for the production of healthy food. To produce low-cost and low-impact food storage and exchange cultures.
Beneficial Outcomes
The Culture Shop is a vehicle for discussion in other places – exhibitions, projects etc. – whilst producing for sale. It encourages the growth of knowledge through exchange.
Images
Location
India
Users
Sarai: Ravi S. Vasudevan and Ravi Sundaram (both fellows at CSDS) and the members of the Raqs Media Collective;
Maintained by
Centre for the Study of Developing Societies (CSDS), Delhi; in collaboration with 'Ankur' (Society for Alternatives in Education)
Duration
2001- ongoing
Category
scientific, pedagogical, social
Nr. and Title
079
Cybermohalla
Initiator
Sarai
Description
The project consists of a network of 5 'Media Labs' set up in deprived neighbourhoods in Dehli especially dedicated to kids and women. The aim is to teach people how to use free software in order to save money and to open the access to technologies such as computers, digital photography and film-making. The topics covered include issues related to the social problems of the neighbourhoods in which they live. The workshops are structured with digital images and sound technologies, inviting participants to interpret the urban condition with imagination, a sense of humour, and criticality.
Goals
The Cybermohalla Project (Mohalla in Hindi and Urdu means neighbourhood) addresses the interface between information technology and creativity in the lives of young people who live in a highly unequal society.
Beneficial Outcomes
Fostering understanding of important local issues through collective dialogue
Images
Location
United States
Users
Artists, curators, activists, students
Maintained by
The artist and hosting institutions
Duration
2014 - ongoing
Category
economy
Nr. and Title
553
Day after Debt
Initiator
Ahmet Öğüt
Description
The artist conceived the project as a collaborative exhibition featuring five art-as-response pieces to the student loan crisis and the pressure it causes upon graduates. In its original version, Öğüt invited Natascha Sadr Haghighian, Superflex, Dan Perjovschi, Martha Rosler to present sculptures as collection points for public contribution to The Debt Collective, a student-debt canceling initiative launched by Strike Debt's Rolling Jubilee. Artworks were installed in museum public spaces such as corridors and entrance ways. To complete the project, Öğüt collaborated with a lawyer to write a Letter of Agreement between the artists and potential owners of the pieces, which states the possibility to continue raising funds for the Debt Collective through the artworks. Earnings must be donated to Strike Debt to buy back students’ loan.
Goals
To raise funds for Strike Debt to buy back Student Loans.
Beneficial Outcomes
To buy back Student Loans.
Images
Location
Spain
Maintained by
Núria Güell and Levi Orta, activists
Duration
2014 - ongoing
Category
politics, economy
Nr. and Title
516
Degenerate Political Art. Ethical Protocol
Initiator
Núria Güell and Levi Orta
Description
After creating an anonymous corporation (Orta & Güell Contemporary Art S.A) in a tax haven, the artists Núria Güell and Levi Orta donate the management of their company and the accompanying bank account with all its benefits to a group of activists who are developing an autonomous society project on the sidelines of the capitalist dynamics. This company allows its recipients to evade the regulations imposed by the states, which are the European Central Bank (ECB) and the International Monetary Fund (IMF), challenging the financial system monopoly and thus facilitating a free effectiveness for an autonomous economy development. The founding of the company is thus a tool for establishing a more autonomous financial system, using the contradictory mechanisms of financial capitalism as tools in the struggle against the very system those tools were designed to support.
Goals
Allow users to avoid regulations imposed by states, ECB and the IMF. To analyze the contradictions inherent in copying capitalist strategies and whilst offering a tool to create anti-capitalist social dynamics.
Beneficial Outcomes
Through the bank accounts users are enabled to evade state-imposed regulations, and challenge the monopoly of the financial system, thus facilitating free operations to develop a self-governing economy.
Images
Location
Online and built installations
Users
Anyone can visit the website, Furniture installations can be borrowed or commisioned Artist, Jenny Polak, 3D interaction designer Peter Mackey.
Maintained by
Jenny Polak and art galleries where her work is exhibited.
Duration
2006 - ongoing
Category
politics, social
Nr. and Title
229
Design for the Alien Within
Initiator
Jenny Polak
Description
The project consists of a web-based interactive design tool to help people in designing spaces to hide undocumented immigrants in different locations. The initiator built a prototype of furniture with space for hiding people, which was displayed in several art galleries.
Goals
To raise awareness about the precarious living conditions and danger faced by people living and working without immigration papers, and promote resistance to anti-immigrant authorities.
Beneficial Outcomes
By initiating ‘in-store’ gallery performances, the artist was able to bring additional awareness to the project and the issue.
Images
Location
Croatia
Users
persons diagnosed as having the chronic mental illness of schizophrenia
Maintained by
Vrapče Psychiatric Hospital in Zagreb
Duration
2014
Category
social
Nr. and Title
523
Destigmatization
Initiator
Andreja Kulunčić
Description
Destigmatization was made in Vrapče Psychiatric Hospital in Zagreb in collaboration with a working group consisting of mentor Dubravka Stijačić, prof. (defectologist, social pedagogue and psychotherapist who has since 1996 run an independent unit in the Vrapče Psychiatric Hospital called the Resocialization Centre), Vlatka Prstačić (coordinator of creative workshops), Kuna Zlatica (designer) and persons diagnosed as having the chronic mental illness of schizophrenia who, after being discharged from Vrapče, have endured various forms of the stigmas attached to mental disturbances and their consequences. The “Vrapče Pillows” were made by patients with mental health problems in their endeavour to open up a dialogue about the problem of the stereotypes that became attached to them because of their conditions. The pillows with sparrows (sparrow in Croatian is “vrabac”, which is also the name of the city part where the hospital is located) were concrete and symbolic objects in which associations of the warmth and safety of home were brought together with their repugnance at the hospital ward. The strategy was to promote the pillows through a media campaign as a public speech about the taboo theme of the psychiatric hospital, patients, and mental illnesses.
Goals
The wish here is to find ways in which persons with mental illnesses can themselves talk of the problems, possible solutions, the mistakes that society at a conscious or unconscious level makes with respect to them and to give them tools so that they themselves can find and create spaces in society for their own active inclusion.
Beneficial Outcomes
A large number of people got involved, carrying pillows with them to the places they moved, and putting photographs with pillows on the Facebook page of the project. They would send the pillow to a member of their family, a friend, neighbour or back to the hospital for the next interested person to take it with them.
It raises the level of public awareness, provoking modifications in the perception of persons with mental illnesses, that is, in understanding that the phenomenon of mental sickness is not something distinct from society, that people with social disturbances are a part of society and that they need to be given the chances to become themselves agents in the process of de-stigmatisation.
Images
Location
Chiapas and Mexico City (Mexico), New York City (USA)
Field
Coefficient of art, Deactivate (art’s aesthetic function)
Strategy
Alternative Economy, Right to the land
Users
Zapatista farmers, coffee drinkers
Maintained by
The project was self-initiated, and it is self-funded by the artists. The coffee circulates mainly around art and social justice events in NYC; coffee is also sold door-to-door in the city; the project is additionally financed by Spacebank, an ongoing art project and virtual community investment bank founded by Ilich in 2005.
Duration
2015 - ongoing
Category
urban-development, economy, environment, social
Nr. and Title
544
Diego de la Vega Coffee Co-op
Initiator
Fran Ilich
Description
The Diego de la Vega Coffee Co-op offers organic coffee sourced locally in Chiapas from Zapatista autonomous farms. The coffee is stored and packed in Tijuana; then, it is shipped to New York City to be distributed mostly at art & culture and social justice-related events where Ilich and his collaborators engage in a conversation and training about experimental economics models. The artist also organises a door-to-door distribution in Brox, Manhattan, Brooklyn and Queens. The Co-op trades the coffee using alternative currencies, barter of time deposits and accepts voluntary money donations as well. Proceeds are used to buy more coffee from the autonomous Zapatista rebels.
Context
The Zapatistas plant coffee in the mountains and the jungles of Chiapas as a way to fund their activities. Through its bartering in NYC, Ilich enabled the product's circulation and ideas about alternative ways of exchanging products within the economic system.
Goals
The project uses coffee as an excuse to create a sustainable way to fund the production of coffee without exploiting Zapatista farms, to create a network based on solidarity between farmers in Chapas, service industry labourers and users and in New York City mediated by the artist and his collaborators.
Beneficial Outcomes
The exchange of coffee allows the sustainability of the production in Chiapas, and at the same time, it avoids large-scale exploitation of both land and farmers.
Images
Location
United States
Users
Theaster Gates, Inhabitants of South Dorchester Avenue.
Maintained by
Theaster Gates
Duration
2006 - ongoing
Category
pedagogical, urban-development, social
Nr. and Title
062
Dorchester Project
Initiator
Theaster Gates
Description
The project consists of a platform for art and cultural development in the Dorchester neighbourhood, Chicago. After refurbishing some buildings using repurposed materials from all over Chicago, the initiators co-organized the program of activities with residents and it offers free art workshops, it creates new cultural amenities and it develops affordable housing, studio for artists and live-work space. The core values of the project are: black people matter, black spaces matter and black things matter.
Goals
To provide affordable housing, studio, and live-work space for residents of Dorchester, Chicago.
Beneficial Outcomes
Provides cultural institutions in the neighbourhood, brings together different community organisations and individuals, creating what Gates calls ‘radical hospitality’.
Images
Location
United States
Users
Gene Bernofsky, JoAnn Bernofsky, Richard Kallweit, Clark Richert and art students
Maintained by
Independent
Duration
1965 - 1973
Category
environment, social
Nr. and Title
056
Drop city
Initiator
Gene Bernofsky, JoAnn Bernofsky, Richard Kallweit and Clark Richert
Description
Drop City was the first rural commune of the '60s where a group of about 12 adults and children lived in dome-style architectures inspired by the geodesic design principles of Buckminster Fuller. House-domes were built without a systematic kit or an exact design and members of the commune used mostly inexpensive, found materials such as sheet metal hacked off of junked car roofs. The village became a sort of laboratory for experimental building, solar technology and recycled materials, becoming an inspiration for a new generation of DIYers.
Goals
Influenced by Allen Kaprow's happenings and new theories and performances by John Cage, Buckminster Fuller, and Robert Rauschenberg at Black Mountain College, they were determined to break art out of the confines of museums and galleries and integrate it with everyday life. To create a “live-in” work of Drop Art.
Beneficial Outcomes
They used the geodesic design principles to build domes for domestic living, using waste and salvaged material.
Images
Location
Venezuela
Users
Liyat Esakov (architect), Marjetica Potrč, La Vega community
Maintained by
Caracas Case Project and Federal Cultural Foundation of Germany; Ministry of Environment, Venezuela
Duration
2003 - ongoing
Category
urban-development, economy, environment, social
Nr. and Title
049
Dry Toilet
Initiator
Marjetica Potrč
Description
The project consists of a waterless and ecologically safe toilet that collects waste and turns into fertiliser for La Vega barrio in Caracas, an area with no running water. The toilet was built with the residents, a neighbourhood association and architect Liyat Esakov.
Goals
The project provides an 'informal' infrastructure to residents who receive water from municipal authorities no more than two days per week.
Beneficial Outcomes
Collects waste and turns it into fertilizer.
Images
Location
Turkey
Users
Freelance and white collar workers especially specialising on translation, publishing, teaching, NGO’s, arts and culture, informatics; unemployed, grassroots organisations of ecology and migration.
Maintained by
Donations from the members of Dünyada Mekan Collective, twice per year a 'solidarity party' is organized to raise funds.
Duration
2015 - ongoing
Category
politics, urban-development, environment, social
Nr. and Title
571
Dünyada Mekan
Initiator
Sectoral and labour organisations focusing on white-collar workers and freelancers, individuals.
Description
Dünyada Mekan (A Place in the World) consists in a free working space equipped with a kitchen available from 10:00 am to 5:00 pm every day, for white-collar workers and freelancers who, due to the peculiarities of their work, experience isolation and precariousness. As a platform of solidarity, Dünyada Mekan can be used also as a place for gathering during evening times, it hosts other groups who are active in movement building and in the alternative solidarity economies such as Plaza Eylem Platformu and Kaç bize gel. The constituents of the space organise several workshops on video editing, visual design and translation to share their skills with each other, in addition to some other activities such as talks, screenings and presentations. The meetings function as tools for drawing attention to the problematics related to precarious working conditions and isolation, as well as whether these conditions have an effect on individual lives and how.
Goals
To create a solidarity network among freelancers who are usually in high competition due to the precariousness of their work. To open a discussion about freelance work in sharing the issues arising in relations with the employers. To minimise the isolation of freelance workers in providing a free office space, activities, hosting other organisations and creating networking possibilities among peers.
Beneficial Outcomes
Dünyada Mekan has a core group of around 10 people who regularly use the space and around 100 people who gather occasionally for the other activities. The project does not require a membership, it is completely run on a volunteer basis. Grassroots organisations can use the space for their meetings and activities.
Images
Location
Austria
Users
Museum guards, public
Maintained by
Wiener Secession
Duration
1997
Category
scientific, environment
Nr. and Title
076
Dynamo Secession
Initiator
Maurizio Cattelan
Description
Inside the Wienner Secession gallery, a system of bicycles was installed to generate energy. Two security guards were pedalling on bicycles propped on trestles, producing the energy to turn on the bulbs in several of the rooms of the gallery.
Goals
To generate electricity in a gallery space modifying the roles and relationship between the artist, attendants and artworks within the exhibition.
Beneficial Outcomes
Several rooms of the gallery were powered by the bicycles.
Images
Location
United Kingdom
Users
Sandwich Technology School students
Maintained by
Sandwich Technology School
Duration
2004-2006
Category
scientific, environment, social
Nr. and Title
541
East of Eden
Initiator
Lucy Stockton-Smith, Arts Catalyst
Description
For 18 months, Lucy Stockton-Smith worked with teachers and pupils at Sandwich Technology School in Kent to plan, design, build and fully utilise two geodesic ecology domes in the grounds of the school. Each dome now houses a microenvironment in which food crops are grown. The ‘Perma-pod’ is an environment which follows the principles of sustainable land use. It incorporates a wormery and is used to cultivate plants and wildlife which are ‘companions’, and beneficial to each other and the soil. The ‘Techno-pod’ aims to recreate contemporary farming methods, including the use of pesticides and intensive cultivation. These contrasting environments have served as a platform from which artists have led a diverse range of workshops across the school curriculum, in science, art, design and technology, geography, music and history. The project has seized upon areas where science has overlapped into other subjects. Students have been growing a huge variety of fruit and vegetables both inside and outside the domes. They conduct wildlife surveys, document the plant life and use it for inspiration for poetry and writing. Others are currently researching and designing a medieval garden. Other artists have come in to work on the project and lead workshops, including Antony Hall and Marcus Ahlers. Artists’ workshops have included making solar ovens and solar puddles; a bio-acoustic project; and the building of a rainwater harvesting system and an automatic irrigation system for the domes.
Goals
To cultivate understanding of and excitement about ecology and food growing techniques.
To develop self-confidence and autonomous working skills in students.
To develop interdisciplinary projects in a whole school activity.
To integrate art across many areas of the school curriculum.
Beneficial Outcomes
A love of ecology and understanding of where food comes from in young people. Inter-disciplinary and inter-class working, across subjects and age groups, with artistic practice at the heart of all activities.
Images
Location
France
Users
AAA functions as a collaborative network with variable geometry, which organizes itself according to different topics, contexts of intervention, competencies and availability of participants. AAA: Constantin Petcou, Doina Petrescu, Denis Favret, Giovanni Piovene, John Sampson, Giada Mangiameli, John Roberts collaborators : Béatrice Rettig, Jean-Baptiste Bayle, Bordercartograph (Marion Baruch, Miriam Rambach , Arben Iljazi), School of Architecture/University of Sheffield, Antoine Quenardel and inhabitants of La Chapelle area including Fabienne Molinier, Catherine Sachet, Richard Laquitaine, Michèle Chevillon, Phillipe Serret, Abdulaye Sy and many more.
Maintained by
Atelier d'Architecture Autogérée (AAA)
Duration
2001 - 2006
Category
urban-development, environment, social
Nr. and Title
066
ECObox
Initiator
Atelier d'Architecture Autogérée (AAA)
Description
Initially conceived as a community temporary garden to encourage residents to critically think about misused and underused space, the project became the ground for participatory urban experimentations in the La Chappelle area of northern Paris. The initiators together with the residents started establishing a garden using recycled materials and they fostered a flexible use of the space in order to preserve a so-called 'urban biodiversity'. They invited different external collaborators to organise workshops and other activities, which provided the garden with a series of modules of mobile furniture such as an urban kitchen, a play station, a media lab, a library, a rainwater collector and a joinery mini-workshop.
Goals
To encourage residents to get access to and critically transform temporary misused or underused spaces.
Beneficial Outcomes
Offering the inhabitants the chance to occupy an abandoned space and transform it into a participatory garden and a place for debate.
Images
Location
Turkey
Users
Users of SALT, Community gardeners, Workshop participants, Youth and children, Researchers, Chefs, Urban theorists, Architects
Maintained by
Slow Food Youth group Istanbul and Fevzi Cakmak, SALT Beyoğlu.
Duration
2011 - 2015
Category
urban-development, environment, social
Nr. and Title
554
Edible Estate #11: Istanbul, Turkey
Initiator
SALT, Fritz Haeg, November Paynter
Description
A glass greenhouse with south and west exposure on the top floor of the cultural venue SALT Beyoglu in central Istanbul houses an evolving experimental edible garden environment. Scavenged materials, construction detritus, empty containers, and local finds were gathered to create structures accommodating plants and people. SALT staff and visitors use the casual handmade environment as a green living room and gardening retreat, participating in its creation, use, and development. Local urban gardeners occupy it as an occasional headquarters and seed-starting facility. The planted, structural and furniture elements of the hothouse evolved through time with the growth of the plants and the changing desires of the users, while built elements are continually constructed, adjusted, and reconfigured. The Rooftop Hothouse is a casual laboratory for modest and year-round urban gardening activity cultivating a diversity of edibles. The garden is now managed by Slow Food Youth Group Istanbul.
Goals
The aim was to create an edible estate that would act as a casual laboratory for modest and year-round urban gardening activity cultivating a diversity of edibles. At the same time it was hoped that the space would launch a series of questions, discussions and reflections on cultural agency, urban issues, the environment, what a cultural institution can and should be or do etc.
Beneficial Outcomes
The garden created an alternative environment to the gallery spaces of the institution and sparked debates around what art is and can be, and what it means to present something in an unfinished or developing state. It created a hub for people to gather, to meet, to learn about edible plants and food production. It offered a space for workshops and discussion around urban issues and the environment. Ultimately it opened a series of propositions without offering answers.
Images
Location
Puerto Rico
Users
Chemi Rosado-Seijo, inhabitants of El Cerro.
Maintained by
Chemi Rosado-Seijo, inhabitants of El Cerro
Duration
2002 - ongoing
Category
urban-development, economy, social
Nr. and Title
337
El Cerro
Initiator
Chemi Rosado-Seijo
Description
The project consists in painting the houses of the residents of El Cerro, a community that was initially founded by workers of a coffee plantation that was located there in the past. Over the years, over 100 buildings have been painted in green for free by residents, volunteers and students.The artist has implemented an extensive plan for painting the houses within the community using different shades of green to match the surrounding mountains; in doing so, he has altered the area both aesthetically and socially. The project also includes workshops for residents of all ages covering different subjects, ranging from art to law. With the help of curator Pablo León de la Barra, it was possible to create El Cerro Museum in an abandoned building that now is a community centre.
Goals
Formulate new relations in the social context and renovating the buildings.
Beneficial Outcomes
The exchange of knowledge between people that normally wouldn’t share knowledge. It generated an open community for other artistic or social projects, activities and workshops.
Images
Location
Egypt
Users
The artist, residents in Art El Lewa, University professors and unemployed youth.
Maintained by
Idea and production by Asunción Molinos Gordo. Hosted by ́ Artellewa Art Space. Collaborators: Elisabeth Shoghi, 5 star international chef: Om Islam, Om Mohamed, Om Karim y Wafea: ́ traditional cooks, Solafa Ghanem: mediator, Salima Ikram: archaeologist.
Duration
2012
Category
politics, urban-development, economy, environment, social
Nr. and Title
449
El Matam El Mish Masry
Initiator
Asunción Molinos Gordo
Description
The project was based on the creation of a restaurant in the neighbourhood of El Lewa, Cairo – one of the many neighborhoods built illegally, known as Ashguahiyats, a term meaning 'leaving things to chance'. Using different kinds of menus, people have been able to deal with issues relating to food and agriculture such the substantial loss of fertile soil as a result of uncontrolled growth in suburban areas on top of agricultural land; or the impact of export/import policies on Egyptian diet.
Goals
Lack of food sovereignty is one of the main factors that sparked the ongoing Egyptian Revolution. This project’s main goal is to reintroduce into public discussion facts about the food and agriculture situation which are crucial to the country’s future. The restaurant was designed as a meeting point where, rather than through mass media, users and initiators could start a conversation. The project also aims to ‘translate’ into real dishes some data that would normally be presented under the abstract coding of mathematical percentages.
Beneficial Outcomes
Facilitating casual meetings between residents, university professors, researchers, activists, visiting artists who all sat at the dining table. In a time when public discourse is being shaped in order to divide the population according to ethnic group or religion, the project’s main beneficial outcome was to remember what is common among the variety of people than life in Egypt: food, a basic need.
Images
Location
US
Users
Inhabitants of Williamsburg
Maintained by
Aetna Foundation-- Help Portrait, Andy Harris (through BNY Wealth Management), Brooklyn Community Foundation, Coca-Cola Company (Fitness Program), Environmental Protection Agency, Green Jobs Green NY--NYSERDA, Hispanic Federation- Aetna Foundation, National Endowment for the Arts (NEA)--Community Arts, New York Community Trust, NYC Department of Cultural Affairs (DCA), NYC Department of Education - Academy for IAP, NYC Department of Youth & Community Development, NYS Council for the Arts, NYS Dept. of Education - 21st Century, NYS Dept. of Health - Health Research Aids Institute, NYS Office of Alcoholism & Substance Abuse Services (OASAS), Rockefeller Family Fund, Rockefeller NYC Cultural Innovation Fund, The Scherman Foundation, W. K. Kellogg Foundation, William B. Weiner Foundation, Winslow Foundation, Youth Development Institute (YDI)
Duration
1982 - ongoing
Category
pedagogical, politics, economy, social
Nr. and Title
103
El Puente
Initiator
Luis Garden Acosta and Frances Lucerna
Description
The project consists of a community human rights institution based in North Brooklyn; it was founded in collaboration with church leaders, artists, educators, health providers and community activists to stop the wave of violence in the neighborhood, which at that time was called the 'teenage gang capital of New York City'. El Puente promotes leadership for peace and justice, integrating both youth and adult oriented projects becoming a pioneer institution, which was taken as a national model for youth development within the context of community development and for its impact on social policy both locally and nationally. El Puente comprehends a Center for Arts and Culture, a Green Light District & Community Wellness Program, four neighborhood Leadership Centers, and the Academy for Peace and Justice public high school. El Puente offers bilingual activities, skill-based programs, mentoring and internships.
Goals
Its goal is to promote social justice through direct community engagement in the arts, education, scientific research, and environmental action. It was founded to complete the holistic transformation of North Brooklyn from one of the most challenged neighborhoods in New York City to a more equitable, healthy and green community.
Beneficial Outcomes
They have improved the life of the community. The Academy for Peace and Justice is one of the NY "A" rated public school with 100% students graduated. In 2003, the Academy was recognized by the Department of Education’s Chancellor as one of New York City’s 200 Schools of Excellence and remains among NYC’s A-rated schools. In 2009, it was recognized for achieving the highest 1 year graduation rate increase among Brooklyn High Schools. The Academy is highlighted in the Eisenhower Foundation report, “What Works: Public School Reform” and is currently part of a Stanford University Study sponsored by Linda Darling Hammond researching best practices in schools focused on social emotional development and social justice. It is also part of the NYC DOE’S Expanded Success Initiative focused on the academic success of Latino and African American male students.
Images
Location
Venezuela
Users
Kids and adolescents at risk of social exclusión, public schools, teachers, and those who have directed the orquestra: José Antonio Abreu Anselmi, Frank Di Polo, Ulyses Ascanio, Sofía Mühlbauer, Carlos Villamizar, Jesús Alfonso, Edgar Aponte, Florentino Mendoza, Carlos Lovera, Lucero Cáceres, Claudio Abbado, Eduardo Mata, Zubin Mehta, Giuseppe Sinopoli, Daniel Barenboim, James Judd, Sir Simón Rattle y Gustavo Dudamel.
Maintained by
Gustavo Dudamel, Los Angeles Philharmonic, Longy School of Music of Bard College (Cambridge, Massachusetts), Bard College (New York) and the Goverment of Venezuela
Duration
1975 - ongoing
Category
pedagogical, economy, social
Nr. and Title
044
El Sistema (The System)
Initiator
José Antonio Abreu Anselmi
Description
El Sistema is a pedagogical, artistic and social model to systematize the musical education. It has been operating since 1975 as the National System of Youth and Children's Orchestras and Choirs of Venezuela (Sistema Nacional de Orquestas y Coros juveniles e infantiles de Venezuela) recently renamed to Fundación Musical Simón Bolívar.
The program was created primarily focused on offering free classical music education for kids at risk of social exclusion. Under the motto "play and fight" the Sistema is based on a network of music centers called "nucleos" that work together with local communities to organize the instruction, the collective and individual practice of music among kids and youth through symphonic orchestras and choirs, as instruments of social organization and human development.
The program begon with 11 participants in a garage in Caracas. From that, the network expanded to 300 youth orchestras and choirs, with approximately 700,000 young people involved.
Goals
- Giving free access to classical music education, symphonic orchestras and instruments to kids and youth at risk of social exclusion.
- Offering Individual intellectual development and integral personal capacitation through the music.
- formulate local shared spaces as generators of culture, breaking the elitism of the high culture and recovering Art as a social right.
Beneficial Outcomes
El Sistema runs lessons and workshops for children and young people, in which they learn to play, construct and repair special instruments, besides offering programs for children with disabilities or learning difficulties. It also provides technical and organizational assistance to all public schools that request their integration into the musical system and relies on neighborhood associations, parents, town halls and institutional representations to provide them with the necessary rehearsal rooms or musical instruments.
The system is a model that can be replicated and implemented in other countries and it has inspired multiple educational programs in USA, Canada, UK, Portugal, Spain.
Images
Location
Austria
Users
Seven former drug users who had completed rehab therapy and were willing to start working.
Maintained by
Anton-Proksch-Institute
Duration
2003 - ongoing
Category
pedagogical, economy, social
Nr. and Title
256
Employment of Former Drug Users
Initiator
WochenKlausur
Description
The project consists of a series of upcycling workshops to help former drug users who have completed long-term therapy work, with the reintegration in the first labour market. Through the workshops, participants redesign and sell discarded products or worn-out pieces of furniture for a new use. Every year, a new group of people who have completed therapy are employed by the business.
Goals
To help people who have completed long-term therapy work creatively for a year and adapt to a structured workplace.
Beneficial Outcomes
A number of participants have been able to find jobs in the primary sector of the labor market following their employment at gabarage. The workshop has been invited by Trigos Awards to design their contest trophies.
Images
Location
Rio de La Plata, Argentina
Field
Ecological activism, Alternative Energies, Extractivism, cultural landscape
Strategy
Use It Yourself, Extraterritorial Reciprocity, Deactivating (art’s aesthetic function), Alternative Economies
Users
Community of Isla paulino and visitors in general.
Maintained by
Community of Isla paulino
Duration
2000 - ongoing
Category
scientific, pedagogical, politics, economy, environment, social
Nr. and Title
480
Energia Alternativa para Isla Paulino (Alternative Energy for Isla Paulino)
Initiator
Ala Plastica
Description
After another tragic oil spill from the petrochemicals factories at the banks of the canal in the La Plata harbour in 1999, Ala Plástica proposed to the local community to install 32 solar panels to supply the lack of electricity on the island. They encouraged a group of inhabitants to organise themselves into an association in order to manage the installation. The strategy was dialogical to involve a community formed by diverse actors (neighbours, associations, religious groups, policymakers, local institutions, and collectives) with experts in different fields (political experts, biologists, engineers, artists, etc).
Context
Ala Plástica (1991-2016, initially formed by Alejandro Meitin, Silvina Babich, and Rafael Santos) had a background in law, horticulture, science, and art education. Since 1991 they have worked around environmental issues engaging with the communities from the basin of La Plata (Argentina, Brazil, Paraguay, Uruguay and Bolivia) to develop a trans-regional territorial research using artistic methods.Isla Paulino is a wetland –habitat of aquatic birds– in delta Río Santiago (riverbank of Rio de la Plata). The Delta is composed of a group of islands, creek and coasts with a rich natural and cultural ecosystem. The Delta was modified in the late XIX century to open up the channel to reach La Plata Harbour. The inhabitants of Isla Paulino have developed a traditional economy based on fishing and horticulture. Although the island doesn’t have infrastructure nor running water, the expansion of petrochemical industries had put this environment and its fauna in danger with a series of oil spills in 1999-2000.
Goals
The project was aimed to protect the natural and cultural landscape; provide solar energy for inhabitants and to conceive a plan based on the understanding of the ecosystem and its infrastructure. The final goal was to promote a national law to keep this landscape protected.
Beneficial Outcomes
Electricity was provided for many local houses. The whole process was guided by ideas based on the values that the community wished for: the installation of alternative sources of energy; the building of citizenship; the strengthening of the community and taking part in the territorial design. The group is still active and involved in different environmental struggles. In 2001, Law 12756 declared Delta del Rio Santiago to be a “Provincial Protected Landscape” with the aim to “preserve the integrity of its natural, geomorphological, historical and urban landscape”. Currently, together with other 310 organisations, activists, groups, and formal and informal movements in the country, they are advocating for a national law to protect Wetlands.
Images
Location
United States
Users
Artists, curators, critics, general public, students
Maintained by
Grants and individual donations
Duration
2002 - ongoing
Category
Nr. and Title
157
Experimental Station
Initiator
Dan Peterman and Connie Spreen
Description
The project consists of a refurbished building where a broad range of social organisations and independent projects take place. In 2002, after a massive fire, the structure was renovated and reopened as the Experimental Station. The centre offers various forms of support for the residents of Southside Chicago, including workspace at discounted rents, meeting space, technology, and shared resources such as a greenhouse and roof gardens and small offices suites. At the same time, the users are asked to contribute offering lectures, exhibitions, etc. that are free and open to the public. Areas of primary interest include art, ecology, cultural criticism, independent publishing and alternative models of education.
Goals
To provide essential resources that enable vulnerable, yet valuable initiatives to stabilize and flourish. To maintain a diverse and interdisciplinary balance of participants and activities and generate events, lectures, and exhibitions which are free and open to the public.
Beneficial Outcomes
The building now hosts a number of initiatives and programs attending to local needs: a nonprofit community bike shop, a farmers market featuring educational programs, an investigative journalism production company called the Invisible Institute, and other public events such as conferences, concerts and readings.
Images
Location
United States
Users
Billy Klüver, Robert Whitman, Fred Waldhauer, Robert Rauschenberg, John Cage, Lucinda Childs, Öyvind Fahlström, Alex Hay, Deborah Hay, Steve Paxton, Yvonne Rainer, Robert Rauschenberg, David Tudor, and Robert Whitman among the others. Notable engineers involved include: Bela Julesz, Billy Klüver, Max Mathews, John Pierce, Manfred Schroeder, and Fred Waldhauer
Maintained by
Julie Martin
Duration
1966 - 2001
Category
scientific, pedagogical, economy
Nr. and Title
220
Experiments in Art and Technology (E.A.T.)
Initiator
Billy Klüver, Fred Waldhauer, Robert Rauschenberg, Robert Whitman.
Description
E.A.T. was a non-profit foundation established to promote collaborations between artists, engineers and scientists. The organisation responded to artists' request for technical help by matching them with an engineer who could work with them and develop new projects using new technologies. E.A.T created a collaboration between these actors, through cooperation and sponsorship. In the late 1960s, 28 regional E.A.T. chapters were created throughout the U.S. to promote collaborations between artists and engineers and expand the artist’s role in social developments related to new technologies.
Goals
The organisation placed artists working directly with engineers in the industrial environment where technology was being developed.
Beneficial Outcomes
Projects realized at this time included developing methods to produce instructional programming for India's educational television; a communication net of linked public spaces by telex in New York (U.S.), Ahmadabad (India), Tokyo (Japan) and Stockholm (Sweden) by telex; a pilot project enabling children in different parts of New York City to speak over the telephone, telex and fax equipment; a pilot programme to devise methods for recording indigenous culture in El Salvador, etc.
Images
Location
Germany
Users
A third of the space is rented to local, production-oriented businesses; a third to art and culture; and a third to community outreach organizations or non-profit associations. There are also a canteen, a project room for events and two guest apartments.
Maintained by
ExRotaprint gGmbH (non-profit limited liability company) founded by renters / the planning team consists of artists Daniela Brahm and Les Schliesser, and architects Bernhard Hummel and Oliver Clemens.
Duration
2005 - ongoing
Category
politics, urban-development, economy, social
Nr. and Title
100
ExRotaprint
Initiator
Daniela Brahm, Les Schliesser
Description
After the Rotaprint company went bankrupt in 1989, the 10,000-square-meter manufacturing facility was left without any future prospects. In 2005, artists Daniela Brahm and Les Schliesser formulated a concept for taking over the property through renters already on site. The goal was to develop the location to serve a heterogeneous mix of Arbeit, Kunst, Soziales (work, art, and community).
Goals
To create a common space for people with different occupations, and different backgrounds and histories, fighting against the delimiting tendencies of culture and money. To prevent real estate speculation. To keep rents low.
Beneficial Outcomes
After successful negotiations in 2007, the non-profit company ExRotaprint owns the buildings through a 99-year heritable building right and is responsible for all aspects of its development. The legal structure prohibits selling the property again and the income from rents is linked to declared non-profit goals.
Images
Location
The Netherlands
Users
Students of the Professor Einstein Elementary School, students of the Calvijn Junior College (lower secondary professional education), Jeanne van Heeswijk, Dennis Kaspori, Slotervaart’s design department and outside experts, inhabitants of Slotervaart
Maintained by
SKOR, Amsterdam City Council.
Duration
2005 - 2011
Category
pedagogical, urban-development, social
Nr. and Title
213
Face Your World
Initiator
Jeanne van Heeswijk
Description
The project was set up as a tailor-made educational program for the youngster to explore and participate in the process of city renewal. To help them it was developed the so-called Interactor software, an interactive tool to enable users to rebuild their neighbourhood. The software creates a virtual environment which represents the neighbourhood and enables users to see the result of its modification while it has been used.
Goals
The project enables young people to investigate the environment in which they live. It gives them instruments so that they can – like a genuine town planner – change their environment.
Beneficial Outcomes
In the Stedelijklab which is essentially a gym hall converted into a design studio, students designed a new park, Staalmanpark. The designs were not only based on their own wishes, but also on those of other local residents.
In 2011, their new Staalmanpark was opened.
Images
Location
Worldwide
Users
Initially the maps were intended for the homeless, however their use has broadened to local residents and others as the maps live online and are reproduced freely and widely on the internet.
Maintained by
Fallen Fruit
Duration
2004 - ongoing
Category
urban-development, environment, social
Nr. and Title
468
Fallen Fruit – Public Fruit Maps
Initiator
David Burns, Matias Viegener and Austin Young
Description
Fallen Fruit began as a collaboration between David Burns, Matias Viegener and Austin Young in 2004 and originally focussed on mapping the fruit trees on or over public property in Los Angeles. Its focus grew to other urban, public spaces; sidewalks, streets and alleys. They termed these findings as ‘public fruit’ and started to think about how they could expand this project to regenerate neighbourhoods and urban spaces. Hand drawn maps were produced and distributed covering various urban cities and towns – intending to encourage others to continue in this way by wandering, foraging and seeing the new potential in their urban spaces. For this reason they’ve avoided geo-tagging online maps, which give exact locations for the trees. However, a separate project exists called ‘falling fruit’, which works on very similar lines, does use this method. Fallen Fruit’s maps in contrast do not follow exact spatial proportions, but each map has a certain amount of play in the choice of which streets are included, so that often these express unusual shapes present in the landscape: an animal, a mythical shape of just a gesture used to break the grid on which most cities are built.
Goals
To change the way we think and live in our cities and neighbourhood by challenging the meaning of place and the way our familiar spaces can be put to new use. To highlight the way in which fruit can be used to rethink the way people live, to evoke a utopian possibility whilst being solidly pragmatic. To encourage explorative wandering, foraging, and discovery.
Beneficial Outcomes
The maps have a liminal life and are widely circulated and often copied. Fallen Fruit often activate the maps by using them to lead tours through actual sites. These tours start in the evening so they can meet the residents and talk to them. The residents are often as surprised as the people on the tour. The intangible benefit of these maps is most important to them: the emergence of new conversations around cities and neighbourhoods, gardens, public space and the meaning of food. Fallen Fruit believes in a kind of art-making in which the product is social and generative.
Images
Location
Online
Users
Everyone
Maintained by
The creators and the users
Duration
2013- ongoing
Category
economy, environment
Nr. and Title
436
Falling Fruit
Initiator
Caleb Phillips, Ethan Welty
Description
The Falling Fruit project was born from a passion for food and the environment. It is organised in an open-source database that brings together the entirety of maps made by foragers from the Internet. The database also includes edible species found in municipal tree inventories: databases of street (and sometimes private) trees used by many cities, universities, and other institutions to manage the urban forest. Through the quantification of these resources on a map, Falling Fruit hopes to facilitate intimate connections between people, food, and the natural organisms growing in their own neighborhoods.
Goals
Foraging in the 21st century is an opportunity for urban exploration, fighting the scourge of stained sidewalks, and reconnecting with the botanical origins of food. Foragers and private tree owners are encouraged to donate their surplus to charity and to the organisations specialized in rescuing and distributing fresh produce.
Beneficial Outcomes
The map is open for anyone to edit. The entire database can be downloaded with just one click, and our code is open-source.
Images
Location
China
Users
Factory community, People that eat, People that use technology
Maintained by
Factory workers-owners community
Duration
2011 - onwards
Category
urban-development, economy, environment, social
Nr. and Title
545
Farmification
Initiator
Lisa Ma
Description
Farmification is a part-time farming scheme to help migrant workers gain control over their futures in relation to their past values. Before, these workers were farmers, producing food for themselves and for others, but now having migrated into factories these producers became consumers. Who’s making all the food now? Over years, Farmification as a quiet meme migrated in making statements indirectly, without a voice of conflict from the doer. Since 2012 onwards, the largest iron factory, losing demand as a result of a burst property bubble, took Farmification into practice by invested billions of dollars into pig farming, starting a series of weekly newspaper comic strips and uprooting the national idealism of progress and profession.
Goals
Create a global dialogue about how technological demands impact world food economy. Initiate large-scale transitions between industries; a form of passive activism that is productive.
Beneficial Outcomes
Allow communities of factory workers to retain their community despite technology renewal.
Images
Location
Norway
Users
Farmers, oven builders, astronomers, artists, soil scientists, bakers, city officials and citizens
Maintained by
Situations, Bjørvika Utvikling
Duration
2012 - ongoing
Category
pedagogical, urban-development, environment
Nr. and Title
562
Flatbread Society
Initiator
Futurefarmers
Description
Flatbread Society is a permanent project created in a common area amidst the waterfront development in Oslo, where farmers, oven builders, astronomers, artists, soil scientists, bakers and city officials work together with local people to establish an aligned vision for the use of this part of the land. Using grain as an excuse to analyse the interrelationship of food production to knowledge sharing, cultural production and socio-political formations, they built a bakehouse and a cultivated grain field resulting in the formation of an urban gardening community. The project functions as a shared resource for urban food production and the preservation of the commons. A full-time farmer was hired in collaboration with the Norwegian Farmers Union to maintain the project.
Goals
The project provides a multi-functional oven and glass house which facilitates various types of bread baking and public programs around agriculture and grain. The activators of the project collected and planted seeds that have been “rescued” from various locations in the Northern Hemisphere to display thousands of years of a complex hand-to-hand network of knowledge and genetic resources. The project inserts make-shift production into the highly planned and controlled public space of the new Bjørvika, in Oslo. The space offers an alternative approach in building methodology of urban design, creating a place in which people might actively contribute to the life of the public spaces.
Beneficial Outcomes
Users can learn how to cultivate grain in a urban setting, how to bake and they can use the facilities for free.
Images
Location
United States
Users
The artists.
Maintained by
Sculpture Chicago provided the materials and rent.
Duration
1992 - 1995
Category
scientific, economy, social
Nr. and Title
158
Flood
Initiator
Haha
Description
The project consisted of a hydroponic garden built in a storefront in Chicago. The artists collaborated with a group of people to grew kale, collards, mustard greens, swiss chard and other therapeutic herbs used as therapy for HIV-infected patients. Flood provided free meals, educational activities, a public programme of events related to alternative therapies, nutrition and horticulture. After the project was over, Flood users and activators continued to volunteer at social service organisations especially related to the support of people infected with HIV/AIDS. Thanks to Flood an HIV/AIDS facility opened in Chicago and it contained a food pantry, an alternative high school and a community centre. Flood was developed in other communities (Dekalb, Illinois; Cedar Rapids, Iowa), each of which developed the project relative to the local context.
Goals
To promote community health care.
Beneficial Outcomes
Flood served as a service provider, offering educational activities, public events, biweekly meals, and information on alternative therapies, local HIV/AIDS services, nutrition, and horticulture.
Images
Location
United States
Users
Mierle Laderman Ukeles, Maintenance workers, visitors of the museum.
Maintained by
C.7,500 Exhibition, Wadsworth Atheneum Museum or Art
Duration
1973
Category
pedagogical, social
Nr. and Title
218
Four actions of Maintenance Art
Initiator
Mierle Laderman Ukeles
Description
After the birth of her first child, Mierle Laderman Ukeles wrote a Manifesto for Maintenance Art and embarked on a career that has mixed maintenance performances and public art. Through the Manifesto she attempted to question and break down the barriers between the idea of 'work' and what can be labelled 'artwork'.
Initially the work consisted of a series of solitary performances in Wadsworth Atheneum Museum of Art. She performed 4 actions called 'The maintenance of the art object': a ritual sequence of three cleanings of a glass vitrine in the Museum’s Egyptian mummy section (by the maintenance person, by the artists and the conservator respectively); the keeping of the keys intended as maintenance as security where she took control of the keys closing the museum's main entrances, during open hours; 2 acts of Washing/Maintenance: she washed the stairs to the main entrance of the museum with water, stone and diapers (normally used by the conservators to clean works of art). Later, the artist washed the marble floor of Avery Court with the same materials.
Goals
To blur distinctions between work and art, to do publicly what women often do privately, to highlight how housekeeping and maintenance are essential acts in a domestic, urban and global context.
Beneficial Outcomes
The work of maintenances was underlined and the vitrine, the stairs and the court floor were washed. The value of maintenance work was highlighted.
Images
Location
United States
Users
Temporary Services, Tony Alamo, Matti Allison, Anonymous, María José Barandiarán & Michael Bulka, Baur Au Lac Zürich, Bible Helps, Shawn Calvert, Charm School Industries, Coalition for Positive Sexuality, Credit Suisse, Wilfrid Désir, Jim Duignan, Anthony Elms & Joel Score, Ending the Begin Tract League, Evangelical Tract Distributors, Fellowship Tract League, F.T.L., Nicolas Floc'h, Grace & Truth, Emily Jacir, Jews For Jesus, Kevin Kaempf, Kim and Mike, Nance Klehm, Kate Kranack, Liberation Rock, Josh MacPhee, Ryan McGinness, Adam Mikos, Mr. Nash, Ralph Nielsen, Leah Oates, Old Paths Tract Society Inc., Krista Peel, Michael Piazza, Pilgrim Tract Society, Inc., Ben Rubin, Bob Shaw, David Shrigley, Shy Girl, Owen Smith, Dana Sperry, Jocelyn Superstar 2000, Temporary Services, Threadculture, Several Unknown Individuals, Vladlen Voronin, Oli Watt and visitors.
Maintained by
It was part of an exhibition titled "6/6". It was located at the School of Fine Arts Gallery at Indiana University.
Duration
2000
Category
economy, social
Nr. and Title
232
Free for all
Initiator
Temporary Services
Description
Over 50 artists, individuals and organisations have been asked to realise a work to be distributed for free at a one-day-only event. Artists' work were integrated with a wide range of material submerging the work in a broader context. Religious tracts, booklets, flyers, stickers, matchbooks, posters, audio tapes, and postcards were among the items given away for free. Visitors could collect the artworks in free boxes provided by the organisers, no restrictions were placed and what or how much works visitors could take. A series of instructions suggested how people could use and display the portable collection.
Goals
Point out the vast amount of sheer surplus that American Culture generates.
Beneficial Outcomes
The visitors could get anything they wanted for free. And they can re-enact the action to get for free the products samples of medicines, food, booklets.
Images
Location
Germany
Users
Beuys, Klaus Staeck (1st chairman), Georg Meistermann (2nd chairman) and Willi Bongard (secretary), students.
Maintained by
Its users
Duration
1972-1988
Category
pedagogical, politics, economy
Nr. and Title
192
Free International University (FIU) for Creativity and Interdisciplinary Research
Initiator
Joseph Beuys
Description
A school outside the academic system that admitted all students. It was founded as an "organizational place of research, work, and communication" to ponder the future of society. One of the most pressing issues for the project was how to help realise the capacity of all individuals to be creative beings by advocating cross-pollination of ideas across disciplines as well as how to formulate the concept of individual freedom as the ability to shape social forms, through the transformation of resources.
Goals
As a Free University it was intended to supplement the state educational system while at the same time campaigning for legal equality with that system.
Beneficial Outcomes
The idea of the Free International University was revisited and taken further by various people and groups, including the author Rainer Rappmann under the FIU-Verlag and the F.I.U.s in Amsterdam, Gelsenkirchen, Hamburg, and Munich, which were begun by students of Beuys. They also include the organization Mehr Demokratie e.V. and the Omnibus for direct Democracy.
Images
Location
Germany, Austria
Users
Critical Art Ensemble (Steve Kurtz, Steve Barnes, Dorian Burr, Beverly Schlee, and Hope Kurtz), Beatriz da Costa and Shyh-shiun Shyu, general European public who wanted to test their foods for markers indicating that they are genetically modified.
Maintained by
Schirn Kunsthalle (Frankfurt); Esc Gallery (Graz)
Duration
2003 - 2004
Category
scientific, pedagogical, politics
Nr. and Title
116
Free-Range Grain
Initiator
Critical Art Ensemble
Description
The project consisted of a portable and public lab which used molecular biology techniques to test food for the more common genetic modifications (GM). Users were invited to bring food to the gallery that they thought it could be suspect. The initiators tested the food over 72-hour period to see if users' suspicions were justified.
Goals
To contribute to an idea of public science by focusing on issues such as food production that are of direct interest to people, and to make scientific initiatives more immediate and concrete.
Beneficial Outcomes
To popularize scientific techniques the general public can use to test foods themselves, instead of relying on the potentially dubious labeling and testing provided by their governments and corporations.
Images
Location
The Netherlands
Users
Jeanne van Heeswijk, Dennis Kaspori, the inhabitans.
Maintained by
Kosmopolis Rotterdam, Fonds BKVB - Intendant Culturele Diversiteit, Stichting DOEN, Europees Fonds voor Regionale Ontwikkeling van de Europese Commissie, Pact op Zuid, Vestia, CVAH en VETRA.
Duration
2008 - ongoing
Category
pedagogical, economy, social
Nr. and Title
086
Freehouse
Initiator
Jeanne van Heeswijk
Description
The project has focused on the micro-urbanism emerging in small communities across the city of Rotterdam. After a research in the Afrikanerwijk in particular, the initiators developed a foundation with the help of the residents. Freehouse comprehends 3 studios: Wijkatelier, wijkkeuken (kitchen) and wijkwinkel (shop). Here residents can share their skills and create new products in the communal workshops, which are then sold in the shop. Every activity is based on community participation, co-operative cultural production and self-organisation. Freehouse has recently developed a skill-based neighbourhood co-operative.
Goals
To try and instigate projects that challenge people to play a more active part with respect to the space in which they live and work by bringing skills and qualities of local people together.
Beneficial Outcomes
The sewing atelier has already received commissions from several designers to produce their clothes; the wijkkeuken has become in a catering service; all the participants are earning money for their work; the market has improved its offer and services, after a struggle against municipal rules.
Images
Location
Online, Berlin.
Users
People leaving in Berlin.
Maintained by
Jaime Iglehart, Eric Brelsford.
Duration
2009
Category
pedagogical, politics, urban-development, economy, social
Nr. and Title
483
Freiräume Map Berlin
Initiator
Jaime Iglehart
Description
An internet-based map depicting various forms of Freiräume (‘free spaces’) in Berlin today, including Hausprojekts (legalised squats), Wagenplätze (trailer communities), co-housing, social centers, tool-shares, hacker spaces and community gardens, all of which engage in what is commonly known as ‘free culture’. Free culture is practised purposefully by social and political movements as well as ‘non-politically engaged’ people every day. The map allows users to find spaces that match certain criteria, and also narrow down to their particular areas of interest, such as community meals, wood/metal-working spaces, free building materials, film screenings, guest rooms and donation-based health and legal counselling. So far, they have plotted 230 spaces on the map. They have 60-100 more spaces yet to add, and they expect the map to grow when they make it available to the public as a Wiki.
Goals
To provide a tool for connection, historical analysis, and community organising between autonomous, DIY, and/or ‘free’ spaces. To chart spaces which exist either in opposition to, or somehow otherwise wedged within the cracks of capitalism. To explore the edges between subcultures and spaces with different agendas and the even greater 'edge' where the illusive mainstream and the countercultural meet.
Beneficial Outcomes
In addition to the many concrete uses of Freiräume Map Berlin, the map also provides affirmation and inspiration as a counter-power to the dominant narrative that free spaces are on the decline. During the course of the research, the project identified approximately 200 more spaces than usually encountered in day to day life. It is the hope that users of the map will have a similar experience and become inspired to make new connections.
Images
Location
Germany, The Netherlands
Users
Contemporary refugees.
Maintained by
Exhibition Liminal Spaces / Grenzräume, Gallery for Contemporary Art Leipzig (Germany); project Liminal Spaces, organised as a collaboration of the Israeli Centre for Digital Art Holon (Israel), the Palestinian Association for Contemporary Arts PACA and the University of the Arts Berlin (Germany).
Duration
2006
Category
social
Nr. and Title
180
Frontier Vest
Initiator
Azra Akšamija
Description
The Frontier Vest is a prototype of a contemporary vest design, which can have different functions, both sacred and profane. It can be worn as a tallit, the Jewish prayer shawl, but it can also turn into a Jewish prayer rug. Inspired by the nomadic life of the Bedouin, the Frontier Vest also represents a useful garment for a contemporary refugee.
Goals
The Frontier Vest allows for individual expressions of different belief systems. This individual wearable architecture can also be combined to generate a communal space. For this, it needs a congregation of minimally ten in Judaism (minyan), two in Islam (masjid) and three in Christianity. Yet more importantly, this individual territory can only become collective through overcoming the fear of mutual otherness.
Beneficial Outcomes
The vest can be worn by both men and women, and can be used in Jewish and Islamic religions within individual religious communities in the future.
Images
Location
United States
Users
Buurtgroepen, vaak geholpen door kunstinstellingen zoals het Watts Towers Arts Center of Machine Project in Los Angeles.
Maintained by
Fallen Fruit (Gevallen Fruit) – een samenwerking tussen David Burns, Matias Viegener en Austin Young
Duration
2007 - ongoing
Category
urban-development, environment, social
Nr. and Title
425
Fruit Tree Adoptions
Initiator
Fallen Fruit
Description
Fruit Tree Adoptions is project created in collaboration with donors, civic groups and organisations like Treepeople in Los Angeles and San Diego (CA). This work proposes to plant fruit trees seedlings in various urban contexts – both public spaces or on the peripheries of private property. Each recipient signs an adoption form that promises to care for the tree, initiating a relationship with it. This project aims to develop new forms of community life based on generosity and sharing. The work was moreover recalibrated in a kind of performance to engage individuals and also to put the focus onto the fabric of the neighbourhood.
Goals
The core of Fallen Fruit’s work is social, finding ways to get strangers to develop relationships and to create new consciousness about public space and social collaboration. Neighbourhoods change over the years to become both greener and more social and cooperative; fruit trees are not a silver bullet to urban problems, but they are a uniquely playful glue towards a more inclusive social fabric.
Beneficial Outcomes
In 2010 the most successful Fruit Tree Adoption at the Watts Towers Community Arts Center was organised. The director of the centre was scared to work in the neighbourhood of Watts, because she reminded us that it was an historically oppressed neighbourhood, where residents were more involved in more in violence than with developing a culture based on sharing. The event went on and at the end of it, every single resident was agreed to plant a tree.
Images
Location
United States
Users
WochenKlausur, employees of the Smart Museum, students of the University of Chicago Art Department, students of the Illinois Institute of Technology, students of Harrington College of Design, social institutions and their users.
Maintained by
Exhibition ‘Beyond Green: Towards a Sustainable Art’, Smart Museum & University of Chicago.
Duration
2005
Category
pedagogical, economy, social
Nr. and Title
257
Furnishing Social Institutions
Initiator
WochenKlausur
Description
WochenKlausur developed an initiative for reusing materials discarded by cultural institutions. The network established by WochenKlausur gets involved: nine cultural institutions in Chicago supply materials they no longer need at regular intervals, and the usable items are converted by students at design institutes into furnishings and everyday objects that can be used by social institutions. The group visited homeless shelters, soup kitchens, clothing distribution centres and other similar institutions in the neighbourhood, evaluating their need for furnishings, interior remodelling and everyday objects. Simultaneously, theatres and museums were asked to join the network on a permanent basis, and to supply at regular intervals materials that otherwise would be thrown away. The project’s final task was to found a non-profit organisation that could manage the long-term operation and coordination of the network. This new organisation, is named Material Exchange.
Goals
To create a more sustainable use of materials used by cultural institutions, repurposing them for organisations that needed better facilities.
Beneficial Outcomes
Using the materials from the cultural institutions, the students design and build-to-order the items needed by the social organisations.
Images
Location
Ghana, Cuba, El Salvador, Serbia, Mexico, Ethiopia, Cambodia, Gaza Strip, Lebanon, Afghanistan, Iran, Kosovo.
Users
Ghana ThinkTank staff including Christopher Robbins, John Ewing, Matey Odonkor, Carmen Montoya, and citizens.
Maintained by
Ghana ThinkTank staff and participants.
Duration
2006 - ongoing
Category
social
Nr. and Title
021
Ghana ThinkTank
Initiator
Christopher Robbins, John Ewing, Matey Odonkor and Carmen Montoya (since 2009).
Description
The Ghana ThinkTank is a worldwide network of think tanks creating strategies to resolve local problems in the ‘developed’ world. Ghana ThinkTank collects problems from the developed world, primarily in the US and Europe, and then seeks solutions by working within the communities where the problem originated. The network began with think tanks in Ghana, Cuba and El Salvador, and has since expanded to include Serbia, Mexico and Ethiopia. Some of these actions have produced workable solutions, but others have created intensely awkward situations, as different cultures' assumptions about each other are played out.
Goals
To collect problems from developed countries and seek solutions from think tanks in developing countries. Solutions are then played out in developed countries.
Beneficial Outcomes
Exploration of the friction caused by solutions that are generated in one context and applied elsewhere, while revealing the hidden assumptions that govern cross-cultural interactions.
Images
Location
Wales
Users
Local communities
Maintained by
National Museum Wales, Owen Griffiths and the community of users
Duration
2017 - ongoing
Category
pedagogical, urban-development, environment, social
Nr. and Title
585
GRAFT – A Soil Based Syllabus
Initiator
Owen Griffiths, Now the Hero/Nawr yr Arwr, National Museum Wales
Description
GRAFT consists of a garden and workshop based at the National Waterfront Museum in Swansea. The project works with local communities, schools and adult learners to grow food, preserve seeds, keep bees, as well as teaching cooking skills in a clay oven and exploring an alternative, museum-based curriculum. Volunteers are invited to join an intergenerational curriculum of outdoor learning, wellbeing and making connected to food. The garden is a social and educational resource within the museum and provides somewhere for people to gather to grow and cook food, work collaboratively and learn collectively. All of the garden’s infrastructure has been built by the team and participants who are learning woodwork and metalwork skills, alongside horticulture. GRAFT became recognised as an important example of green infrastructure in a city which has undergone endless regeneration cycles and has seen a huge number of trees and green spaces cut down or removed.
Goals
The project creates a new system of practical pedagogy: to connect to food, sustainable development and the creation of a green infrastructure in the centre of the city; to create a sustainable and long-term project that could exist as a useful community resource after the project’s initial 2 year development; to influence the museum as a site of collaboration and co-production; to reimagine the museum's carbon footprint and responsibility to the community in a time of global climate change; to create a new green space in the heart of the city where food can be grown and people can meet and work together to explore culture and community; to create an environmental green space that would influence and affect use of local green and civic spaces. Through its interpretation and aims, GRAFT seeks to make connections and educate visitors on issues of climate, food production, sovereignty and poverty. The initiators work with local Community Supported Agriculture Projects, signposting to organisations such as La Via Campesina, the Land Workers Alliance and local community food initiatives and banks, and support other community gardens across the region. GRAFT’s key goal is to explore the museum as a community resource and how it can support its local constituents.
Beneficial Outcomes
The garden provides a space for people to grow and cook food, work and learn collectively, and it fosters the development of a long-term green civic space. The project develops an intergenerational curriculum connecting soil and place with community development. It also works with a local pupil referral unit at a Comprehensive School to train pupils to become beekeepers, learning about biodiversity and climate. Users have made seed bombs, harvested seeds and have sent out hundreds of packs of seeds to community centers across the region. The museum provides participants with accreditation, training and support to explore new skills through the project, which has been designed as wholly participatory. Users share produce with projects and institutions across the city to cook for those in need. GRAFT has influenced the culture of National Museum Wales who are now exploring the possibilities of similar land-based community gardens at all of their 7 sites. The project has also impacted on how the museum accesses the collection, making connections between the processes of the garden and the museum’s focus on industrial heritage, exploring links to capitalism, land use, labour and colonisation.
Images
Location
UK
Users
Residents of the 'Granby Triangle', Liverpool 8, the wider Liverpool Community and visitors.
Maintained by
Granby Community Land Trust
Duration
1998 - ongoing
Category
urban-development, economy, environment, social
Nr. and Title
532
Granby Four Streets Regeneration
Initiator
Granby Residents Association, That blooming Green Triangle, Granby Street Market, Granby Four Streets Community Land Trust, Granby Somali Women's Group, Steinbeck Studios, Assemble, A Sense of Place. Terrace 21 Co-op
Description
Granby Four Streets Project emerged from the activism of a group of residents in one of Liverpool's neglected inner-city wards. The previous activism led to a call for arms against the status quo, which led to the community forming a Community Land Trust, securing assets from the Local Authority and taking the regeneration of their immediate surroundings into genuine community ownership. They have done it and will continue to invest in collaborative, participative action to creatively use their immediate environment for the benefit of all community members.
Goals
The aim is to build a thriving, vibrant and sustainable community; filled with a diversity of creative local's empowered by the history of the area. The CLT is a vehicle in which community assets will be owned by the people, be used for the people and benefit their immediate surroundings.
Beneficial Outcomes
A vibrant, sustainable, affordable and desirable community to live in for local residents. A place in which the urban environment forms communal spaces in which activities are the basis of neighbourly interactions. They have proved that taking the people's concerns, lives and love into the streets forms the basis of a prosperous community working outside the realms of the housing profit motive.
Images
Location
Iran
Users
Pupils from the age of 5 until the age of 18 from 22 districts in Tehran
Maintained by
Tehran Monoxide Project and Biloba Green House
Duration
2011 - 2017
Category
pedagogical, environment, social
Nr. and Title
568
Green Corners
Initiator
Negar Farajiani
Description
The project focuses on creating green spaces as effective elements which ameliorate air quality absorbing chemicals from the atmosphere. In order to develop an alternative pedagogical approach into Tehran's public schools, the initiator, in close collaboration with the botanist Shahrouz Hakimi, formed different teams of people with different backgrounds such as art, physics, chemistry, biology, statistics, math, and agriculture, who can collaborate and shape the program. After a year of negotiation with some private and public schools, they all contribute to a series of workshops for pupils to improve the school conditions as well as achieve results that benefit both pupils and the school staff. Such activities lead to creating a sense of accountability which will, in turn, contribute to a cultural and artistic exchange between pupils and teachers. After a research about the educational system and its curricula, and after reading the school books, the initiator noticed a lack of environmental topics and botany, which are fundamental aspects of student's training. Educating pupils about the basics of caring for indoor plants can lead to more attention to plants, trees and the problem of climate change. "Green Corners" is the fifth phase of "Tehran Monoxide", a cultural and socially engaged art project, which has been going on since 2011, in the form of independent projects, in collaboration with artists and citizens from Tehran in public spaces.
Goals
To offer practical solutions to the problem of air pollution in Tehran by creating and redefining new spaces. It reflects the viewpoints of people from all walks of life, from children to adults in terms of the issue of air pollution, what they cannot see, but do breathe. To educate pupils aged from 5 to 18 about caring and maintaining indoor plants. To offer environmental education and art practice, that students cannot find in their school books.
Beneficial Outcomes
Creating green spaces as a beautiful and effective element not only to turn educational environments into more charming places, but also familiarizing students with plants that promote air quality, absorb chemicals and aerosol and transpire. Instilling a sense of responsibility and collaboration in pupils to take care of plants and public green spaces. Teaching pupils how to take care of indoor plants step by step. They started with caring for low-maintenance plants, and after the completion of the program, they received a certificate and move onto the next level where they were offered new plants to take care of. The initiators succeed in proposing and accessing the public school system in Iran with their workshops.
Images
Location
United States
Users
Gardeners-citizens
Maintained by
Volunteers, citizens, Donald Loggins
Duration
1973 - ongoing
Category
politics, urban-development, environment
Nr. and Title
212
Green Guerrillas
Initiator
Liz Christy
Description
In the early 1970’s, Liz Christy and the original band of “green” decided to do something about the urban decay they saw all around them. They threw “seed green-aids” over the fences of vacant lots. They planted sun flower seeds in the center meridians of busy New York City streets. They put flower boxes on the window ledges of abandoned buildings. Soon they turned their attention to a large, debris-filled vacant lot in the Lower East Side, where they created the Bowery Houston Farm and Garden – and they sparked a movement. On April 23, 1974, the City’s office of Housing Preservation and Development approved the site for rental as the Bowery Houston Community Farm and Garden for $1 a month.
Goals
The Green Guerillas began rallying other people to use community gardening as a tool to reclaim urban land, stabilize city blocks, and encourage people to work together to solve problems.
Beneficial Outcomes
The Green Guerillas were running workshops and planting experimental plots to learn how a wide range of plants could be grown in hostile conditions. The garden became a site for many plant giveaways, where plants grown on-site or donated from nurseries, professional horticulturists and local gardeners were given to new gardens all over the City.
Images
Location
Israel
Users
Avital Geva, Rafi Shapira, students
Maintained by
Creative Time and the Queens Museum
Duration
1977 - ongoing
Category
pedagogical, politics, environment, social
Nr. and Title
124
Green House
Initiator
Avital Geva
Description
Green House project was originally a municipal greenhouse where families were growing their vegetables each on its own plot but under one roof. The aim of the project was to bring together Arab and Jewish families to work together on the same site. From 2004 it was reorganized as a nonprofit organization, and has became an educational center for Iron Mevo'ut high school students, opened its doors to 12 schools whose students, both Arab and Jewish, have joined activities in the greenhouse, expanded the fields of study, and risen the scientific level with research into the branching zooplankton, alternative energy, technology, agriculture an other fields.
Goals
Promoting education, ecology and social involvement in Israel (with an emphasis on coexistence).
Beneficial Outcomes
Arab and Jewish students learn sharing space and knowledge with researchers from all over the world.
Images
Location
Brazil
Users
Jakob Fenger, Rasmus Nielsen, and Bjørnstjerne Christiansen, local cooperative of farmers, Bikstok Røgsystem.
Maintained by
NIFCA, a São Paolo-based foundation called Extra Arte and the Amazonian government (Research), Kiasma, Helsinki (Exhibition), the 50th Venice Biennial, 2003; Roy and Edna Disney/CalArts Theater, Los Angeles; Socle Du Monde, Herning Kunstmuseum; Danish Design Center in Copenhagen, Harbobar , Copenhagen
Duration
2003 - ongoing
Category
politics, economy, social
Nr. and Title
101
Guaraná Power
Initiator
Superflex
Description
The artists group SUPERFLEX in collaboration with guaranà farmers cooperatives from Maués in the Brasilian Amazon, produced a soft drink called Guaranà Power. As Superfelx say: “The farmers have organised themselves in response to the activities of the a cartel of multinational corporations whose monopoly on purchase of the raw material has driven the price paid for guaraná seeds down by 80% while the cost of their products to the consumer has risen.” Through workshops this group of artists tried to give help the local cooperative with economic and productive problems. With the aid of SUPERFLEX this soft drink was promoted using the facilities of art field: galleries, exhibitions and biennials. Thanks to this support it has created a large scale economy that uses guaranà, the raw material present in this area.
Goals
The intention with Guaraná Power is to use global brands and their strategies as raw material for a counter-economic position, and to reclaim the original use of the Maués guaraná plant as a powerful natural tonic, not just a symbol. Guaraná Power contains much more original Maués guaraná for energy and empowerment.
Beneficial Outcomes
Since 2010, GUARANÁ POWER is produced by organic soft drink and beer manufacturer NaturFrisk - Ørbæk Bryggeri.
Images
Location
United States
Users
Educators, youth workers, students/young people ranging from around 10-24, parents.
Maintained by
Jessalyn Aaland
Duration
2017 - ongoing
Category
pedagogical, politics
Nr. and Title
556
Guide for Youth Protestors
Initiator
Jessalyn Aaland
Description
The project consists of a double-sided, hand-drawn 8.5" x 11" quarter-fold sheet available to print and distribute freely. It features such topics as basic information on police tactics (kettling, LRADS, tear gas or pepper spray), ways cops might try to get you to talk to them, and your rights as a student. This guide was created to distribute to high school students walking out of attending protests in January 2017, when an educator expressed concern to the artist that educators contractually could not be seen walking out with students during the General Strike on January 20, 2017. A former high school teacher, the initiator used her knowledge of teenagers to create a guide using humour to engage students while informing them about how to maintain their rights and personal safety, knowing many might be protesting for the first time in their lives. Key players include the following: celery cops, a burrito cussing out a celery cop, and her new favourite youth-oriented 501(c)3, "Cool Youth Org."
Goals
To inform youth about how to take care of themselves and their peers while protesting; police tactics used to intimidate protestors, and how to deal with them; their rights as student resistors; possible consequences of arrest and how to avoid talking to the police.
Beneficial Outcomes
These guides have been printed and distributed widely by educators in the past couple weeks; a user copied 500 to help students prepare for an upcoming walkout. In addition to educators, parents have also found them helpful. The initiator constantly distributes these guides to youth (particularly unaccompanied minors) and educators during protests. The guide has a secondary benefit of helping youth feel included in protest because they've been giving something made just for them. Empowering youth and helping them see their voice as equally is critical in the struggle for justice.
Images
Location
The Netherlands
Users
Krijn Giezen, Hamilton Finlay, Remco Scha, Herman de Vries, Bertus de Jong, residents of Den Haag.
Maintained by
IFLA (International Federation of Landscape Architects), 'Artivisual Landscapes' congress.
Duration
1991 - 2000
Category
urban-development, environment
Nr. and Title
329
Haagse Beek
Initiator
Krijn Giezen
Description
The artist was commissioned by the Foundation Artivisual Landscape and the International Federation of Landscape Architects to research the context of The Hague Stream in order to propose a project for a new perception of the stream. As a result of his research, he speculated on its purification, using elements that were already on site. It emerged that the 7,5 kilometres long course were a relocated, unnatural and canalised watercourse with no visible source and that it was heavily polluted and contaminated.
Goals
Adding the least possible, using what is available on the spot, rearranging already existing elements, combining future building activities and art at an early stage.
Beneficial Outcomes
Krijn Giezen has made visible the source of the Haagse Beek, a stream running through The Hague and flowing out into the Hofvijver, in the middle of the city centre.
Images
Location
United States, Canada, Australia
Users
Darren O´Donnell, Students, inhabitants.
Duration
2006 - 2007
Category
pedagogical, economy, social
Nr. and Title
077
Haircuts by Children
Initiator
Darren O'Donnell
Description
Darren O'Donnell worked with children between the ages of eight and twelve trained by professional hairstylists and paid to run a real hair salon, to offer free haircuts, both in public parks and in salons.
Goals
The project asks both those who submit to haircuts and those who merely watch to see children as creative and competent individuals capable of aesthetic decisions, just as they will one day be citizens capable of political decisions.
Beneficial Outcomes
By interacting directly with the community, creating relationships and involving rigorously framed participation, audience members not only got free haircuts; their awareness about children citizenship rights was also raised.
Images
Location
Senegal
Users
Huit Facettes (Abdoulaye N'Doye, El Hadji Sy, Fode Camara, Cheikh Niass, Jean Marie Bruce, Mor Lisa Ba and Amadou Kane Sy (Kan-Si)), residents of Hamdallaye
Maintained by
Huit Facettes, Vredeseilanden, Local practitioners
Duration
1998 - ongoing
Category
economy, social
Nr. and Title
233
Hamdallaye Project
Initiator
Huit Facettes
Description
Les ateliers d’Hamdallaye is a socio-cultural centre in Hamdallaye Samba M'Baye - 500 kilometres south of Dakar–, which aims to bring together local and international artists, a village community and a nongovernmental organisation. It operates through workshops lasting between one and two weeks. Through the dialogue of Hamdallaye residents, artists from Senegal, Rwanda and Belgium, the initiators decided to focus on particular kinds of skills related to art, development and arts& craft. The project encourages the strengthening of the relationship between the urban and the suburban allowing participants to benefit from the result of the workshops.
Goals
The goal was to improve the residents' core competencies and turn them into professional skills (i.e., under-glass painting, ceramics, batik dyeing, carving, weaving, embroidery).
Beneficial Outcomes
The participants enhance their skills and creativity in a useful way. The relationships that Huit Facettes initiated with various social groups have been maintained even after the conclusion of the workshop.
Images
Location
The Netherlands
Users
People without regular homes, people interested in recycling, re-using the surplus of the food industry, eating wild plants and other critical practices. And people who aim to get a deeper understanding of what it means to live in the fringes of society, both in the Netherlands and the US and Brazil.
Maintained by
Handboek of de Stadswildernis was published by the Dutch Art Institute in 2011 as part of DAI Publications. The book was produced in close collaboration with Werkplaats Typografie in Arnhem and the designer Noah Venezia. Distributed by several book stores like 'De Rooie Rat' in Utrecht, 'Fort van Sjakoo' in Amsterdam and 'Printroom' in Rotterdam as well as by Doris Denekamp through her website.
Duration
2011
Category
economy, social
Nr. and Title
514
Handboek voor de Stadswildernis
Initiator
Doris Denekamp, Noah Venezia
Description
Handboek voor de Stadswildernis is a guide for survival in the fringes of Dutch cities. The handbook contains sections like Sleeping & Shelter; Food; Equipment; Clothing; Washing; Sickness; Emergencies & Services. The book also provides a guide for edible city weeds: a short description of the plant, the location where it can be found and how it should be cooked. All the information, tips and tricks in the book is based on a series of interviews with homeless people that have developed similar strategies for survival. Through their practices of recycling, reclaiming the surplus of the food industry and their use of local, informal economies, they are developing useful alternatives for our wasteful society.
Goals
To validate and distribute the knowledge of people living without a regular home.
To help others living in similar situations or those who are looking for an alternative to the dominant practise of waste and extravagance.
To investigate the possibility of a life off the grid in a densely populated area of the Netherlands.
Beneficial Outcomes
Knowledge of those living without regular homes is distributed validating the way of life of people on the fringes of society whilst also giving them a voice. This allows a better insight into this world helping to prevent false assumptions and prejudice from outside. The information was widely distributed through the different homeless peoples' newspapers so people had easy access to these tips and tricks for use in their daily lives.
Images
Location
United Kingdom
Users
Church and village community of Coniston.
Maintained by
Village church
Duration
2010
Category
politics, economy, environment, social
Nr. and Title
500
Harvest Festival
Initiator
Grizedale Arts
Description
The old tradition of a harvest meal and festival was revived by a community dinner and frozen meal distribution created from donations in the village of Coniston.
Goals
To reinvigorate the harvest dinner tradition by producing freezer meals for the elderly, made using local produce. To bring together different groups in the village.
Beneficial Outcomes
A community day of cooking, a large scale village dinner production, and distribution of 200 freezer meals for the elderly.
Images
Location
The Netherlands
Users
Children and their parents, Geestenberg inhabitants.
Maintained by
SALTO Eindhoven, Municipality of Eindhoven.
Duration
1970 - ongoing
Category
urban-development, social
Nr. and Title
268
Het Karregat
Initiator
Frank van Klingeren
Description
The architect Frank Van Klingeren designed a community centre for the new district of Herzenbroeken in Eindhoven. Het Karregat included all the shops' under one roof —an umbrella-like structure— alongside other social, cultural, health and educational facilities like the school, the public library, the general practitioner doctor, the bar and the supermarket. His aim was to bring people into contact with others more easily fostering mutual understanding. He did it removing the walls and combining the different functions of the facilities. The community centre had a central space that functioned as a public square where the community programmed and organised all kind of cultural activities and events. In 1977, the structure was modified because of noise problems in the open-plan school, erecting walls and reverting the school to traditional lessons. Finally, by the 1990s the structure had been changed drastically moving away from Van Klingeren’s community vision.
Goals
To involve residents in the decision making concerned the local conditions of a new area and their interests. To build a community bringing the people closer together and challenging architecture, creating for fluid, open structures.
Beneficial Outcomes
Het karregat was a social experiment that succeeds in ist time involving residents in the decision making concerned the local conditions and interest for a new district. It provided a new cultural and social space for the inhabitants. In the long term, it contributed to the democratisation of architecture so that openness, mixed functions, and occupant involvement in planning are topics still discussed today, as illustrated by proposals to redevelop Hoog Catherijne and the railway station area in Utrecht.
Images
Location
The Netherlands
Maintained by
Casco Utrecht and the artist
Duration
2001
Category
pedagogical, urban-development, economy, social
Nr. and Title
090
Home Design Service
Initiator
Apolonija Šušteršič
Description
The artist repurposed and adapted a mobile bagel selling cart - called Casco Mobile - in order to create a nomadic info point, whose function was to give free advice on interior design to the residents of Leidsche Rijn neighbourhood in Utrecht. The project provided a library with books, periodicals and catalogues available for visitors focused on interior design, domestic space and a housing development-information brochure about the neighbourhood development. The project ended with a workshop on interior design addressed to the residents.
Goals
Home Design Service addresses the process between finished plans and finished buildings. The situation in between is temporary and changeable. Once the buildings are completed, the occupants move in and the decorating and furnishing begins with the interior becoming a reflection of individual and personal ideas about living.
Beneficial Outcomes
To give users access to information and knowledge on Home Design
Images
Location
Israel
Users
WochenKlausur (Haim Burshtein, Yoad Earon, Claudia Eipeldauer, Brett Hunter, Martina Reuter, Alon Schwabe, Wolfgang Zinggl), local community centre, the Israeli Center for Digital Art, the Municipal Social Welfare Department and a representative from the public housing company, neighbourhood
Maintained by
Israeli Center for Digital Art
Duration
2012 - ongoing
Category
economy, social
Nr. and Title
278
Home Improvement Service
Initiator
WocheKlausur
Description
In 2011 a protest movement started in Israel. Citizens expressed their demand for a fair distribution of resources, claiming for the lack of housing and maintainence of the buildings and apartments, due to the privatised housing schemes. In these instances no one feels responsible for maintaining buildings and those in need are forced to live under poor and risky conditions. The Home Improvement Service, therefore, set up a structure to provide apartment renovations in the Jessy Cohen neighbourhood with no cost to residents who can´t afford it. First, they started to visit different apartments in order to be able to prepare a list of needed renovations. With this information, it was possible to find project partners who were willing to donate the necessary material, expertise and time to repair these damages. Partnerships were established with local businesses and professionals. Also community groups, schools and youth groups were asked to participate in volunteer work.
Goals
Improve the conditions and the maintenance of housing in the neighbourhood.
Beneficial Outcomes
The structure provide small home improvements, at no cost, to the residents of the Jessy Cohen neighbourhood in Holon.
Images
Location
United Kingdom
Users
Jeanne van Heeswijk, Architects URBED and other design specialists, Sue Humphreys and more than 200 participants.
Maintained by
Liverpool Biennial, Homebred Community Land Trust
Duration
2010 - ongoing
Category
urban-development, economy, social
Nr. and Title
115
Homebaked
Initiator
Jeanne van Heeswijk
Description
Homebaked is a co-operative bakery and community land trust located in Anfield, just opposite Liverpool’s football club on the premises of the former Mitchell’s Bakery.
Last decade, the area was waiting for demolition but the plans were stalled and the neighborhood fall into decline. Jeanne van Heeswijk, invited by Liverpool Biennial, worked with Architects URBED and a group of 40 young local people in the project “2Up 2Down”, designing four new homes and rethinking the future of their quarter. Together with the community, they re-modeled a block of empty property implementing an affordable housing scheme, bakery shop and kitchen, meeting and project spaces.
In 2012, the group of volunteers and participants did set up Homebaked Community Land Trust to enable the collective community ownership of the properties, and a co-operative business to reopen the Bakery as a social enterprise.
Goals
Provide a way for local people to “take matters into their own hands” and make real social and physical change in their neighborhood.
Beneficial Outcomes
Today, the bakery is open as a social, independent and sustainable business 6 days a week. It is a meeting point to gather the community that now have a strong voice for future developments. Nowadays, they are promoting participation in the decision making process about the design for news houses in the area (Homebaked Favorites wall).
Images
Location
United States
Users
Homeless people in New York City.
Maintained by
Krzysztof Wodiczko
Duration
1987 - 1989
Category
economy, social
Nr. and Title
010
Homeless Vehicle
Initiator
Krzysztof Wodiczko
Description
A hinged metal vehicle, which can be extended to provide sleeping, washing, and toilet facilities as well as a can-storage compartment. The product was tested by a panel of homeless people and adapted to the precise subsistence needs of these prospective users.
Goals
To create a tool for increased self-sustainability and survival of urban nomadic workers who opt out of the shelter system. To create mobile architecture which communicates the relationship of the homeless to the rest of the city, as legitimate members of the community and citizens.
Beneficial Outcomes
The homeless become actors, orators, workers, all things which they usually are not. The Homeless Vehicles let them speak and tell their own stories and legitimate them as actors on the urban stage.
Images
Location
Coniston, United Kingdom
Users
The local community, village producers and suppliers, visitors/tourists to the area.
Maintained by
Coniston Institute
Duration
2012 - ongoing
Category
economy, environment, social
Nr. and Title
472
Honest Shop
Initiator
Grizedale Arts
Description
A village shop in Coniston is stocked by local producers with everything from farm meat and vegetables to paintings and knitted goods. The produce is all homemade and brought in by local suppliers. Customers are invited to buy goods in the shop for an 'honest' price, there are guideline price tags attached to the items by the producer but customers are expected to pay what they consider an honest, suitable price for the item. On paying for and taking this item they must make a note in the sales ledger of what they bought and for how much so the suppliers can get honest feedback on their produce. This practise encourages a move to closer communal way of living. 80% of takings go to the supplier whilst 20% goes to the general upkeep of the Coniston institute.
Goals
To provide a retail outlet for local producers.
To create a portrait of the village community.
To rejuvenate the Coniston Institute and generate local production.
To create stronger community bonds whilst working toward a better way of life.
Beneficial Outcomes
Restored building; sales point; income generation; created local economy and a meeting place.
It also improved visitor numbers to other facilities.
Images
Location
United States
Users
Citizens of San Francisco
Maintained by
Manilow Sculpture Park at Governor's State University, Chicago
Duration
1983, 1988
Category
urban-development, economy, social
Nr. and Title
509
House of Cars, #1 and #2
Initiator
Vito Acconci
Description
The artist built housing complexes with junk cars that had been gutted and then welded together. The original 1983 version was four battered, painted cars, stacked two-high in an abandoned vacant lot in San Francisco. Acconci's upgraded designs for living on the streets are biting commentaries on gentrification and urban reality. He never considered the works as models but hoped they would be lived in.
Goals
To create real, usable housing out of society's throw-aways.
Beneficial Outcomes
People could live in the car-houses for free.
Images
Location
Spain
Users
Susanne Bosch, inhabitants of La Latina, Local Schools, local organisations.
Maintained by
Madrid Abierto
Duration
2009 - 2010
Category
urban-development, social
Nr. and Title
070
Hucha de los deseos
Initiator
Susanne Bosch
Description
‘Hucha de deseos: ¡Todos somos un barrio, movilízate!' collected the Peseta coins (former Spanish coin) and banknotes in a public collection site in Plaza Puerta de Moros, La Latina neighbourhood. Along with the Peseta collection, the project asked the neighbourhood and the users of the area what they would like to realise with this public and worthless money in and for La Latina. The project collected and published the wishes. The first phase of the project was realised in the neighbourhood of La Latina. With the help of a website (designed bij zoohaus and the artist) 512 wishes in and for La Latina and approximately 85,000 Pesetas were collected. The project created a dialogue and neighbours of La Latina met for a day in El Circulo de Bellas Artes. Together they decided what would happen with the collected wishes and the Pesetas, worth €513.70.
Goals
The project served as a model to empower people and offered a creative platform that allowed people to work together, to develop a collaborative spirit and inclusion. The project offered the experience of a collective decision-making process. It combined an aesthetic appearance in the form of a multi-media collection site, a blog, posters and public interventions with a meaningful invisible sculpture in form of an ongoing public debate.
Beneficial Outcomes
The Open Space event led to the selection of two proposals. The frequently-voiced wish for more green space in La Latina was realised through planting eight plum trees in Cornisa Park. The Asociación Amigos de la Cornisa-Las Vestillas realised this wish with a collaborative action. The second wish, putting a letterbox in La Latina to exchange ideas and inform each other of events, was also realised in the shape of public black boards. Since Spain’s current precarious situation within the Euro Zone arose and the resulting May uprisings in 2011 occurred, La Latina became one of Madrid’s neighbourhoods, which responds to the current economic crisis with weekly neighbourhood assemblies. The locals took ownership of their public space. El Campo de Cebada, the former leisure center site, is a derelict building site that, since 2011 and in negotiation with the city council, is used by the locals for cultural activities, which proved the artists' methodology could be sustained and continued in the future without her presence.
Images
Location
United States
Users
Teddy Cruz, David Deutsch, (Studio Teddy Cruz - Active Associates: Cesar Fabela, Jesus Fernando Limon, Rastko Tomasevic, Megan Willis), citizens of Hudson
Maintained by
The plan is being supported by the city’s mayor, Richard Scalera and Parc Foundation (nonprofit foundation that sponsors arts programs in Hudson, NY, founded by David Deutsch)
Duration
2008
Category
pedagogical, urban-development, social
Nr. and Title
046
Hudson 2+4
Initiator
Teddy Cruz, David Deutsch
Description
The project consists of an unconventional redevelopment plan aimed at reintegrating poor, immigrants and dispossessed people, into the everyday life of the city of Hudson. Starting with workshops conducted with immigrants and the elderly, the project includes communal gardens, playgrounds, an amphitheatre and other spaces in the city to be used for art or job-training. The project also includes the creation of a residential mixed-use housing complex, around a series of public zones.
Goals
To use the architectural model in order to create a series of subtle but unexpected connections between east and west, poor and privileged.
Beneficial Outcomes
To use the architectural model in order to create a series of subtle but unexpected connections between east and west, poor and privileged.
Images
Location
The Netherlands, Greece, Spain, Germany, Romania, Denmark, United States, Finland, Hong Kong, Portugal, United Kingdom, Mexico, France, Italy, Brazil, Georgia, Canada, Armenia
Users
Artists, citizens, activists.
Maintained by
Wooloo, citizens and Copenhagen Municipality, New Ideas City Musuem,
Duration
2009 - ongoing
Category
economy, social
Nr. and Title
243
Human Hotel
Initiator
Wooloo
Description
The project was conceived as a practical solution for the activists who were travelling to the UN Climate Summit in Copenhagen in 2009. The city was not ready to provide affordable accommodations for the huge amount of activists so the project secured free homestays for more than 3,000 people. Since then, the collective has developed an international network of guests and hosts matching locals and visiting artists, urban planners and activists with the specific knowledge and talents of residents. Human Hotel has become a curated travel network for creatives and visionaries open to applications from individual members.
Goals
The aim of the project is to implement a practical change in the ways in which both artists and cultural institutions work with—rather than around, or apart from—the people and structures of a particular place.
Beneficial Outcomes
Free housing for over 3 000 climate activists coming to Copenhagen from over 100 countries.
Images
Location
Cuba, Spain
Users
The winner of the love letter contest
Maintained by
Produced by Casa de Cultura de Girona / Maintained by the artist and her spouse.
Duration
2008 - 2013
Category
politics, economy, social
Nr. and Title
237
Humanitarian Aid
Initiator
Núria Güell
Description
With this project Núria Güell offered herself as a bride to any Cuban who wanted to immigrate and obtained the Spanish citizenship. The aspiring husbands were invited to write a love letter which was submitted to a jury composed by three prostitutes who then declared the winner letter. Once married and having obtained Spanish citizenship it was possible ask for a divorce. This project focuses on issues related to immigration restrictions and the social consequences that they involve.
Goals
This project gave a chance to the contest winner to live legally in the country and consequently to receive a Spanish residence permit. The project also shows a possible strategy to be used by other immigrants who are in the same situation.
Beneficial Outcomes
Through the project, Güell’s husband has obtained a legal residency in Spain and a residence permit to be abroad from the Cuban government. From now on, he is free to enter and exit Cuba whenever he wants and has all the rights of a Spanish national.
Images
Location
The Netherlands
Users
nature volunteers, local entrepreneurs and inhabitants, nature lovers from the city, policy makers, scientists, farmers, hunters, fishermen, maintainers etc.
Maintained by
Zorgboerderij Amstelkade icw Hunnie Foundation and Staatsbosheer.
Duration
2010 - 2014
Category
scientific, pedagogical, politics, environment, social
Nr. and Title
512
Hunnie
Initiator
Henriëtte Waal, Sophie Krier
Description
‘Hunnie’ ('them' in local slang) is a collaboration project between Henriëtte Waal and Sophie Krier, which addresses our approach to nature ‘now that cows and greenhouses are disappearing from the landscape’. In the course of a years field work new forms of recreation and maintenance in De Bovenlanden in the Dutch Province of Utrecht were designed and tested. The area, known as a polder, was destined to exchange its agricultural function for a nature reserve in the context of a European wide plan to link ecological zones and allow flora and fauna to migrate and diversify. Hunnie's focus is the role of humans in relation to this man-made 'new nature'. The initiators invested time into acquainting themselves with inhabitants and local clubs with very specific knowledge of the area. Fishermen; hunters; historians; geologists; biologists; dieticians; artists; water engineers were given the role of guides, while scientists and thinkers were asked to provide a reflective framework. New nature lovers from the surrounding cities were attracted through a series of seasonal adventures, products and a field workshop related to water, clay, grass, fauna, wilderness and willow. Because Project Hunnie ran ahead of the Provincial realisation plans for ‘new nature’ it was possible to implement insights from Hunnie’s fieldwork into the decision-making process.
Goals
Explore, appoint and visualise the current natural and cultural potential of De Bovenlanden. Design and test new forms of nature experience and nature maintenance. Address the urgency of new exploitation models for ‘nature’ in the Netherlands with policy makers. Challenge ideas around the role of users and maintenance issues. Empower entrepreneurs and nature volunteers making them more visible in the transformation process of De Bovenlanden from a rural area into a new nature resort. Equip participants with skills and knowledge of their surroundings.
Beneficial Outcomes
Characteristic guided walks to explore and imagine today's potential of De Bovenlanden. Linking the wisdom inherent in local activities to expertise in art and science. The knowledge that is released is then processed in custom made attributes for the future visitors of the area. Specially designed outdoor equipment. In a farm yard where Hunnie products can be bought or borrowed by visitors.
Images
Location
Denmark
Users
The artists, anyone interested in build the hygiene system
Maintained by
N55
Duration
1997
Category
economy
Nr. and Title
068
Hygiene System
Initiator
N55
Description
The Hygiene System is a unit to satisfy the minimum needs for personal hygiene. The unit consists of three parts: a toilet module, a module for bathing, and a supply module. It's easy to build, install, and everybody can use it. The design is simple, compact and it can be constructed with minimal means. At the same time, the Hygiene System is easy to clean and durable. A DIY manual for constructing a hygiene unit is available online.
Goals
To be an accessible, mobile hygiene unit to be used anywhere.
Beneficial Outcomes
Everyone can build the Hygiene system using a free manual that is available on the website.
Images
Location
United States
Users
Mierle Ukeles, Bank workers, Visitors of Whitney Museum, citizens of New York.
Maintained by
Whitney Museum of American Art / New York Department of Sanitation.
Duration
1976
Category
Nr. and Title
217
I Make Maintenance Art One Hour Every Day
Initiator
Mierle Laderman Ukeles
Description
Mierle Laderman Ukeles collaborated with 300 hundred maintenance staff at a bank in Manhattan. She took Polaroid photographs of men and women doing routine jobs and asked them to discuss their labor as either art or work. Jobs were often discussed by the same person, at different times, in different ways. Later, she exhibited the workers' narrative statements alongside pictures of their daily chores. In 1976, Ukeles accepted an unsalaried position as artist-in-residence with the New York City Department of Sanitation. She proposed to do work that would incorporate dialogue, community participation around life-centered issues, and ecological sustainability.
Goals
She asked viewers to challenge the social constructions of aesthetic and cultural values that define what work and art mean and provided visitors and citizens with points of access to issues of urban waste management.
Images
Location
Spain, France
Users
The persons that took the documents
Maintained by
Passage Souterrain
Duration
2007 - ongoing
Category
politics, economy, social
Nr. and Title
042
ID: a criminal project
Initiator
Ruben Santiago
Description
The artist has collected passports, identity documents and credit cards from robberies carried out by burglars in Barcelona. The city, do to its urban organisation, is the ideal setting for this type of crime, because burglars can quickly empty the content of bags, get only cash and abandon the rest. Santiago collected 25 documents that were camouflaged as artistic objects and transported in Paris with the aid of a company specialised in artwork transport, to be displayed on a gallery – becoming available material for anyone who may wish to take them, recovering their criminal origin.
Goals
Transform the artistic system into a screen to conceal crime, as the possession of this material is a criminal activity in itself held against the state (the documents do not belong to the individuals, but to the state) and therefore, a punishable offence.
Beneficial Outcomes
All the documents were taken by Passage Souterrain visitors.
Images
Location
Austria
Users
Wochenklausur, seven immigrants that participated, relief organizations, families of kurdish cities of Dohuk, Erbil and Sulemanija, Childrens of Bonia and students of the University of Graz.
Maintained by
WochenKlausur
Duration
1995
Category
economy, social
Nr. and Title
249
Immigrant Labor Issues
Initiator
WochenKlausur
Description
In order to pursue an occupation legally in Austria, foreigners must have a work permit. At the time of the project, the Minister of Social Affairs set a yearly quota for the number of work permits issued. The group used the special arrangement for foreign “artists” (that allowed artists to remain in the country without a work permit as long as they could prove that they lived from their artistic activity). Seven immigrants were commissioned to produce "Social Sculptures". It was necessary to find patrons who would provide the “artists” with an income by commissioning them. The commissions and their honoraria provided the proof of income required for the refugees to take advantage of the exception made for artists. Each Social Sculpture would consist of preparing aid materials for relief efforts.
Context
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Goals
Circumventing strict legislation concerning foreigners.
Beneficial Outcomes
The project assured the participants legal residency in Austria. Afterward the materials were transported to their destinations by relief organizations. Through the project the refugees secured legal residency in Austria for one year. Several of them (especially the Bosnians) later returned to their home countries. One of the participants married in Austria, and two others obtained further commissions as artists.
Images
Location
Austria
Users
WochenKlausur, Inmates of Salzburg Police Detention Centre
Maintained by
Salzburger Kunstverein
Duration
1996
Category
politics, social
Nr. and Title
250
Improving Conditions in Deportation Detention
Initiator
WochenKlausur
Description
The Salzburg Police Detention Centre is one of the largest deportation detention facilities in Austria. Nevertheless, conditions in deportation detention are significantly worse than they are in any correctional facility. The group’s initial research for the project, in which relief organizations, counsellors, lawyers, detention inmates and former guards were interviewed, confirmed the rumours that were circulating about inhumane conditions. Many of the inmates were not informed of their status or of their rights. The group worked toward establishing a social service agency in the detention centre to coordinate the efforts of the various initiatives involved with deportation detention. WochenKlausur organized discussion groups with key representatives from politics, the media, scholarship, the church, police authorities, the Ministry of the Interior and relief organisations. These discussions were held in a tiny cottage built especially for the purpose in Salzburg’s historic centre. The talks led the police chief to allow the establishment of a social service agency in the facility.
Goals
Improve detention conditions for inmates.
Beneficial Outcomes
The Protestant Refugee Service agreed to oversee the agency’s permanent operation. Since then each inmate was assigned a volunteer counsellor, and thus it was possible to ensure that basic social, legal and hygienic services were available. After the police administration agreed to the creation of dayrooms in the detention centre, WochenKlausur found donors and sponsors for fitness equipment, table soccer games, television sets and radios as well as board games, books and newspaper subscriptions in a variety of languages. A telephone was installed, with the social service agency providing telephone cards according to need.
Images
Location
United States
Users
Jenny Polak, Art Gallery, undocumented immigrants
Maintained by
Jenny Polak, Exit Art
Duration
2003
Category
politics, social
Nr. and Title
230
In situ Sanctuary
Initiator
Jenny Polak
Description
The project is a site specific prototype created to match the space of a gallery. The initiators designed fake column and fake beam which visitors could climb up inside. A monitor connected to a surveillance camera showed who was inside the structure. The initiator designed a series of structures replicating some hidden places which either immigrant workers or persecuted people have been using to hide from the authorities.
Goals
To hide people form the authorities.
Beneficial Outcomes
The structures could keep their users purposely invisible and safe when immigration officers arrive.
Images
Location
Website – (the website is translated in English, Spanish, Greek French, Italian, German, Portuguese, Dutch, Swedish, Finnish, Russian, Polish, Romanian, Hebrew and Arabic)
Users
Activists, Journalists, Politicians, Citizens
Maintained by
The creators, the users, private donors.
Duration
1999 - ongoing
Category
politics
Nr. and Title
453
Indymedia.org
Initiator
Various Activists
Description
The Independent Media Center (IMC), established by various independent and alternative media organizations and activists, is a network of collectively run media outlets for the creation of radical, accurate, and passionate journalism. Indymedia was founded as an alternative to government and corporate media, and seeks to facilitate people to publish news as directly as possible.
Goals
To empower people to use the media by presenting honest, accurate, powerful independent reports, to develop as much independent media as possible.
Beneficial Outcomes
IMC collectives distribute print, audio, photo, video media and newswires, sites where anyone can publish news from their own perspective.
Images
Location
United States
Users
Chip Lord and Doug Michels, Hudson Marquez and Curtis Schreier
Maintained by
Ant Farm
Duration
1968 - 1978
Category
urban-development
Nr. and Title
057
Inflatables
Initiator
Ant Farm
Description
The project consisted in a anti-architectural structure that was cheap, easy to transport and quick to assemble. The structures had no fixed form and they promoted a type of architecture outside the expert knowledge field. Inflatables hosted conferences and various events like festivals, university campuses, conferences, lectures, workshops and seminars. To move the structures, they used a customized Chevrolet van, called Media Van, that turned into a mobile studio to share information and images. The van was also indispensable as a power generator to inflate the structures. The artists produced the Inflatocookbook, a manual for making your own structure.
Goals
To promote ideas that have no commercial potential, embracing the latest technologies at the same time as they criticize American culture.
Beneficial Outcomes
Conferences and various events were conducted freely because they developed in their architectural inflatables.
Images
Location
Germany
Users
WochenKlausur, inhabitants of Berlin.
Maintained by
Kunstamt Kreuzberg, NGBK.
Duration
1998 - ongoing
Category
Nr. and Title
252
Initiatives for Unemployed People
Initiator
WochenKlausur
Description
Kreuzberg was the Berlin district with the highest percentage of unemployed people and welfare recipients. WochenKlausur conceived a workstation, consisting of an “Info Tank” that would help unemployed people develop their own ideas of what they could do for a job, and a “Think Tank” that would aid them in realizing individual projects. Announcements were put in the newspapers, the employment office and other counselling institutions were contacted, public presentations on the issue were organised, and numerous experts from various fields were invited for talks. A great deal of cooperation was stimulated by these efforts: the district government made available an office in a good location, a “job creation program” contributed computers, and Frauke Hehl from the unemployment initiative Springboard took over the permanent administration of the workstation initiative. The final decisions were made at a summit meeting held on a boat excursion on the river Spree.
Goals
To provide opportunities and advice for the unemployed.
Beneficial Outcomes
The Info Tank supplied information about existing opportunities in Turkish and German and offered individuals support in developing and formulating their own ideas and plans. In the summer of 1999, the Think Tank launched its first projects, drawing up exact plans for their realisation, testing their feasibility and contacting possible cooperation partners.
Today the workstation has a staff of more than twenty – some working on a volunteer basis – and is located in nearby Friedrichshain.
Images
Location
Spain
Users
José Miguel de Prada Poole, Carlos Ferrater, Fernando Bendito and students that participate in the congress.
Maintained by
International Council of Societies of Industrial Design (ICSID)
Duration
1971
Category
urban-development, economy, social
Nr. and Title
114
Instant City
Initiator
José Miguel de Prada Poole, Carlos Ferrater and Fernando Bendito
Description
The instant city was a self-built structure made with inflatable plastics and staple-guns, that could disappear after use without any trace in the landscape. It was designed as a solution to overcome the lack of temporary accommodation for students and participants of the VII Congress of International Council of Societies of Industrial Design (ICSID) in Ibiza. The Manifesto of the Instant City was sent to architecture and design schools all over the world as an invitation to participate. It was a symbol and, at the same time, the implementation of an alternative ideology based on participation and experimentation that characterised that edition of the Congress. The organisation provided the materials, but everyone should build his own habitation that was integrated into the whole structure.
Goals
Imagine, create and implement a model of cities with buildings that could disappear after used, without any traces of human constructions.
Beneficial Outcomes
The participants got free accommodation during the Congress.
Images
Location
Congo
Users
International and local artists, scholars, local community, inhabitants of the rainforest.
Maintained by
The IHA is funded by Akademie der Künste der Welt Amsterdam Fund for the Arts Mondriaan Fund Prince Claus Fund for Culture and Development Prins Bernhard Cultuurfonds .
Duration
2012 - ongoing
Category
economy, environment, social
Nr. and Title
513
Institute for Human Activities
Initiator
Delphine Hesters, Jacob Koster, Renzo Martens, Els Roelandt, Guido van Staveren van Dijk
Description
The Institute for Human Activities (IHA) began its operations on a former Unilever plantation, located on a tributary to the Congo River, 800 kilometers upstream from Kinshasa. Here, in one of the most disadvantaged regions of the world, the Institute launched its five-year gentrification program in order to recalibrate art’s critical mandate. The Settlement serves as an in-vitro testing ground where the IHA mobilizes the modalities of art production, seeking to acknowledge the economic mechanisms through which art has the greatest impact on social reality. The institute uses capital accumulation as a tool for artistic intervention, enabling art to make productive use of its dependence on existing economic structures.
Goals
In the Congolese interior the IHA is building an art center which will generate a sustainable source of income for the local population through the production of critical art. It thus endeavors to make critical artistic reflection profitable for the poor.
Beneficial Outcomes
The results of the Gentrification Program will be shared with audiences in Africa and around the world through lectures, exhibitions, film and television.
Images
Location
Online, Colombia, Perú, Chile, Uruguay, Spain, Hungary, Santo Domingo, Germany, Sahara.
Users
Zoohaus, citizens
Maintained by
Zoohaus
Duration
2010 - ongoing
Category
pedagogical, economy, environment, social
Nr. and Title
075
Inteligencias colectivas
Initiator
Zoohaus
Description
An online free database where different construction techniques from every region of the world — and every degree of industrialization and development — can be accessed and exchanged.
Goals
This methodology is used in order to promote a type of technical know-how that is at once inclusive and public. A horizontal learning system —through tinkering with material prototypes— helps to weave together a tight network of people and collectives.
Beneficial Outcomes
A catalog with record files, a “human network” of persons and collectives from around the world, and detailed edited plans and instructions, can be accessed for free and implemented anywhere in the world.
Images
Location
Spain
Users
Homeless people and people evicted by banks
Maintained by
Plataforma de Afectados por la Hipoteca de Torrevieja y Vega Baja
Duration
2012
Category
politics, economy, social
Nr. and Title
219
Intervention #1
Initiator
Núria Güell
Description
58,241 evictions were conducted in Spain in 2011, mostly through real estate speculation by the Mediterranean Savings Bank. In Intervention #1, the artist created a cooperative through which she contracted a construction worker (who himself had been evicted from his own house) to remove the entrance doors to other foreclosed properties. In this way, houses were accessible and open to public use, and occupants were not liable for housebreaking. Since the process of hiring the worker was done through a legal entity, it prevented the worker who removed the doors as well as the occupants from being legally liable.
Goals
To reinstate to public use houses and warehouses that were purchased by banks through public bailouts at 50% less of their appraised value. To make visible the legal strategies used by banks to steal from the state and citizens with total impunity.
Beneficial Outcomes
The project offered houses to citizens who do not have homes. Instead of the citizens, the project itself assumes responsibility for opening the houses. On a pedagogic level, the project promotes legal strategies which citizens can use to avoid legal liability, adopting similar strategies to those that banks themselves use to avoid culpability.
Images
Location
Italy
Users
People who have been evicted by banks and homeless
Maintained by
Produced by VIVA Performance Lab / Maintained by Prendocasa Cosenza (activists)
Duration
2012
Category
politics, urban-development, economy, social
Nr. and Title
236
Intervention #2
Initiator
Núria Güell
Description
Palazzo Morelli in Cosenza, is a building that was renovated with public money in order to create a place for social housing. Actually, the state then transferred the management plan to the Bank BNP Paribas from 2005 until 2017, using the space as an investment fund selling virtual sales through listing on the stock exchange. Many of the families that inhabited the Palazzo were thus left homeless – evicted by the police. Afterwards, the main entrance of the building was walled-up to avoid future occupations inside the building. On Sunday, December 8, 2012, during a demonstration, the artist, together with the collaboration of Collettivo Prendocasa, began to demolish the wall in order to open a new entrance to the building.
Goals
‘To enable citizens who do not have access to housing to inhabit the Palazzo Morelli, which was originally refurbished with public money from the budget set aside for social housing. Through this demonstration, we denounce the fact that the bank uses the space with the endorsem*nt of the state as an investment fund, selling virtual property through the stock exchange, and corrupting its initial use for which it was refurbished.’ (N. Güell)
Beneficial Outcomes
‘To offer houses to citizens who do not have a home. In a legal phase, the action benefits the users since the artist broke down the wall and therefore assumed all the legal consequences and responsibilities for that action. The users can get in without any legal consequences since there is an open entrance which allows a free entry.’ (N. Güell)
Images
Location
Canada
Field
Education, Indigenous Communities Rights, Counter-narratives
Strategy
UIT (‘use it together’), Repurpose, Artworlds (art-sustaining environments), Narratorship (talking art)
Users
Inuit community, artists, filmmakers, people worldwide
Maintained by
Zacharias Kunuk, Pauloosie Qulitalik, Norman Cohn
Duration
1990 - ongoing
Category
pedagogical, politics, economy, social
Nr. and Title
253
Isuma Productions
Initiator
Zacharias Kunuk, Paul Apak Angilirg, Pauloosie Qulitalik and Norman Cohn
Description
Igloolik Isuma Productions, Inc. is an Inuit independent production company, that produces film, documentaries, and TV-series, whose objective is to organize community members through participation in a collective act of reflection and expression. Through community-based Inuit-language digital filmmaking, Isuma Productions preserve the cultural history and the language of indigenous people, as well as inform them about legal rights regarding the use of their land in mining developments. For Inuit, cooperation has become a medium of production and survival. In 1991 Isuma created the first Artic independent non-profit centre, called Tarriaksuk Video Centre. Today, it carries 1300 Inuit films and videos, of a total 7000+ films and videos in 70 languages, and brings the social, political and collective power of community-based media to remote communities living worldwide.
Context
For long time Inuit community only received the national broadcast TV where none representation or access to its history, culture and language was present. Zacharias Kunuk started to make videos in 1981 and four years later, he received his first Canada Council grant to produce an independent video, from Inuk Point of view together with Paul Apak, Pauloosie Qulitalik, and Norman Cohn. In January 1990 the team founded Igloolik Isuma Productions Inc. to produce and distribute independent Inuit-language films and media art, featuring local actors recreating Inuit life in the Igloolik region in the 1930s and 1940s. Over the next ten years, Isuma helped establish an Inuit media arts centre, NITV; a youth media and circus group, Artcirq; and a women’s video collective, Arnait Video Productions. In 2004 Isuma incorporated Isuma Distribution International and in 2008 launched IsumaTV, the world’s first website for Indigenous media art now showing over 7000 films and videos in 70 languages. In 2010, Igloolik Isuma Productions closed and re-opened as Kingulliit Productions.
Goals
Isuma's mission is to produce independent community-based media – films, TV and Internet - to preserve and enhance Inuit culture and language and to tell authentic Inuit stories to Inuit and non-Inuit audiences worldwide.
Beneficial Outcomes
It creates jobs and economic development in Igloolik and Nunavut community.
In 1991 Isuma created the first Artic independent non-profit centre, called Tarriaksuk Video Centre.
In 2012 Kingulliit and Isuma Distribution produced Digital Indigenous Democracy, an internet network to inform and consult Inuit in low-bandwidth communities facing the Baffinland Iron Mine development.
Isuma's 30-year media art project represented Canada at the 2019 Venice Biennale with its newest feature, One Day in the Life of Noah Piugattuk, which then screened at the Toronto International Film Festival and won Best Canadian Film at the 2019 Vancouver International Film Festival.
Images
Location
United States, Australia, Europe
Users
Miranda July, Filmmakers and film lovers.
Maintained by
Miranda July
Duration
1996 - ongoing
Category
economy, social
Nr. and Title
234
Joanie 4 Jackie
Initiator
Miranda July
Description
The project consisted of an underground and independent film network for women to share their movies. In a pre-Youtube era, the project functioned as a platform to share and see each other's work in a field where women were massively underrepresented. The network connected directors and filmmakers internationally throughout screenings, and over 200 movies was distributed through a 'chainletter' system: filmmakers contacted J4J sending their work and they received a compilation with nine others. In 2017 the Getty Research Institute acquired the complete archives, which consist of 27 boxes of tapes, posters, letters and the archives of artists such as Yvonne Rainer, Robert Mapplethorpe and Carolee Schneemann.
Goals
To enable female film directors to share their movies.
Beneficial Outcomes
Promoting the widespread circulation of material, which might never be seen otherwise.
Images
Location
Germany, United Kingdom, Canada, Online
Users
Immigrants and refugees in various locations.
Maintained by
Hybrid Workspace, Documenta X, Kassel
Duration
1997 - ongoing
Category
politics
Nr. and Title
147
Kein Mensch Ist Illegal
Initiator
Florian Schneider
Description
The project is an international network of local immigrant and refugee rights advocacy groups. What began as a conference on June 28, 1997, developed into a national campaign. More than thirty anti-racist groups present at the conference issued an appeal for greater attention to migrant workers' rights, such as healthcare, education, and housing for migrant workers. Schneider's subsequently initiated several projects in the same vein, like the "no border network" and the online platform KEIN.ORG.
Goals
Support free movement and equal rights for all, and unity between all.
Beneficial Outcomes
The campaign culminated in 2001 with an online demonstration in conjunction with Libertad! Today, No Person Is Illegal continues to work on problems of labour and immigration, focusing on the connections between economics and racism.
Images
Location
Japan
Users
People in the disaster area (northeast Japan)
Maintained by
Kesen Festival organised by the people from the area
Duration
2012
Category
environment, social
Nr. and Title
427
Kesen Transplant
Initiator
Kesuke Ikeda
Description
The region of Kessen located in the north-eastern part of Japan, is an area seriously damaged by the tsunami in 2011. The same region was the basis of a project entitled Kessen Transplant – the goal of which was to renovate temporary infrastructure, for artists and visitors to live again in this place In particular, Kesuke Ikeda made a local power plant, Kesen-Art Power Plant, using rubble This still remains in Rikuzen Takata. The "power plant" provided energy to the house located next to it. In this house artists and participants enjoyed local foods from the area while talking about the future of the region.
Goals
The purpose of the project is creating our lifestyle in relation to the richness of the land, surround by mountains and the sea. Our hope was that the experiences of a project on livelihood and energy would be a good opportunity for everyone to grow the future vision of the stricken area together.
Beneficial Outcomes
The house became a place for participants and artists to enjoy gatherings and local foods in a hot pot, using the natural energy produced by the Kesen Art-Power Plant. Many visitors (most of them victims of the tsunami) came to enjoy and rediscover the fascination of the area while talking with artists who came from outside.
Images
Location
Kenia
Users
Kounkuey Design Initiative, Inhabitants of Kibera, Buro Happold, Knyan Architecture Firm, volunteers.
Maintained by
Eco-Build Africa
Duration
2006 - ongoing
Category
urban-development, economy, environment, social
Nr. and Title
409
Kibera Public Space Project
Initiator
Kounkuey Design Initiative (KDL)
Description
Design interventions oriented to sustainably revitalize one of the largest informal settlements in Sub-Saharan Africa. The group of Harvard School of Design students partnered with residents, local design students, private sector experts and government officials to build a flood control system, a bridge to open a circulation route and a shade pavilion to accommodate more than 200 residents and their income-generating activities. Each enterprise contributes a percentage of their profits to site maintenance.
Goals
Reinforce sustainability: social, economical and environmental.
Beneficial Outcomes
Productive public space, and income-generating activities. Several community-based groups have been created, and construction is ongoing.
Images
Location
Iran
Users
Women Weavers, Local young and emerging artists in fashion industry, Supporters who use the weaving products and a culture in their daily life.
Maintained by
Soheila Moayed Jafari, Hooshyar Cyrous, Shaghayegh Cyrous, Khashayar Cyrous
Duration
2014 - ongoing
Category
pedagogical, economy, social
Nr. and Title
565
Klozar Weaving
Initiator
Soheila Moayed Jafari, Shaghayegh Cyrous
Description
Klozar is an organization aimed at supporting women weavers residing in the rural areas of Iran, such as Kurdistan, Sanandaj, Bijar, Hashtgerd, Eslam shahr, Tehran, Nezam Abad. Through supply and distribution of high-quality crafts, Klozar creates a market for Iranian craftswomen whose art is at the edge of deterioration. The initiators hand picks the highest quality weaving, compensates the weavers twice the national average, and commission waivers before they start weaving. Women weavers produce bags whose labels identify who made them and where. The bag labels give the name of the traditional design that has been passed down through the weavers' families for many generations. Most of these patterns are passing to the next generation of waivers by a song that tells the weaver what pattern and colour they should use as they keep singing and weaving.
Goals
Entrepreneurship and supporting women weavers in all over Iran in creating a safe space for them to use their talents. Support women to become independent financially. Collecting stories from women weavers who were always hidden behind the weaving industry. Bringing back the traditional colours and patterns that were going to disappear and repurpose the weaving for a more contemporary use introducing it to the next generation that will keep the handwoven industry alive. Allowing people to use the handmade weaving component in their daily life by getting introduced to different patterns, colours and the information of provenance and who are the weavers behind the woven product.
Beneficial Outcomes
Since the creation of Klozar more than 40 weavers joined the organization from more than 25 cities and villages around Iran. Klozar supported women in negotiating and changing mindsets of their husbands and families, who are not allowing them to be financially independent, because of the cultural and traditional expectations and barriers. The project supported weavers' families by providing healthcare - such as medicine that is not available, because of being expensive or rare, as a result of Iran's sanctions by 5+1 world power countries - and home supplies or children's school material. Klozar gives a platform to emerging artists in the fashion industry. It brought back the attention to handwoven industry that was fading by new machines and China's industry. The project has received many awards including the best cultural entrepreneur of Iran by cultural heritage of Tehran in 2015.
Images
Location
Japan
Users
Shin Egashira, Students and professors of AA School of Architecture, inhabitants of Koshirakura.
Maintained by
AA School of Architecture, Daiwa Anglo-Japanese Foundation, Great Britain Sasakawa Foundation.
Duration
1996 - ongoing
Category
pedagogical, urban-development, economy, social
Nr. and Title
406
Koshirakura Landscape Workshop
Initiator
Shin Egashira
Description
Koshirakura Landscape Workshop is a visiting school programme of the AA School of Architecture in which students plan interventions of architecture and urban design, with the participation of the local community of Koshirakura village. Located in the disused elementary school, international students work with local people in order to create an infrastructure for the social sustainability of the village which consists of only 100 inhabitants. Considered temporary residents rather than visitors, students are an active part of the community and they are integrated into the everyday life of the village. Recent projects consist of a communal oven, an Azumaya (a summer pavilion), the design and making of vehicles that could be used in celebrating the traditional Maple Cutting Festival, the transformation of Masuke House into an open-house for semi-communal use, and the conversion of the abandoned school into a communal area.
Goals
Because the majority of the inhabitants of the village is over 60 years old, the purpose of the project is to avoid the shrinking of the community using architecture as a tool for the development of resources to be used by the residents.
Beneficial Outcomes
Infrastructures constructed, cultural exchange, and enrichment of community dynamics.
Images
Location
Kosovo, The Netherlands, United Kingdom
Users
Women of Vushtrri / Kosovo, Radio Vushtrri, Metropolitan School of Architecture London, School of Architecture, Prefecture Architecture UK, Prishtina, Shirin Homann-Saadat.
Maintained by
School of Architecture Prishtina, Metropolitan School of Architecture London, Architectural Summer Hamburg, Uta Homann Minden, Kunstlerhaus Hamburg-Bergedorf, galerie Xprssns Hamburg
Duration
2001 - 2006
Category
politics, urban-development, social
Nr. and Title
481
Kosovo Box
Initiator
Shirin Homann-Saadat
Description
The project consists of a construction manual, conceived as a recipe book, dedicated to women in Kosovo addressing the lack of sheltering space after the Balkan War. The content of the box has been created throughout worksps by women from Prishtina and Vushtrri and it was developed in collaboration with the School of Architecture in Prishtina and in London.
Goals
Propose a solution for the lack of shelter for women.
Beneficial Outcomes
Some of the Kosovo Box‘s architectural ideas were integrated into an architectural local proposal; women of Vushtrri formed a group and occupied the building site for their ’women only-building’ (finally the site was not given to the women and the house was not built); the project was published in architectural journals in England and Germany and shown on Kosovo media.
Images
Location
Italy, Kosovo
Users
WochenKlausur, Ardit Misliu, Refugees, Austrian Pavilion’s visitors
Maintained by
Austrian Pavilion, 48th Biennale di Venezia ; Vienna City School Board, University of Vienna, Caritas; KulturKontakt, the Rotary Club of Vienna and the Women’s Initiative Against War; Veuve Cliquot company; Austrian Pavilion’s visitors; Austrian film production company PPM, Macedonian civil rights organization ADI (Association for Democratic Initiatives).
Duration
1999 - 2003
Category
pedagogical, economy, social
Nr. and Title
254
Language Schools in the Kosovo War
Initiator
WochenKlausur
Description
During the Kosovan War numerous young refugees had found shelter with families in small Macedonian towns and had not had access to any schooling. WochenKlausur decided to establish a network of language schools. Initially seven spaces were rented on the Kosovo border – around Gostivar and Pristina – and furnished as classrooms. Organizations like KulturKontakt, the Rotary Club of Vienna and the Women’s Initiative Against War, as well as the Veuve Cliquot company and many private individuals, contributed a total of €48,000. The group held a lottery in the Austrian pavilion at the Venice Biennial: for 20 euros visitors could choose from an array of surprise bags containing prizes sponsored by a variety of Austrian and Italian companies. The language courses were organized and administered in cooperation with the Macedonian civil rights organization ADI (Association for Democratic Initiatives). ADI also hired the teachers, who offered courses in English, German, Italian and French. Additionally, Biennial visitor Jeannette Armer, a teacher from Cambridge, spontaneously agreed to teach on a volunteer basis for an entire year.
Goals
Take the chance to involve 200,000 visitors in a project to help refugees of the Kosovo War – a mere 300 km from Venice and help to improve the professional qualifications of the refugees.
Beneficial Outcomes
Upon completing a course, each participant received an official diploma. As a civil rights organization involved in training for NGOs, ADI was certified by government authorities to award these certificates. Funding was sufficient to operate the language schools for three years. At the end of 2000 the courses in Macedonia were discontinued, because most of the refugee families had returned to Kosovo. Four classes were transferred to Kosovo and ran there for another year.
Images
Location
United Kingdom
Users
Readers
Maintained by
John Ruskin
Duration
1860-1900
Category
scientific, pedagogical, politics, economy, social
Nr. and Title
118
Lectures and other essays
Initiator
John Ruskin
Description
John Ruskin was the greatest British art critic and social commentator of the Victorian Age. He fiercely attacked the worst aspects of industrialization and actively promoted art education and museum access for the working classes. His prophetic statements on environmental issues speak to our generation as well as to his own. Ruskin’s social view broadened from concerns about the dignity of labour to consider wider issues of citizenship, and notions of the ideal community. Just as he had questioned aesthetic orthodoxy in his earliest writings, he dissected the orthodox political economy espoused by John Stuart Mill, based on theories of laissez-faire and competition drawn from the work of Adam Smith, David Ricardo and Thomas Malthus. Ruskin became an increasingly popular public lecturer in the 1850's. His work Lectures is a compilation of his most important pieces. The Lecture III is "The relation of Art to Use".
Goals
He emphasized the connections between nature, art and society.
Beneficial Outcomes
His ideas inspired the Arts and Crafts Movement and the founding of the National Trust, the Society for the Protection of Ancient Buildings, and the Labour
Movement.
Images
Location
Sweden, The Netherlands, Canada
Users
Museum visitors
Maintained by
Moderna Museet Stockholm; Bildmuseet, Umeå; Van Abbemuseum, Eindhoven; MOCA, Toronto
Duration
1999
Category
scientific, economy, social
Nr. and Title
089
Light Therapy
Initiator
Apolonija Šušteršič
Description
Light Therapy was originally made as a project for Moderna Museet in Stockholm,1999. The idea was to focus on the program and typology of spaces within the contemporary museum today: how it functions as public space, and as a social or healing device in itself. Light Therapy became an addition to, and a comment on the museum’s program. It is clear that museums today not only function as exhibition space, but that they are also generators of city development and places that offer visitor various other activities and outlets, such as an education program, library and reading room, restaurant and shop etc.
Light Therapy is always designed with a generous amount of light simulating a bright, sunny day. The light elements used in the room are specially developed in relation to medical light treatments that affect our behavior. Everything in the room is white in order to keep the amount of light at the level of 10.000 lux. The room is furnished with white furniture, visitors get white coats, all objects and elements of the furniture in the room need to be white. There are Light Therapy instructions on the wall for visitors to consider as advice on how to use the room. Reading material is available for visitors to read and it is usually selected as a comment to the current issue discussed in public within specific situations / contexts where the room is installed. Invitations to use Light Therapy are placed in local newspapers and flyers are handed out in the urban realm to inform the public that light therapy is available to everyone. The logo for Light Therapy is developed by each hosting institution, to imply that the therapy is an authentic part of the museum experience.
Goals
To allow visitors of contemporary art museums to experience feelings of happiness and make them aware of its meaning within our everyday life.
Beneficial Outcomes
This treatment is used to fight Seasonal Affective Disorder (SAD), milder winter blues and sleep disorders caused by jet leg and overwork, or lack of daylight. It is a therapy with no proven side effects, which everyone can use. Light therapy creates an artificial condition to improve our busy lives: "it is a ‘new prosthesis’ to make our everyday lives easier. It is a tool, which artificially makes you happy”. However, the subject of happiness is always related to a specific context or situation where Light Therapy is installed which makes the visitors of a contemporary art museum aware of its role in society today.
Images
Location
Italy
Users
Hypothetical suicide committers in a confused and hesitant phase.
Maintained by
Publisher: VIAINDUSTRIAE; Editor: Emanuele De Donno, Amedeo Martegani; Collaborators: Franco Troiani, Alice Mazzarella.
Duration
2010 - 2012
Category
politics, social
Nr. and Title
477
Lonely
Initiator
Luca Pucci
Description
Lonely is a guide book to Ponte delle Torri (Towers Bridge), which is one of the favourite destinations for travellers, artists and suicides. It is a small publication of extreme explorations, on the border between travel literature, fiction and crime dossier. This is a publication along the lines of the touristic guide ‘Lonely Planet’ which deals with the concept of travelling and its historical, artistic and sociological context, in a transversal way. Several themes are included and debated: timing of fall, jump, damages, history, environment, hotels and restaurants for the last meal, art and a wide section dedicated to other places connected to suicide in Italy and across the border. In this way, instead of pushing the tourist toward the act of committing suicide, this guide tries to bore him and to ‘spoil the party’.
Goals
This research starts from a ‘discovery’, so to speak. Many suicides, before entering the void, plan, in detail, their suicide by choosing the last restaurant,
the right time, and so on. Considering the importance of this phase of preparation for death, the idea was to ‘consume and formalize’ this ritual: to neutralize the practice of suicide. This manual also tries to stop the ’procedure’ through a guide and at the same time, tries to educate the audience about death and the
censured topic of suicide.
Beneficial Outcomes
Lonely is a practical, detailed and funny guide to the city of Spoleto and its ‘Bridge of Suicides’. It introduces the city and to its restaurants, museums, monuments. It is an original publication that deals in a specific and deep way with the historical and artistic aspects of the bridge that could not be found in a standard touristic guide. Moreover, the book is also an archive of interventions of contemporary art recently installed over and around the bridge.
Images
Location
The Netherlands
Users
Bik van der Pol, readers of Loompanics publications and users of the museum
Duration
2001- ongoing
Category
pedagogical, politics, economy
Nr. and Title
313
Loompanics
Initiator
Bik van der Pol
Description
The project includes a selection of 140 books from Loompanics Unlimited publishers, Washington. Out of business since 2006, this publishing house had for decades published manuals that ‘your mother and the state would rather you didn’t read’. Subjects varied from practical handbooks on ‘How to Develop a Low- Cost Family Food- Storage System’ to less generally acceptable publications as ‘Gourmet Cannabis Cookery’ and controversial self-help books as ‘How to Start Your Own Country’, ‘Homemade Guns and Homemade Arms’, or ‘How to Clear Your Adult and Juvenile Criminal Records’. Users are invited to read the publications and make copies of the manuals, meaning they can follow instructions and realise projects on their own.
Goals
To allow users free access to material, bypassing reproduction rights and encouraging them to use the manuals themselves.
Beneficial Outcomes
Users gain free access to Loompanics publications
Images
Location
United States
Users
Fallen Fruit (David Burns, Matias Viegener, and Austin Young), Islands of LA (created by Ari Kletzky), citizens of LA
Maintained by
Fallen Fruit/Islands LA
Duration
2008
Category
urban-development, economy, environment
Nr. and Title
164
Love apples
Initiator
Fallen Fruit, Islands LA
Description
The initiators, in collaboration with residents, planted 72 tomato plants in 12 traffic islands around the city. Tomatoes were planted on empty and irrigated public space to suggest an alternative use and occupation of the public space. Users were invited to sample but not hoard the produce. At the end of the project, a map was created to invite users to discover these new urban spaces and taste the tomatoes.
Goals
The project tested the definition and use of public space in the city of Los Angeles, imagining new ways in which such spaces could be utilised differently.
Beneficial Outcomes
The re-use of public spaces and the fact that public sampled the tomatoes.
Images
Location
United States
Users
Mad Hoursers, donations
Duration
1987 - ongoing
Category
Nr. and Title
112
Mad Housers
Initiator
Michael Connor and Brian Finkle
Description
Mad Housers is a non-profit organisation, comprised entirely of volunteers, who engage in various forms of social, charity and educational work. The project provides shelters in various areas in the city of Atlanta for homeless families and individuals, without differentiating between the nationality, religion, age and sexual orientation. It develops low-income housing for people in need, and workshops to help people developing skills and knowledge for refurbishing housing and shelter.
Goals
To help the plight of the homeless in Atlanta and low-income families.
Beneficial Outcomes
To develop low income housing for people in need, to help people develop the skills and knowledge to construct housing and shelter, and also to act, if necessary as an advocate for the homeless, to ensure that their moral and civil rights are protected.
Images
Location
US, Mexico
Users
Mark Bradford, Mexican border police, Maleteros (Luggage carriers)
Maintained by
inSITE 05
Duration
2005
Category
economy, social
Nr. and Title
111
Maleteros
Initiator
Mark Bradford
Description
Malteros are the porters who transport luggage and goods between the border of the US and Mexico. Working with a group of maleteros in 2005, artist Mark Bradford collaborated on a system of maps and signs that placed the marginalized work of the unofficial maleteros alongside that of the sanctioned labor of policemen and taxi drivers. Along with the map, the collaboration resulted in new stations for the maleteros to work out of and store their carts, as well as the creation of a large sign that reads “MALETEROS” under the taxi and buses sign.
Goals
To provide visibility, improve business and legitimize the work of the maleteros operating in the informal economy
Beneficial Outcomes
The signs provide visibility for the maleteros as well as demarcated stations for facilitating business and storing carts.
Images
Location
México
Users
Speakers of various languages throughout Mexico, language activists who are developing projects on the subject
Maintained by
Primal
Duration
2017-2018
Category
pedagogical, politics, social
Nr. and Title
575
Matria
Initiator
Paola Sánchez, Héctor Juárez (Primal).
Description
In Mexico, there is no official language, but unofficially Spanish and Nahuatl are recognized as the principal languages. There are 68 native languages and 364 unofficial language variants accepted by different laws or treaties in their respective territories or indigenous ethnicity. Nahuatl is considered to be the indigenous language with the highest number of speakers in the present.
The concept of national integration has created policies in hom*ogenization with the Spanish as a national language. The Indigenous languages, their cosmogony and culture have been relegated to "conservation", enclosed in folklore and exoticism.
Within this context, Matria has as its primary objective to put the indigenous languages into use with a series of specific actions through workshops, meetings, forums and the application of them in materials of daily use: texts, films, or any expression of everyday use. F.i. "The future is in our languages" (a workshop with professionals of dubbing to learn how to translate movies like Blade Runner to the indigenous languages.
Goals
-Put the original languages in the future and contemporary thinking.
-Revalue and create bridges between different traditions, worldviews, codes and cultural practices.
-Promote that languages should be present in daily use
-Understanding collectively that large infrastructures or technologies are not required to be able to bring these languages to contemporary life. It is a matter of political, personal and collective willpower.
Beneficial Outcomes
The workshops are designed to provide tools to the attendees, who will be able to make use of them in their daily lives, e.g. a dubbing workshop to give speakers the ability to translate movies into their original language. Some texts of contemporary thought have already been interpreted into native languages (free access on the website) and "Blade Runner" has been dubbed to Nahuatl.
Images
Location
Austria
Users
Homeless population, people without health insurance. The clinic has over 700 patients per month
Maintained by
Vienna Secession; sponsors and Council.
Duration
1993 - ongoing
Category
politics, economy, social
Nr. and Title
140
Medical Care for Homeless People
Initiator
WochenKlausur
Description
After receiving an invitation from the Vienna Secession, WochenKlausur decided to develop a project to improve the situation of homeless people, instead of putting on an exhibition. At the time of the project, Karlsplatz, the square in front of the exhibition building, was known throughout the city as a meeting place for homeless people. WochenKlausur customized a van into a mobile clinic that provided Vienna's homeless population with access to health care, free of charge. To pay the salaries of the physicians, WochenKlausur resorted to a trick, asking a correspondent for the German news magazine Der Spiegel to conduct an interview with the councilor of Vienna and pretend that he was interested in reporting on the project. Since the politician did not want to appear in the German press as the cause of the project’s failure, he had no choice but to provide funding for the physicians who would staff the clinic – initially for one year.
Goals
To provide health care for homeless population and to people without access to healthcare.
Beneficial Outcomes
Since 1993, 600 people per month have received medical care from the clinic. In 1998 a larger vehicle replaced the old van and the relief organization Caritas has taken over management of the entire project. The mobile medical clinic has become a permanent institution, also offering treatment to foreigners without Insurance. If you are in need of free of charge healthcare you can go find the Louise-Bus at these locations: Mon 16.00–19.30: Franz-Josefs Bahnhof, 9. District, Spittelauer Platz; Tue 09.00–12.00: Praterstern - Ladezone BILLA (U-Bahn Exit Nordbahnstraße/Heinestraße) and 15.00–18.00: Behind the Day Center Josefstädterstraße, 8. District, U6 Station Josefstädterstraße; Wed 09.00–11.00: Lacknergasse 96, 18. District, next to the second Gruft and 11.30–14.30 & 19.30–21.30: In front of the Day Center Gruft, Barnabitengasse 14, 6. District; Thu 09.00–12.00: In front of the Day Center at the Main Train Station, 4. District, Wiedner Gürtel 10 and 14.00–18.00: Haus Grangasse, Grangasse 6, 1150 Wien; Fri 09.00–13.00: Behind the Day Center Josefstädterstraße, 8. District, U6 Station Josefstädterstraße and 13.30–15.00: Next to the FrauenWohnZentrum, 2. District, Springergasse 5 - Treatment only for Women.
Images
Location
Mexico, United States, Canada, Belgium, Germany.
Users
Minerva Cuevas, citizens
Maintained by
Minerva Cuevas, volunteers and those art Institutions that host the project
Duration
1997 - ongoing
Category
politics, economy, social
Nr. and Title
017
Mejor Vida Corp (Better Live Corporation)
Initiator
Minerva Cuevas
Description
Mejor Vida Corp (M.V.C.) is a non-profit corporation that creates, promotes and distributes products and services for free. Besides, they can be delivered anywhere in the world without charge. Among a variety of goods, M.V.C. provides subway tickets, safety pills, cheaper barcodes stickers, self-stamped envelopes, lottery cards, student identity cards or services like cleaning service, recommendation letters, etc.
M.V.C. explores and react on the general practices of the large corporations and institutions analysing every particular context like Mexico D.F., Toronto, Hasselt, Frankfurt, etc. MVC doesn't discriminate against gender, race, religion, sexual preferences or economic status.
Goals
To question the capitalistic economic system employing ordinary things and everyday issues, challenging the very idea of the artistic production and reversing the notions of commodification and profit.
Beneficial Outcomes
M.V.C. has given away thousands of subway tickets in Mexico city's subway stations, and they have issued numerous student Identity cards. These student's Cards can be used internationally to obtain free or reduced museum admissions, public transportation, travel accommodation, discounts on airfares, as well as many other benefits. Besides, the website provides a printable barcode database for products of supermarkets chains in Mexico, Toronto, Ottawa and San Francisco. Every product from M.V.C. is reproducible by the users.
Images
Users
Subway users
Maintained by
Members of Memetro
Duration
2010 - ongoing
Category
politics, economy, social
Nr. and Title
215
Memetro
Initiator
Memetro
Description
Memetro is a non-profit cultural organisation, which has developed a web application for smartphones for all people who have a transitory memory upset. The term ‘memetro’ is a merging of two concepts‘Meme’ from the Spanish expression, and the film ‘Memento’. People with TMG (Transitory Global Memetro) very often forget to validate their ticket of public transport, especially on the subway. Memetro is therefore a social and artistic project, anyone with this memory disease could become a member and get live updates at every moment (via Facebook and Twitter) about the locations and timing of inspections on all subway lines, thus helping these people to avoid the fine that controllers generally impose on those travelling without a ticket.
Goals
Providing support and help to the TGM-affected population through cultural activities and information campaigns; to give recognition of the victims of TGM.
Beneficial Outcomes
Memetro employs a members’ fee (7 Euros/month) to form a common fund for collectively paying the fines imposed on any member. If a member is trapped in a control line and asks help via Facebook or Twitter, any other member can buy a ticket and give it to him, just on time, before being fined.
Images
Location
Thailand, Online
Users
Students
Maintained by
Midnight University
Duration
1997 - 2014
Category
pedagogical, politics
Nr. and Title
177
Midnight University
Initiator
Somkiat Tangnamo
Description
Midnight University is a free educational project and an academic forum online. The project was committed to democratic ideals and social justice. Since its foundation, it has been a dissenting voice in the country's larger political landscape becoming a valuable resource for artists, academics, and activists. After Thailand 2006 coup, the University website was temporarily shut down after some scholars led a protest in Chiang Mai againts the Junta's draft interim constitution. In May 2014, Thailand’s military junta blocked access to the ‘Midnight University’ website. The user was redirected to a Junta's annoucement that stated: Temporarily closed down according to the order of the National Council for Peace and Order.
Goals
The primary task of this website is to be an educational tool for citizens, providing a forum to discuss social and political issues.
Beneficial Outcomes
The Midnight University website receives over 2.5 million unique visits per month and offers users from around the world access to over 1500 scholarly articles. Most of the materials are in Thai and some are in english.
Images
Location
Taiwan
Users
Students and citizens.
Maintained by
Department of Fine Arts at National Taipei University of the Arts, the Department of Fine Arts at National Taiwan Normal University, and the National Taiwan University Photography Club.
Duration
2010 - 2013
Category
urban-development
Nr. and Title
507
Mirage—Disused Public Property in Taiwan
Initiator
Yao, Jui-Chung + Lost Society Document (LSD)
Description
In the '90s the Ministry of the Interior erected a series of buildings in the name of social welfare or social recreation. After massive amounts of public money were spent to construct these facilities, they were not put into operation. They became known as “deserted buildings” or “idle spaces,” or, colloquially, “mosquito halls”. In 2010 approximately 50 students from Taipei National University of the Arts and National Taiwan Normal University completed a joint investigation about those buildings. Compiling written reportage, along with film and photography shot on location, the group edited and published three different books which are the irrefutable evidence of government negligence.
After the first publication the government reaction was to declare that they would do something in order to reuse the abandoned buildings. After one year nothing happened, so the artists decided to publish a second book and then a third with a more complete list. The Public Construction Commission (PCC) said it would re-investigate all such facilities nationwide and deliver a report on improving their usage.
Goals
To underline the government negligence and to foster some action to use the buildings.
Beneficial Outcomes
Forced this issue into the forefront of the government's consciousness so they would reinvestigate the issue. To put these disused spaces back into social use. A new social awareness emerged in the student body as to the absurdity and unfairness of their society.
Images
Location
Germany, Poland, Austria, Turkey, United Kingdom, Israel, Finland, Switzerland
Users
Experts and participants
Maintained by
Hannah Hurtzig with changing collaborators
Duration
2005 - ongoing
Category
pedagogical, politics, economy
Nr. and Title
198
Mobile Academy: blackmarket for Useful Knowledge and Non-Knowledge
Initiator
Hannah Hurtzig
Description
The project consists of an audio recording archive, which can be displayed in public venues. For every activation of the project, the initiator arranges between 12 to 100 individual tables that are occupied by experts (scientists, artists, philosophers, craftsmen, etc) who are invited to offer a 30 minute one-to-one session to users. Users are able to book an expert and to acquire her or his knowledge. Each conversation is made available in an online archive.
Goals
To organise a community college in which learning and unlearning, knowledge and non-knowledge, and strategies of living and surviving will change ownership in a non-institutional way. To transfer knowledge as a communicative and performative act that becomes a collectively, whispered story of knowledge.
Beneficial Outcomes
Transfer of knowledge between participants and experts. Talks are made available online and in an Encyclopedia.
Images
Location
United Kingdom
Users
Church and village communities.
Maintained by
Cheese enthusiasts
Duration
2011 - ongoing
Category
scientific, politics, economy, environment, social
Nr. and Title
486
Mobile Dairy Unit
Initiator
Fernando García-Dory
Description
An instructive, mobile unit that tours the country showing the process of sourcing dairy products and how they are then processed into cheese and other dairy products.
Goals
To teach people to make their own cheese to provide a herd of goats and cheese-making facilities on a short term basis.
Beneficial Outcomes
Cheese understanding: the science of cheese and fermented cultures social interaction.
Small business development.
Understanding of where food comes from.
Images
Location
France, Spain, Italy, Austria.
Users
Citizens, artists, museum's visitors
Maintained by
To Acconci's disappointment it is now dismantled and storage in Vienna.
Duration
1991
Category
urban-development, economy, social
Nr. and Title
510
Mobile Linear City
Initiator
Vito Acconci
Description
The artist built portable housing that can be replicated to become an entire 'city'. A semitrailer truck carries six self-contained housing units that can be telescoped down into one compact module for hauling, to be set up wherever housing is needed. Inside each house, the wall panels can turn down to form a table, a bench, a bed and a shelf. There are five living units, each essentially a studio apartment with the unit housing shared utilities.
Goals
The artist had hoped it would become a lived-in 'traveling city', but soon he realized that it was not possible due to problems of legal responsibility, permits etc.
Beneficial Outcomes
People could live in a 'traveling city'.
Images
Location
Egypt
Users
Mosireen and participants
Maintained by
Mosireen
Duration
2011 - ongoing
Category
pedagogical, politics, economy, social
Nr. and Title
447
Mosireen
Initiator
Mosireen
Description
Armed with mobile phones and cameras, thousands of citizens record events as they occur in front of them, wrong-footing censorship, and empowering the voice of those with a street-level perspective. In the wake of president Hosni Mubarak’s fall, a group of film-makers and activists founded the non-profit media collective Mosireen to film the ongoing revolution, to publish videos that challenge state media narratives, to provide training, technical support and equipment, to organise screenings and events, as well as host an extensive library of footage from the revolution.
Goals
Support citizen media of all kinds.
Beneficial Outcomes
Mosireen runs free training courses. Their videos are available to download or stream for free and openly for all non-commercial viewing, screening, and distribution.
Images
Location
Colombia, Slovenia, Spain, Puerto Rico, France, Switzerland, Turkey, Italy.
Users
Colectivo Cambalache, inhabitants of the neighbourhood.
Maintained by
Colectivo Cambalache (Carolina Caycedo, Adriana García Galán, Alonso Gil and Federico Guzmán).
Duration
1998 - ongoing
Category
economy, social
Nr. and Title
134
Museo de la Calle
Initiator
Colectivo Cambalache
Description
In the district of El Cartucho, an impoverished area in the centre of the city of Bogotà, a group of students of the University of Los Andes, organised themselves in the "Colectivo Cambalache". The aim of the group was to foster an alternative economy of sharing, exchange and recycling. They use a traditional recyclers’ full cart (a wooden box on wheels) to pick up objects on the street, take donations and redistribute them.
Goals
The project “Museo de la Calle”, proposes to generate an alternative economy through the gift, barter, exchange and distribution of goods with unlimited transactions.
Beneficial Outcomes
Everybody is welcome to take something from the cart, as long as they also donate an object in exchange.
Images
Location
The
Users
NAC members, artists and the inhabitants of Oud-Charlois district, Wolphaertstraat, the housing block ‘t O-tje at Verboomstraat and the neighborhood Wielewaal.
Maintained by
NAC, district council of Charlois, Housing corporations, The Mya NAC culture fund.
Duration
2004 - ongoing
Category
Nr. and Title
201
NAC Foundation (New Ateliers Charlois)
Initiator
Kamiel Verschuren and Jaap Verheul
Description
The project is an independent non-profit organisation who manages affordable studio spaces and two guesthouses for emerging artists and other cultural workers. Located in the district of Charlois in Rotterdam, the foundation promotes cultural activities in the neighbourhood focused on urban development. Users pay a fee to a collective fund, which is used for maintenance of the spaces, management and to support the cultural activities in collaboration with the local associations and authorities.
Goals
NAC works on the basis of trustful relationships and within the notion that freedom is generated through responsibility: “everything is possible and allowed as long as one can, and will take full responsibility for ones” actions.
Beneficial Outcomes
Over 250 artists and architects have made use of the studios. NAC provides Dutch language courses for it members, cultural trips to exhibitions, public art works, and other artists’ initiatives, supports all applications under 500 euro. NAC is now an example for new ways of urban development.
Images
Location
Everywhere
Users
Constant, hom*o ludens, artists, critics
Maintained by
Constant
Duration
1956 - 1974
Category
urban-development
Nr. and Title
058
New Babylon
Initiator
Constant
Description
New Babylon was a situationist and utopian city, designed around the abolition of work; it was intended as a form of propaganda that critiqued a conventional, bourgeois and utilitarian society. The idea was to create an anti-capitalist society of total automation and where land was collectively owned by its citizens. Work was replaced with nomadic life, creative play and experimental architecture. New Babylon was structured as a network of megastructures floating above the ground, interconnected with bridges and pathways where the post-capitalist inhabitants could roam in search of a new and free kind of life. Constant always saw the project as a concrete and realizable proposal for a future city.
Goals
Self-fulfillment and self-satisfaction were Constant's social goals. Deductive reasoning, goal-oriented production, the construction and betterment of a political community: all these were avoided.
Images
Location
United States of America
Field
UIT (use it together), Usership, 1:1 Scale, Narratorship
Strategy
Legislative Change, Labor Rights, Immigration Rights
Users
Domestic care workers such as nannies, housekeepers, elder caregivers and their employees.
Maintained by
Initial supporters were Tribeca Film Festival, Rockefeller Foundation, Funding Exchange, North Star Fund, MIT Community Service Fund, MIT Council for the Arts, NuLawLab, individual donors. It is maintained by Sundance Institute, The Fledgling Fund, National Endowment for the Arts, NYSCA, MapFund, Asian Women Giving Circle, National Employment Law Project, Urban Justice Center, Mujeres Unidas y Activas, Philipino Worker Center, Adhikaar for Human Rights, Hand in Hand: Domestic Employer Association, Coalition for Human Immigrant Rights of Los Angeles, Instituto de Educación Popular del Sur de California, Terravoz, Arizona State University Art Museum, Queens Museum, Brooklyn Museum, Perez Art Museum Miami, Oakland Museum, Columbia College Chicago, 18th St. Arts, New York Arts Practicum
Duration
2011 - ongoing
Category
pedagogical, politics, economy, social
Nr. and Title
244
New Day New Standard (now the “Domestic Worker App”)
Initiator
Studio REV
Description
The Domestic Worker App is a call-in service accessible from cell phones which informs domestic workers, caregivers and nannies about their rights related to overtime wages, taxes, vacations and so on. Information is given in the form of an ‘audionovela’ hosted by the voice of Christine Lewis, a nanny who explains domestic workers' rights, which draw from common employee-employer relationships. The more the app is used, the more it collects data to expand the research, becoming a tool for mutual education. The project has been used as an organisational tool by the Domestic Workers United, which distributes business cards featuring the hotline number in places where domestic workers usually gather. The project evolved in the CareForce, two mobile studios (the Nanny Van and the CareForce One) to reach domestic workers around the country through the distribution of toolkits and the organisation of informative events. One of the road trips from New York City to Miami has been documented through a film series, the CareForce Travelogues, exploring how care intersects with immigration, the legacy of slavery and racial discrimination. The project is currently developing in the Care Pod, an independent living unit for caregivers which would allow them to live in clusters beside the elderly.
Context
According to the National Domestic Worker Alliance (NDWA) over 2.5 million people in the USA work as nannies, house cleaners and care workers. The majority of domestic workers are either women with an immigration background or women of colour, who earn a median wage of $11.43 per hour without basic rights such as overtime pay, protections against sexual harassment, sick leave, meal and rest break, and so on. Care jobs are one of the fastest growing jobs in the next decade and it was accelerated by the Covid-19 pandemic in 2020. However, domestic workers are still the most vulnerable workers in the USA. When the state of New York became the first to pass a domestic worker bill of rights in 2010, Studio Rev partnered with the NDWA to create toolkits to inform and educate domestic workers about their rights.
Goals
The Domestic Worker App was designed to inform the 200,000+ nannies, housekeepers, and caregivers in New York State about the landmark 2010 Domestic Workers Bill of Rights. Now the project amplifies the voices of care workers throughout the production of toolkits to educate and inform domestic workers around the Nation.
Beneficial Outcomes
Through informative campaigns in collaboration with the NDWA, the project created the context for bettering the working conditions for domestic workers.
The Domestic Worker App functions as a key component of a various states' campaigns that seek to encourage domestic workers and their employers to comply with the law.
Images
Location
United Kingdom
Users
Communities of Teesside, users of Middlesbrough Institute of Modern Art. Approximately 741 have made in workshop sessions to date (August 2016)
Maintained by
Emily Hesse, James Beighton, Middlesbrough Institute of Modern Art
Duration
2014 - ongoing
Category
social
Nr. and Title
555
New Linthorpe
Initiator
Emily Hesse, James Beighton
Description
New Linthorpe is inspired by the original 19th century Linthorpe Pottery, Middlesbrough. It re-purposes the idea and value of a social enterprise but hands it directly back to the community. Workshops are set up in the locality where people are invited to 'make' with their own earth. The physical reclamation of the land by the community allows a space for discussion as to the future of the region based on personal and shared experience. The users of the project formulate the outcomes by suggesting direct uses for the project itself within the Tees Valley. The work carried out is guided by the belief in not just the ability but also the responsibility of art to make a difference to lives.
Goals
To find new uses for local clay: Community vessel production, Honesty shop, as art world currency, medium for export, production of brick or architectural material for rebuilding local area; To create encounters that allow the community to take ownership of their own land/earth (clay); To utilise and establish skill sharing and social making as a platform for community building; To re-define the aesthetics of 'makerliness'; To respond directly to community input and transform into output.
Beneficial Outcomes
Creation of a supported ecological system, which encourages the growth of self-empowerment and the development of a positive shared community identity, assisting to end local declinist narratives. During activities and workshops, ceramic vessels were made based upon a community members need and some of them were put up for sale on a no questions asked basis. Income from sales went directly back to the makers. Working with asylum seekers living in the area, workshops acted as a classroom for learning English.
Images
Location
Cameroon
Users
Kamiel Vershuren, Lucas Grandin, inhabitants of New Bell (Douala)
Maintained by
SUD2010 , Duala'Art
Duration
2010 - ongoing
Category
urban-development, economy, social
Nr. and Title
202
New Walk Ways in New Bell
Initiator
Kamiel Verschuren
Description
The city of Douala in Cameroon had a huge problem associated with malfunctioning water drainage systems. This is due the fact that in many illegally constructed areas of the town, the sewers are without cover, and after heavy rainfall, this would generally lead to floods and related threats to public health. Verschuren covered approximately 2km of open-air gutters in the New Bell neighbourhood, with long wooden boards on which the artist wrote texts andmwords associated with water.
Goals
The project offers inhabitants the possibility of mastering and improving their living conditions, inviting them to lead spontaneous collective activities such as the functional work of Verschuren.
Beneficial Outcomes
The project was much appreciated by the people living in New Bell, including the 'chief', who took it upon himself to make sure that people gain more consciousness on how to deal with garbage produced in the neighbourhood in order to keep the sewer – and the drinking water – from becoming more polluted.
Images
Location
Germany, The Netherlands, India, Belgium, West-Kurdistan, Norway.
Users
Progressive artists, politicians, political parties, non-parliamentary political movements, diplomats, lawyers, academics, students, journalists, aimed at citizens at large
Maintained by
1st Kochi Muziris Biennial; 7th Berlin Biennale; De Veenfabriek; Farook Foundation; Kulturstiftung des Bundes; Kunst_werke; Mondriaan Foundation; Stichting Doen; Museum De Lakenhal; Embassy of the Kingdom of the Netherlands, New Delhi; Farook Foundation, Dubai; Centraal Museum, Utrecht; Center for Visual Arts, Rotterdam; The Art of Impact, Amsterdam; Stichting Democratie en Media, Amsterdam; K. F. Hein Fonds, Utrecht; Promoveren in de Kunsten, Amsterdam; PhDArts, The Hague/Leiden, Van Abbemuseum, Eindhoven; Municipality of Dêrik, Kurdish Cultural Foundation, Eindhoven; Demned – Council of Communities from Kurdistan in the Netherlands; Jineolojî Center of Research for Human and Social Sciences of Women; NOW Fund, Amsterdam
Duration
2012 - ongoing
Category
pedagogical, politics, social
Nr. and Title
473
New World Summit
Initiator
Jonas Staal
Description
The New World Summit is an artistic and political organisation dedicated to hosting 'alternative parliaments' for those organisations that are currently excluded from democracy. Such lists include terrorist organisations considered a threat to international security. In the European Union, a secret committee, called Clearing House, compiles this list. The six summits organized facilitated the discussion of 36 groups so far. All the editions of the project are supplemented by an online archive documenting the histories, aims, locations, symbols of each organization represented during the summits.
Goals
New World Summit contributes to the promise of a ‘fundamental democracy’. The organisation has no fixed geographical location; it represents no nation state; no properties or indefinite claims on the right to speak. With each summit, a growing international political coalition of progressive groups, excluded from the society. Each summit can be considered as a democratic experiment. The goal is to expand the existing notion of politics by showing the current radical diversity of ideological struggle, while also creating the first international parliament for non-statist politics in the world.
Beneficial Outcomes
The outcomes of the New World Summit are the development of an alternative global political infrastructure for non-statist politics. Through this project, the alternative parliaments aim at destabilizing existing power centres, and to prove that all political power starts with its imagination. Artists, architects, and designers are the ones who help give a human face to an increasingly suppresive form of capitalist-democracy (which we refer to as ‘democratism’). We can
imagine the world anew through our fidelity to the forces of an international democratization movement.
Images
Location
United States
Users
The youth from Oakland, the police, Also including Unique Holland, Frank Williams, Stan Hebert, Jacques Bronson, Mike Shaw, Steve Costa, Officer Terry West, Honorable Elihu Harris Chief Joseph Samuels, Captain Sharon Jones and Greg Hodges of Urban Strategies Council.
Maintained by
Mayor’s Office, Oakland Sharing the Vision, Oakland Police Department, Midnight Basketball and Club One at City Center as part of the Oakland Youth Policy Initiative led by Council- woman Sheila Jordan
Duration
1995 - 1996
Category
pedagogical, social
Nr. and Title
584
No Blood No Foul
Initiator
Suzanne Lacy, Annie Jacoby, and Chris Johnson
Description
The project consisted of a basketball game as a performance between local youth and police officers in which the rules were changed every quarter. It included pre-recorded and live video interviews by youth reporters with local residents. During earlier phases of the project, the artists and her collaborators worked to propose a Youth Policy Initiative to be discussed during the performance through a series of telephones in the lobby that was connected to a hotline for audience response to the policy. The project is one of eight major works that comprise 'The Oakland Projects', a series of installations, performances and political activism created by the artist in collaboration with multiple artists, high school students, youth activist, educators, law enforcement agencies and government officials in Oakland, California.
Goals
This yearlong project consisted of a performance, policy interventions, collaboration with the city council, a media strategy, video documentary and screening, and direct services to participating youth in order to propose a Youth Policy Initiative and to raise funding for the development of a youth-to-youth program.
Beneficial Outcomes
The event was attended by the mayor and city council members, who eventually passed the Oakland Youth Policy Initiative and funded $ 180,000 for a youth-to-youth granting program.
Images
Location
Chile
Users
Colectivo de Acciones De Arte: sociologist Fernando Balcells, the writer Diamela Eltit, the poet Raul Zurita and the visual artists Lotty Rosenfeld and Juan Castillo; citizens
Maintained by
Colectivo de Acciones de Arte and users
Duration
1983 - ongoing
Category
politics
Nr. and Title
083
NO+
Initiator
Colectivo de Acciones de Arte
Description
No+ (No more) was a slogan to be completed by the citizens of Santiago de Chile according to their specific demands during the dictatorship of Augusto Pinochet. The action was used by the Colectivo de Acciones de Arte (CADA) to challenge and oppose the dictatorship, and it included theatrical and art performances as strategies to intervene in everyday life in order to fill the gap between artists and spectators. No+ spread all over the country and it became a symbol of political resistance and dissent. Citizens appropriated the slogan for political intervention in the public sphere.
Goals
Colectivo de Acciones de Arte promoted the fusion of art and life as a strategy to fill the gap between spectators and artists. Throughout different performances and art actions, they understood the necessity for a theoretical and practical renovation of the artistic debate in Chile, which needed to be contextualised for the development of political resistance and critical thinking among intellectuals and citizens.
Beneficial Outcomes
The slogan was soon used by different collectives all over the country as a massive public symbol of political resistance and non-conformity.
Images
Location
Moravia neighbourhoud, Medellín, Colombia
Field
Right to the city, Commons, Legislative Change
Strategy
Extraterritorial Reciprocity, Use it Together (U-I-T), Space Hijack
Users
Inhabitants of Moravia district
Maintained by
Alcadía de Medellín and Comfenalco Antioquia with the support of Mondriaan Fund, Cittadellarte - Fondazione Pistoletto, Unidad Taller del Espacio Público, Gerencia Macroproyecto de Moraira, Área Metropolitana del Valle de Aburrá, Jardin Botánico, Corporación Sentidos, Cocineros de Moravia, Red Cultural de Moravia
Duration
2011 - ongoing
Category
pedagogical, urban-development, economy, environment, social
Nr. and Title
204
Nodes of Cultural Development N.1 ‘El Morro’
Initiator
ElPuente_lab, STEALTH.unlimited, María Camila Vélez, Yesenia Rodríguez
Description
The project consists of structures that resemble shipping containers and an abandoned bus that serve as communal areas. It was designed for the Moravian Cultural Development Centre (CDCM), considering the regional restrictions on the use of public space, as a bridge between art and architecture, building on the Experimental Architecture notion of reusing industrial materials. It is designed to be a collective artistic space that supports the neighborhood's urban transformation process through the construction of new public spaces like a multipurpose workshop, a reading room and library for kids and adults, a multipurpose space for movies and other events and a communal kitchen. The utilisation of recycled materials, beginning with a ready-made architectural idea and industrial-made components as shelter and functional structures, is emphasised in El Morro. The project supports an international exchange programme between artists and the community of Moravia.
Context
The neighbourhood of Moravia in Medellin grew as an unregulated settlement of communities that arrived in the city in the 1960s. The municipal dump "El Morro", established in the area in 1977 and closed in 1984, became a source of the neighbourhood’s survival, based on the reuse of recycled materials. In 2004 the Municipality of Medellín, under the guidance of Mayor Sergio Fajardo, began an integrated strategic plan to promote development through actions aimed at recovering the urban area and improving the social and environmental conditions. A sign of the neighbourhood’s rebirth is the Centro de Desarrollo Cultural de Moravia / Cultural Development Center of Moravia (CDCM), whose aim is to promote culture, education and arts. The initial budget available for the project was 25.000 Euros, and the team had two weeks to come up with an idea.
Goals
Beyond being a process of architectural design, the project gives a possibility of decentralising successful activities of the CDCM. The main objective of this process, which expands the range of existing cultural institutions by multiplying its space with temporary affordable structures, is to increase access to cultural activities for the community and strengthen community development processes.
Beneficial Outcomes
The project has become a prototype to explore possibilities of similar interventions in other neighbourhoods in Medellin and beyond. Over the years, it had turned into a state-of-the-art lab using plants to take the toxins out of the neighbourhood’s soil.
Images
Location
Slovenia
Users
Apolonija šušteršič, Maria Lind, Irena Wölle
Maintained by
Mala galerija, Moderna Galerija, Ljubliana
Duration
1999
Category
pedagogical, politics, economy, social
Nr. and Title
092
Non Stop Video Club
Initiator
Apolonija Šušteršič
Description
The project consisted of a video club where people could sit down and view a selection of videotapes or borrow videos for home viewing. Non-stop video club provided films which were not available in any other video stores, because a restrictive video distribution law that allowed only films which have been subtitled in the Slovenian language, To borrow the tapes, people had to be members of the club. Membership and rent were free of charge, so this allowed anyone to become a member of the club while at the same time, it legitimised its function.
Goals
Ultimately its goal was to give access to international films to a Slovenian audience, and to foster a new relationship between art institution and its audience.
Beneficial Outcomes
It offers a free selection of videotapes composed by Art videos from the collection of the Moderna Galerija and Art videos by international artists.
Images
Location
United States
Users
Inhabitants of North St. Louis, students, children.
Maintained by
Old North St. Louis, Kranzberg Arts Foundation, Lumeier Sculpture Park, World Chess Hall of Fame, CAM, City Academy, Confluence Charter School.
Duration
2010 - ongoing
Category
pedagogical, urban-development, economy, environment
Nr. and Title
538
Northside Workshop
Initiator
Juan William Chàvez
Description
Northside workshop is a non-profit art initiative dedicated to addressing cultural and community issues in North Saint Louis, Missouri. In collaboration with Old North St. Louis Restoration Group and the Kranzberg Arts Foundation, the artist restored a historic brick building in danger of being destroyed and transformed it into a cultural space. The program focuses on beekeeping classes, cooking classes and urban agriculture on-site. They host a Workshop Incubate program which aims to help individuals develop their programming and/or non-profit by providing them with a space and support for activities and events.
Goals
To rescue a historical building developing a program that focuses on incorporating socially engaged practices and education in order to foster social progress in North St. Louis. To provide space and support for independent activities developed by inhabitants of the neighbourhood.
Beneficial Outcomes
Kids and inhabitants of the neighbourhood can join the classes for free and learn beekeeping and growing food through urban agriculture. Independent groups can use the space for free through the Workshop Incubate program and initiate their own organisation.
Images
Location
Started at France, now in 8 European countries (France, Italy, Belgium, Germany, Spain, Finland, Sweden and Great Britain).
Maintained by
Foundation de France
Duration
1991 - ongoing
Category
social
Nr. and Title
001
Nouveaux Commanditaires (New Patrons)
Initiator
Société internationale des Nouveaux commanditaires
Description
The project consists in a platform which connects the civil society with artists in order to develop proposals for the community, addressing particular needs to bring a positive change. Citizens such as groups of teenagers, parents and children together, teachers and students, associations, inhabitants of a neighbourhood can commission a work to artists with the help of a mediator. After a first phase where the proposal is developed with the help of a mediator, the organisations seeks financial, governmental and political support for developing the project. The patrons, the artist and the mediator all remain involved until the completion of the project.
Goals
Giving to all people – independent of financial means, educational or social status – the means to assume responsibility to commission the work of an artist for the benefit of the public.
Beneficial Outcomes
Over 250 projects have been implemented (some of them are still in progress) responding to specific, local urgencies.
Images
Location
Spain
Users
Núria Güell, the hired immigrant
Maintained by
Produced by DINA4 cultural association
Duration
2011
Category
pedagogical, politics, social
Nr. and Title
239
Offside
Initiator
Núria Güell
Description
'Offside hired an illegal immigrant to play hide-and-seek within the space and duration of the exhibition. This working contract removed the need for him to hide from the police in his everyday life because the contract provided him with the opportunity to ask for legal immigration papers. The contract was made in one of the numerous places in town where unemployed immigrants meet at dawn to offer themselves as cheap labour. In this piece I implement a common strategy of capitalism: to use the play-based aspect of games as a cover for social, political and/or economic purposes.’ (N. Güell)
Goals
‘Allow the African immigrant who was hired, to apply for his residence permit and therefore become legal in Spain. On a pedagogical level, I am interested in making visible the legal strategy that other citizens in the same situation could use.’ (N. Güell)
Beneficial Outcomes
‘The immigrant was able to receive his residence permit and by this action, he did not need to hide from the police anymore. He no longer needed to live with a permanent fear of being taken to an immigrant centre or being deported to his country of origin. He also had a work contract and a month salary.’ (N. Güell)
Images
Location
India
Users
Berlin's 0x2620.org (oil21.org), Bangalore's Alternative Law Forum and three groups from Mumbai: Majlis, Point of View, and ChitrakarKhana/CAMP, website users.
Maintained by
HIVOS. Currently Bohen Foundation and the Foundation for Arts Initiatives.
Duration
2008 - ongoing
Category
pedagogical, economy, social
Nr. and Title
138
Pad.ma
Initiator
oil21.org, CAMP, Majlis, Point of View, the Alternative Law Forum
Description
The project consists of an ongoing public access digital media archive of footage and unfinished film available online. The whole collection is searchable, viewable and free to download for non-commercial use, it uses video as a medium of documentation collection, argumentation and exchange. It currently has about 2000 hours of published videos. The majority of material is from Mumbai and Bangalore and it consists of the documentation of changing cityscapes, street and domestic life, commercial and intellectual activity, protests, chance meetings, police raids, train-rides, horse-carriages and other transports, conversations with various community, state and corporate interests, players and agents, artworks, phone taps, audio recordings, "found" footage, etc.
Goals
Pad.ma is a way to access the images, intentions and effects present in video footage, that have tended to suppress for a log time. This expanded treatment then points to other, political potentials for such material, and leads us into lesser-known territory for video itself.
Images
Location
Mexico
Users
Pedro Reyes, local chain store, schools, inhabitants.
Maintained by
Botanical Garden, Culiacán (2008); Vancouver Art Gallery (2008); San Francisco Art Institute (2008); Maison Rouge, Paris (2008); Lyon Biennial (2009); Marfa, Texas (2010); Denver, Colorado (2010)
Duration
2008 - ongoing
Category
politics, economy, environment, social
Nr. and Title
071
Palas por pistolas
Initiator
Pedro Reyes
Description
The project involved the citizens in the public destruction of weapons using a steamroller in a military base. Subsequently, the metal was reused to create shovels, which served to plant trees. On the handle of each shovel blade, there is a description that shows how the weapon has now become a peaceful instrument. The project was supported by a local TV station, which invited citizens to give up a weapon, and also, a local chain store which gave a coupon to be used for shopping by anyone who gave up a weapon.
Goals
To make the public aware that there is a direct relationship between crime and the number of weapons in circulation.
Beneficial Outcomes
During the first campaign, 1527 weapons were collected.
Images
Location
United States, Slovenia
Users
Artist, homeless people
Maintained by
Lombard-Freid Fine Arts
Duration
1997 - 2011
Category
economy, social
Nr. and Title
016
paraSITE
Initiator
Michael Rakowitz
Description
A series of inflatable shelters for homeless people that only can operate when attached to heating or ventilation vents of buildings. The air from the building simultaneously inflates and heats their double-membrane structures. The name of the project emphasises the relationship of the parasite that uses the energy of a host.
Rakowitz designed the paraSITE units in collaboration with the homeless people that would use them meeting their requirements and were built using temporary materials available on the streets, such as plastic bags and tape. The units are easy to transport.
Goals
paraSITE proposes the appropriation of exterior ventilation systems on existing architecture as a means for providing temporary shelter for homeless people.
Beneficial Outcomes
Built and distributed to over 30 homeless people in Boston, Cambridge, New York City, Baltimore and Ljubljana. These shelters functioned not only as a temporary place of retreat, but also as a station of dissent and empowerment; many of the homeless users regarded their shelters as a protest device, as a refusal to surrender, and made visible the unacceptable circ*mstances of homeless life within the city.
Images
Location
The Netherlands
Users
Casco, Platform BK, Stedelijk Museum Bureau Amsterdam, Das Spectrum.
Maintained by
Wok The Rock, Casco — Office for Art, Design and Theory
Duration
2016 - ongoing
Category
economy
Nr. and Title
566
Parasite Lottery
Initiator
Wok The Rock, Casco — Office for Art, Design and Theory.
Description
Adapting and fusing a lottery model for art funding that survives despite the dwindling of other cultural budgets and ‛arisan’, a commons-oriented micro-crediting system popular in Indonesia, Parasite Lottery invites a number of art organisations of different scales together as bidders, winners and hosts of lottery drawing events that are open to the public. The winners receive a sum of money to be used as a “fee for deviation”. In other words, the prize money should be spent on something that the winning organisation would usually never have the budget for. Beyond the prize itself, Parasite Lottery is a collective exploration of chance effects, not just in the thrill of winning, but also through a series of gatherings that will take place around it, including talks, food, and music.
Goals
To create a collective-funding system for different scale of art organisations through funding redistribution and social engagement. To invoke key issues relating to cultural policies and their effects on art organisations, ranging from post-crisis austerity measures —included particularly draconian budget cuts in the cultural sector which were legitimised by the portrayal of artists as “parasites”—, and precarity to the debt economy, and questions concerning sustainability and solidarity.
Beneficial Outcomes
The project is intended as a tool that can be used by any community and collective. Following this system, the small organisation gets fund from the bigger institution, while the big one gets money for a deviation. It turns to new strategies to face the lack of funds necessary to produce new art and its conditions of existence. Parasite Lottery experiments with a game of chance and desire vis-à-vis ways of redistributing funds among art institutions—a redistribution that, in the future, will hopefully include artists and other cultural workers. At the same time, it intervenes in the economy governing artistic production.
Images
Location
Germany
Users
Christoph Schäfer, Margit Czenki, Hafenrandverein (Harbor Edge Association), Ellen Schmeisser, and residents of St. Pauli neighborhood.
Maintained by
Hamburg, Germany Culture Department
Duration
1995 - ongoing
Category
politics, urban-development, social
Nr. and Title
159
Park Fiction
Initiator
Hafenrandverein (Harbour Edge Association)
Description
The project consists of a park designed by the residents of St. Pauli, Hamburg's red light district, an area that the city's government wanted to sell to private investors. As a reaction to the city's decision, the residents organised themselves and proposed an alternative and unauthorised plan for its development, consisting of a program of lectures, talks, discussions, exhibitions, film screenings. The group was composed of residents, activists, politicians etc, and they produced several tools in order to stop the gentrification process such as a map of the area, they organised a Garden Library, the composed an Action Kit and they started a telephone Hotline. They organised the planning process like a game, which it was distributed to explain to residents how they could take part in the process. Eventually, they convinced the city to follow the plan developed by the citizens. The project played a key role in the development of the 'Right to the City' movement which influenced the policy around public spaces in the city of Hamburg. After the struggles in Turkey in 2015, the Park was renamed as Gezi Park Fiction.
Goals
Introduction of art and playful elements into emancipatory politics, link the urban everyday and the imaginary to be visible in the design of the park, city to be a product of the people who inhabit it, social interaction, participatory planning movements, and social imagination.
Beneficial Outcomes
In 1997, the neighborhood stopped the development of the costly building that was originally planned. After ten years of struggles the park was inaugurated in 2005.
Images
Location
Italy
Field
Repurposing, Use-It-Together
Strategy
Space Hijack, Workers Rights
Users
Everyone who experience a state of constraint of body, labour and freedom
Maintained by
Initial supporters were PAC2020-Piano per l'Arte Contemporanea promoted by the Italian Ministry of Culture and it is now maintained by MACTE Museum
Duration
2022 - ongoing
Category
politics, social
Nr. and Title
588
Part-time Resistance
Initiator
Nico Angiuli
Description
Part-time Resistance aims to disseminate stories of resistance to labour and segregation that have germinated in various historical, political and geographical contexts. The work is inspired by three events dating back to the 20th century. Each of these three stories unfolds through three components: a photographic triptych (3 photos, 70 " 50 cm each), a sound piece (about 4 minutes long, to be listened to through headphones) and an in-presence workshop held by a human book (with a duration of at least 3 hours, and a maximum of 15 participants). The core of the project revolves around the generative transmission of practices of resistance, assimilated by those who join the workshop guided by the human books – i.e. the artist or a participant from a previous workshop, who agreed to contribute to the dissemination of its contents.
Context
Part-time Resistance presents three episodes concerning gestures that were devised to emancipate oneself from a state of constraint – of body, labour or freedom – through acts of sabotage. The first episode "Prison Alphabet" concerns Albanian political prisoners who, during the communist dictatorship, adopted a code that allowed them to communicate secretly by tapping knuckles, bones and fingers on the walls of their cells; the second episode, "The Seamstresses of Ravensbrück", brings to light the story of women forced to work in the Ravensbrück concentration camp who invented ways of sabotaging the SS tailoring line with faulty stitching in the officers’s garments; the last one, "Slow Workers", refers to the strategy of ‘working slowly’ that began to spread in the late 19th century among exploited workers in the countryside in Malaysia and England.
Goals
The work is now part of the collection of the MACTE Museum but it stays alive thanks to the commitment of the human books, those who will decide to host the project and the participants of future workshops, who will help to incorporate new methodologies and stories to the inherited ones. The newly developed acts of resistance will nourish an open repertoire, becoming part of the shared intangible legacy of Part-time Resistance.
Beneficial Outcomes
Each group participating in the workshop enacts the original gestures of resistance together with the new ones devised by those who participated in former workshops, generating a choral space. In doing so, the selected movements of resistance will acquire new forms of use and other meanings, thus being interpreted as transmissible forms of knowledge that can continue to exist.
Images
Location
Russian Federation
Users
Nikolai Vavilov, botanist, scientists, students
Maintained by
N.I. Vavilov Research Institute of Plant Industry
Duration
1926 - ongoing
Category
economy, environment, social
Nr. and Title
403
Pavlovsk Experimental Station
Initiator
Nikolai Vavilov
Description
The project is an agricultural experiment station and gene bank that is included in the Institute of Plant Industry in St. Petersburg. Started as one of the first seed banks out of 11 that Vavilov created across the former Soviet Union, it contains an extensive collection of more than 5000 varieties of fruits and berries. The collection survived the 28-months Siege of Leningrad during World War II, when several botanists starved to death rather than eat the collected seeds. The institute houses one of the world's largest collections of seeds and planted crops, it includes almost a thousand types of strawberries from more than 40 countries, blackcurrant varieties from 30 countries, 600 apple types from 35 countries and more than a hundred varieties each of gooseberries, cherries, plums, red currants, and raspberries.
Goals
To preserve seeds for the future, for the study and improvement of wheat, corn, and other cereal crops. These varieties are needed to provide genes to protect commercial varieties against new threats ranging from pests to climate change. The station was established with the idea that seed banks are repositories of plant diversity that could be used to breed new varieties in response to threats to food production.
Beneficial Outcomes
His theories and the seed bank itself have been used as resources for numerous studies.
Images
Location
Germany
Users
CAE (Steve Kurtz, Lucia Sommer and Steve Barnes), Inhabitants.
Maintained by
Exhibition ‘Natur/Kultur’, curated by Anke Haarmann and Harald Lemke
Duration
2008
Category
scientific, economy, environment, social
Nr. and Title
432
Peep Under the Elbe
Initiator
Critical Art Ensemble
Description
The project aimed at providing residents of Wilhelmsburg, a poor and neglected neighbourhood in Hamburg, a water testing kit for analysing the quality of the canal water near their homes in order to find out clean swimming and fishing areas.
Context
Goals
Try to encourage populations who use the canals for recreation to move around a bit, finding where the safest places were for the popular activities of swimming and fishing.
Beneficial Outcomes
It empowered people with tools, CAE tested the quality of the local water, and gave the inhabitants water testing kits to monitor their own environments.
Images
Location
United States
Users
Students, artists, urban designers...inhabitants of Berkeley
Maintained by
Inhabitants of Berkeley
Duration
1969-ongoing
Category
politics, urban-development, environment, social
Nr. and Title
518
People’s park
Initiator
Inhabitants of Berkeley
Description
People's Park is a park located near the University of California. The University bought this plot of land containing residences for future development into student housing, parking, and offices. However, they ran out of funds leaving the lot only partially cleared of demolition debris and rubble. After years of abandonment, local merchants and residents held a meeting to discuss possible uses and presented a plan for developing the under-utilised land into a public park. An article was published in a local counter-culture newspaper, to call for help from local residents. On Sunday, April 20, 1969, over 100 people arrived at the site to begin building the park, contributing trees, flowers, shrubs, andil. Free food was provided, and community development of the park proceeded. The park was essentially complete by mid-May but Berkeley Vice Chancellor released plans for a sports field to be built on the site. Governor Ronald Reagan considered the creation of the park a direct leftist challenge to the property rights of the university and he sent 300 police officers into People's Park. The officers cleared the area around the park destroying a large section of what had been planted and a perimeter chain-link wire fence was installed to keep people out. About 3,000 people congregated nearby UC Berkeley for a rally to discuss the Arab–Israeli conflict and, responding spontaneously, moved down toward People's Park. The protesters were met by the remaining 159 police officers assigned to guard the fenced-off park. The huge clash was called Bloody Thursday, it finished with more than one hundred residents and police agents injured, hundreds of protesters arrested, one student blinded and one dead. On May 30, 1969, 30,000 Berkeley citizens secured a city permit and marched without incident past the barricaded People's Park to protest Governor Reagan's occupation of their city, the death of James Rector, the blinding of Alan Blanchard, and the many injuries inflicted by police. The protests and demonstrations continued for two years. In 1972, the Berkeley City Council voted to lease the park site from the university. The Berkeley community rebuilt the park, mainly with people working for free and donated materials. Various local groups contributed to managing the park during the rebuilding.
Goals
To give a new green use for an urban abandoned plot of land, developing a free community area that was uncontrolled.
Beneficial Outcomes
Today, People's Park is a free public park.
Images
Location
Worldwide
Users
Smart-phone users
Maintained by
Molleindustria
Duration
2013 - ongoing
Category
scientific, pedagogical, economy, social
Nr. and Title
546
Phone Story
Initiator
Michael Pineschi
Description
Phone Story is an educational game about the hidden social costs of smartphone manufacturing. Follow your phone's journey from the Coltan mines of the Congo to the electronic waste dumps in Pakistan through four colorful mini-games. Compete with market forces in an endless spiral of technological obsolescence. You can keep Phone Story in your favorite device as a reminder of your impact on this world. All revenues from the sale of this app will be donated to organizations working to solve the issues mentioned in this game.
Goals
"Do not pretend that you are not complicit." Creating awareness of the sacrifices in the production of the phone using a mainstream engagement platform.
Beneficial Outcomes
The "dark side" of electronics manufacturing became a prominent issue in the public debate. Donated to a Foxconn factory worker who suffered serious injuries from attempted suicide.
Images
Location
Villa del Conte, Italy
Users
Workers, Employees and citizens of the industrial district of Villa del Conte.
Maintained by
The artists, March Foundation, LAGO s.p.a.
Duration
2013 - ongoing
Category
urban-development, environment, social
Nr. and Title
384
Piazza dell’Artigianato 0
Initiator
Aspra.mente, Ninanó, Orizzontale, Publink
Description
Piazza dell'Artigianato 0 aims to redevelop industrial sites, turning them into self-sustainable parks with an edible garden, realised in accordance with the rules of permaculture. Architectural structures and urban design furniture are made using waste materials provided by surrounding industries. In this green revitalised space, people can meet each other, relax, and eat the produce for free. Piazza dell'Artigianato 0 is a prototype, the purpose of which is to develop a model that can be applied in all industrial areas with the involvement of local workers and citizens.
Goals
To reconstitute an unused space in the industrial district of the little town of Villa del Conte (Northern Italy) into a green, accessible and sociable place for visitors.
To provide a space people can freely visit and benefit from.
Beneficial Outcomes
After one month the local school decided to use the space for some events for the students. The choice was totally autonomous and spontaneous.
Images
Location
Austria
Users
Immigrants and asylum-seekers in Austria.
Maintained by
Vienna International Festival
Duration
2000
Category
politics, social
Nr. and Title
247
Please Love Austria
Initiator
Christoph Schlingensief
Description
This project, which resembles the Big Brother reality show, was attended by 12 asylum-seekers, that have lived one week in a shipping container nearby the theatre in the center of Vienna. Every day, through a vote by phone or internet people could choose the two least popular people that were ejected and then deported to their native country. The project was carried out during a period a tense discussion in Austria around immigration and nationalism with Jorg Haider’s nationalist Austria People’s Freedom Party enjoying strong support.
Goals
To initiate a discussion concerning the stage-managed cynicism of TV and the cynicism of a society that judges asylum policy on the basis of its majority mandate.
Beneficial Outcomes
The winner can look forward to a cash prize and the prospect, depending on the availability of volunteers, of Austrian citizenship through marriage.
Images
Location
Croatia, travelling
Users
civil society representatives, activists, high-school students, workers
Maintained by
Andreja Kulunčić and group Direct Democracy in School
Duration
2014 - ongoing
Category
pedagogical, politics, economy, social
Nr. and Title
522
Početnica – Toolkit for Joint Action
Initiator
Andreja Kulunčić
Description
The context of the Toolkit for Joint Action is determined by the erosion of social security, massive unemployment and the unstable labour market in Croatia, which brings crucial themes to the fore: the new poor, workers' self-organising, direct democracy, social solidarity, self-organised citizens' activities, and contextual theology. In addition to activities that include workshops, lectures, discussions and screenings related to the main themes of the project, the central element takes the form of a portable modular spatial unit - a toolkit - that was created by all the participants in the project.
Goals
Initiated in the Gallery Nova in Zagreb the toolkit travels around Croatia and the region with the purpose of educating, informing, opening a dialogue, networking and archiving of previous material.
Beneficial Outcomes
Using art's resources to establish wider infrastructural support for different forms of social activity, this project does not reject art as its starting point, but, beginning as well as one can, uses it as a possible initiator of critical pedagogy, in which art is not the ex-clusive means of representation but a cohesive force, able to mobilise ideas, encourage discussion and initiate action.
Images
Location
United States
Users
Bonnie Ora Sherk, neighbourhood residents and art community.
Maintained by
Bonnie Ora Sherk
Duration
1970 - ongoing
Category
environment, social
Nr. and Title
008
Portable Parks I-III
Initiator
Bonnie Ora Sherk
Description
Portable Parks I-III was a series of performances and installations in the public space, where the artist created natural environments into unexpected urban locations like elevated freeways and by the sides of major roads in San Francisco. The artist brought sod, palm trees, picnic tables, bales of straw, farm and domestic animals to create a new understanding and relationship with the space people share and inhabit.
Goals
To create temporary green environments for the public to use within the city.
Beneficial Outcomes
The citizens could enjoy the parks sitting beside the trees, the plants and on the banks.
Images
Location
United States
Users
Any pedestrian: Power Call has traveled around the neighborhood to the library, transit hubs, cafes and small businesses.
Maintained by
Philanthropic contributions and the initiators
Duration
2015 - ongoing
Category
environment, social
Nr. and Title
560
Power Call
Initiator
marksearch team - Sue Mark, Bruce Douglas
Description
Power Call is a nomadic, interactive energy commons in San Francisco to the Bay Area. Using low-tech systems, Power Call harnesses, stores and dispenses energy for recharging a variety of cell phones. Anyone can contribute to the energy commons by spending a few minutes pumping the machine, creating a charge for yourself or a future person in need. The amount of energy generated will be relatively small, enough to make a meaningful last phone call or text message. In exchange for participation, the initiators ask that users share their story on a rotating public message board, which answer these questions: who would you call if you had only this one last call? What would you say?
Goals
Power Call relies on good will to generate energy while simultaneously diffusing the anonymity of people in public spaces. In order for the energy commons to function, passers-by engage in an unusual and collaborative experience.
Beneficial Outcomes
The project creatively brings together contemporary issues around hand held technology and social spaces, environmental concerns about a need for alternative energy sources, and anxiety over natural disasters and a potential state of emergency, where figuring out ways to work together to share resources is going to be necessary.
Images
Location
US
Users
Kivalina inhabitants and experts
Maintained by
Alaska Design forum, Wien Kultur
Duration
2012
Category
urban-development, economy, social
Nr. and Title
440
Problem solving through networking
Initiator
WochenKlausur
Description
The inhabitants of Kivalina, a small island situated in the arctic circle in northwest Alaska, live endangered by erosion caused by climate change, without running water or waste disposal. To address there issues WK teamed up with residents and experts to work on implementing solutions for specific problems. Their living space, surrounded by water, is constricted. Toilets are not available. There is no running water. In addition the world-largest zink mine discharges into the water shed of the Wulik river. In summer 2012 a big storm ruined the existing pipe-system and flooded the local landfill. Disposal of all waste is up to the residents as well. People still do traditional hunting and fishing, a local store provides canned and frozen food. Access to green vegetables is limited and expensive. Endangered by global climate change causing their land to be washed away the residents of Kivalina are in need of relocation.
Goals
WochenKlausur found so called “Agents of Change”, experts who are now sharing their knowledge and resources with the little arctic town of Kivalina. Together with the village they are developing alternatives and implement them on-site. To assist communication the online platform relocate-ak.org was created. A curatorial team coordinate the work of all Agents of Change and address more when needed.
Beneficial Outcomes
WochenKlausur set up an office in the ACFNY Gallery's Upper Mezzanine, where several meetings with New York-based associations, interest groups, and activists took place. Each of the organizations was invited to use the space for one or two weeks for their purposes.
Images
Location
United States
Field
Housing rights, Gentrification
Strategy
Double ontology, Extraterritorial reciprocity, deactivate (Art’s aesthetic function)
Users
People in Houston’s Third Ward District, young mothers, children, youth, artists, activists, architects, designers, visitors, art lovers, tourists.
Maintained by
Project Rowe Houses Community Development Corporation, The Brown Foundation, Bruner Foundation Inc., Chevron, Houston Endowment Inc., Joan Hohlt & Roger Wich Foundation, The Kinder Foundation, The Kresge Foundation, The Lewis Family Foundation, Marc Melcher, John P. McGovern Foundation, National Endowment for the Arts, Nightingale Code Foundation, Betty Pecore and Howard Hilliard, Picnic, Robert Rauschenberg Foundation, The Simmons Foundation Inc., Surdna Foundation, Texas Commission on the Arts, Susan Vaughan Foundation, City of Houston, Houston Arts Alliance
Duration
1994 - ongoing
Category
pedagogical, urban-development, economy, social
Nr. and Title
018
Project Row Houses
Initiator
Rick Lowe, James Bettison, Bert Long, Jesse Lott, Floyd Newsum, Bert Samples, George Smith
Description
Artists and community activists transform the social environment in one of Houston's oldest African American neighborhood - which lacks of affordable housing - providing to low-income residents refurbished houses. Taking into account the historical and the architectural richness of the neighbourhood, the project includes six blocks of housing, 49 properties,12 artist exhibitions and residency spaces, 7 houses for young mothers, office spaces, a community gallery, a park, and commercial spaces. In 2003, after noticing the rise of property prices in the area, Project Row Houses (PRH) founded a separate Community Development Corporation (CDC) to preserve community and equal opportunity for low to moderate income residents to live in Third Ward.
Context
Originating in West Africa, the shotgun house style made its way to the United States through the slave trade, first via the Caribbean and up to New Orleans, and then throughout the nation.Houston was established in 1837 and split up into four wards. Third Ward was designated as the Southeast ward. Originally settled by former slaves who relocated to the region following the Civil War, it developed into a significant hub for African American-owned enterprises and a thriving centre for Black culture, which persisted into the 1950s and 1970s. The majority of the Third Ward's shotgun homes were abandoned in the 1990s. Black artists and their culture were also underrepresented in the art world at the time.
Goals
The project increases affordable housing opportunities for low income residents by expanding affordable rental conditions. It revitalizes the neighbourhood developing a design that considers the existing architecture in the community.
PRH encourages artists to extend their practice outside the studio into the social context. Through mentorship, commission-based practices, and public art opportunities, these artists foster a positive, creative environment that enhances the quality of life and honours culture and history. It raises social responsibility in Houston’s Third Ward through art in daily life, quality education with multigenerational exchange and architectural preservation. Finally, the project is a catalyst for economic development by fostering cooperation between residents to reshape the community identity. Through the creation of long-term possibilities for artists, young moms, small enterprises, and inhabitants of Third Ward, their programs aim to foster independent change agents.
Beneficial Outcomes
The project provides affordable housing for people in the community. Through the Young Mothers Program provides up to two years of subsidized housing, counseling on parenting skills to mothers in need. PRH offers free tutoring to students who need assistance in their studies as well as a learning service project to provide hands-on experiences beyond the classroom. It hosts a community market to sustain local creatives and an incubator program that provide space, time and mentorship to early career artists and individuals.
Images
Location
Germany
Users
Apolonija šušteršič, Carola Beerhues, Marga Chirazi, Ursula Haverkamp. Jutta Maier, Gisela Overloeper, unemployed women of Warendorf region.
Maintained by
Skulptur Biennale Münsterland
Duration
2003
Category
economy, environment, social
Nr. and Title
088
Prototype For Self Employed Economic Unit (Street shop box)
Initiator
Apolonija Šušteršič
Description
The project consisted in a red box which functioned as a stall, placed closed to a garden into the local market. Unemployed women in their fifties from the Warendorf region, could use the stall to sell local products produced from the land associated with the stall. Women would take care of the land, production and sale of the products in the Market. The stall was designed as a sculpture which could change into a market stand on working days.
Goals
The idea was to create a very simple economic unit for one or more unemployed women from the Warendorf area. The new business model was based on the use of the land and sale of the products produced from the land.
Beneficial Outcomes
The Street Shop Box was designed and built as a transformable object, which can change from a sculpture on non-working days, into a market stand on working days.
Images
Location
The Netherlands
Users
Activists, Politicians, citizens
Maintained by
Activists, politicians
Duration
1965 - 1967
Category
politics
Nr. and Title
451
Provo
Initiator
R. van Duijn, R. Stolk, J. Berk, H. Metz, P. Dekker, P. Bronkhorst, K. Calliauw, F. Burlage, J. Dielemans, R. de Groot, B. van Heerrikhuizen, G. Kroeze, M. Götze, L. Schimmelpenninck, C. Piesaar
Description
The anarchist movement and counterculture called Provo carried out several actions in Amsterdam and other Dutch cities, attacking the social structures of the state. Provo is a both an artistic and a political movement. Through their actions they spoke to an entire generation in the Netherlands, and were the predecessors of the hippie movement that was born two years later. Their ideological position focused on issues such as health, environmental conservation and turning private property into public property.
Goals
Trough humour, cynicism and intellect the group has tried to awaken the critical spirit of citizens to instigate social change.
Beneficial Outcomes
The “White Plans” or strategic proposals for speculative politics on the political scene, drew attention to social problems and aimed to make Amsterdam a more user-friendly city for its inhabitants. The White Bicycle Plan proposed the mass use of bicycles as a means of urban transport in order to reduce pollution; the White Housing Plan encouraged the occupation of empty buildings and apartments in order to solve the acute housing problem. They also worked in other areas, such as opening up spaces for drug use in controlled conditions (predecessors of today’s safe injection sites).
Images
Location
Mexico, United States
Users
Claudia Fernández, architects, designers, sociologists and psychologists and artists as Manes-Massun, Andrano, Julia and Renata, Ximena Fernandez, Carla Fernandez, Thierry Jeannot, Sebastián Romo, Richard Mozska, Juan Rosales, Xavier Rodriguez, and Valeria Florescano (Mexican young designers who have done well recognized social work) and the youth and children living on the street.
Maintained by
Laboratorio de Arte Alameda, La Colección Jumex Foundation, Pfizer Foundation, Fundación Bilbao Vizcaya-Bancomer, Banorte and the artist Francis Alÿs, who entirely donated the Blue Orange Prize, awarded by the cooperative banks in Germany and then continued to sponsor the project for the next 5 years.
Duration
2003
Category
pedagogical, economy, social
Nr. and Title
296
Proyecto Meteoro
Initiator
Claudia Fernández
Description
The project consists in an art and design school structured by workshops for young homeless people which live in extreme poverty. Through the workshops participants create design objects which are sold, raising vital funds to support housing, health and mental care whilst empowering the youths. Through these workshops, children are given the chance to enter into a market, where they show their design objects, made by second hand or recycled materials. The purpose of the project is to rehabilitate and reintroduce these young people into society.
Goals
To promote creativity, as well as stimulate the development of those assisting, creating a better integrated community. The project uses art as a tool to change even the most difficult realities, creating new strategies for social transformation and the healthy development of global communities.
Beneficial Outcomes
This project has worked successfully with tangible results and has had a huge impact in the community of young people on the streets of Mexico. Some of the participants went back to their towns, some got jobs, some got over drug addiction but some others are still living within prostitution and on the street.
Images
Location
United States
Users
The artist, Middle School students residing in North Saint Louis, teaching artists and experts
Maintained by
Northside Workshop
Duration
2012 - ongoing
Category
urban-development, environment
Nr. and Title
426
Pruitt-Igoe Bee Sanctuary: Living Proposal
Initiator
Juan William Chavez
Description
The interdisciplinary project Pruitt-Igoe Bee Sanctuary, aims to transform the urban forest where the Pruitt-Igoe housing once stood, in public space for urban agriculture – thereby addressing the theme of urban abandonment and also finding some creative strategies to solve it. Through summer workshops for Middle School students, art and agriculture are utilised as a means of engaging them in education, encouraging them to exercise critical thinking skills that contribute to overall academic success.
Goals
The Pruitt-Igoe Bee Sanctuary proposes to transform the Pruitt-Igoe site into a public space for community and education. Keeping students engaged in learning will keep them on a path to success including a better understanding of natural science applications, increased confidence through knowledge, greater awareness of healthy food choices, and educational success.
Beneficial Outcomes
Middle School students participating in the Living Proposal workshops receive an introduction to new art forms and learn the benefits of an urban garden which include access to fresh produce and knowledge of basic food preparation and cooking skills.
Images
Location
Online Application
Users
Anyone with access to the internet and a social media account can use the application. It is also mobile device friendly for coordination with physical on-site protests.
Maintained by
Derek Curry
Duration
2016 - ongoing
Category
politics, economy, social
Nr. and Title
557
Public Dissentiment
Initiator
Derek Curry
Description
The project consists of an online tool that helps protestors negatively impact the price of a publicly traded stock by using the same sentiment analysis tools used by many stock trading algorithms. In the contemporary stock markets, high-frequency trading bots that continuously buy and sell stocks have replaced human market makers. These bots provide the market with liquidity by being ready to take the buy or sell end of a stock trade most of the time. But HFT bots are also risk adverse, and withdraw from the market in time of uncertainty. When this happens, the market experiences an almost instant decline in the price of a stock, or group of stocks, followed by a speedy recovery. This is known as a ‘flash crash’ and is now a common feature the electronic stock markets. Trading bots are also analyzing news and social media posts to gain an informational edge. This provides a space for people to intervene and make their voices heard. In April of 2013, the Twitter account for the Associated Press was hacked and a deceptive tweet that said two explosions had gone off in the White House caused the S&P to drop $136 billion before rebounding. And the recirculation and renewed popularity of old news stories can also affect stock prices. In 2008, a six-year-old news story about United Airlines erroneously appeared in as a top link in Google’s search results, UAL’s stock plummeted 75% before the mistake was noticed. Like financial trading bots, Public Dissentiment machine-reads news articles about targeted companies and performs financial sentiment analysis. Articles with a strong negative sentiment are saved. Protestors can then use Public Dissentiment to generate negative social media posts that link to an article with negative sentiment and use some of the negative words found in the article. When a swarm of protestors targeting one company is large enough to create uncertainty around that company’s stock, they can cause the high-frequency trading bots to stop trading that stock creating a flash crash. Shareholders may ignore public protests, but they will notice swings in the company’s stock price.
Goals
The goal of the project is to help protestors become noticed by a company's board of trustees by creating financial implications for a company's misdeeds. Similar to how boycott's once functioned.
Beneficial Outcomes
The first stock requested to be added to Public Dissentiment's database was Energy Transfer Partners, the company building the Dakota Access Pipeline.
Images
Location
United States and worldwide
Users
Community groups, activists, citizen scientists and schools worldwide
Maintained by
The Public Laboratory for Open Technology and Science (Public Lab) is a community -- supported by a 501(c) 3 non-profit
Duration
2010 - ongoing
Category
scientific, pedagogical, environment, social
Nr. and Title
551
Public Lab
Initiator
Jeffrey Warren, Shannon Dosemagen, Stewart Long, Adam Griffith
Description
Public Lab is an open network community and non-profit. It is democratising science to address environmental issues that directly affect people. It is an online community through which people can learn how to investigate environmental concerns. Using inexpensive DIY techniques, Public Lab seeks to change how people see and engage with the world in environmental, social, and political terms.
Goals
Public Lab aims to open research from the exclusive hands of scientific experts. By doing so, communities facing environmental justice issues are able to own the science and advocate for the changes they want to see. By promoting a hands-on, do-it-yourself ethos, Public Lab supports each other’s exploration, which leads to technical development and real applications in communities.
Beneficial Outcomes
The science, technology and data in Public Lab are community-created and open source. They utilise open data to advocate for better environmental management, regulations and enforcement. These tools enable people to more easily generate knowledge and share data about community environmental health. Public Lab was founded in the wake of the 2010 BP oil disaster. During the spill, there was an information blackout for residents of the coastal region, as well as the rest of the world. No one was accurately tracking what was happening on the ground. In response, a group of concerned residents, environmental advocates, designers, and social scientists lofted “community satellites,” made from balloons, kites and digital cameras, over the spill to collect real-time data about its impact. Local citizens collected the images, and through a newly created open source platform, contributors stitched over 100,000 aerial images into maps of the coastline before, during, and after the oil spread. BBC and New York Times featured these high-resolution maps, among others, allowing residents to speak their truth about what was going on in the Gulf Coast.
Images
Location
online
Users
scholars, students, artists, cultural workers, wider public
Maintained by
memoryoftheworld.org
Duration
2012 - ongoing
Category
pedagogical, politics, social
Nr. and Title
526
Public Library
Initiator
Marcell Mars
Description
The artist/hacker Marcell Mars agues that the concept of the public library is right up there with public education, public health care and the scientific method as a both a great achievement and social good to which almost everybody subscribes to as a non-negotiable public good. Taking the concept of the public library as a benchmark against which to measure what society and culture should be like and an indication that an economy of contribution is possible. Where there is a will there is a way. Mars’s project has taken this broad consensus as the basis for Public Library and on-line book sharing project which promulgates the utopian hacker ethic of the universal space of free ex-change of all knowledge by seeking to fuse a number of existing internet based projects for either managing or exchanging electronic publications (such as Calibre) along with his own plug ins to create a peer 2 peer culture for the exchange of books.
Goals
To make a place where all people can get access to all knowledge that can be collected.
Beneficial Outcomes
Public Library makes the case for the institution of public library and its principle of universal access to knowledge. It is an exploration and development of distributed in-ternet infrastructure for amateur librarians.
Images
Users
sport practitioners, activists, fans
Maintained by
Zeljko Blace
Duration
2012 - ongoing
Category
pedagogical, politics, urban-development, social
Nr. and Title
524
Queer Sport
Initiator
Zeljko Blace with collaborators on different projects including Kate Bowman, Jason Hall and Artur van Balen
Description
Contemporary sport (hyper competitive, commercialised, institutionalised, politicised...) is often perceived uncritically - especially as a mechanism of capitalist ideology and in its capacity of a globalizer/normalizer of societies. It is equally a source of countless traumatic, stressful and frustrating experiences for (queer) youth, (trans) individuals and others who challenge or do not fit its existing norms. If Sport (as Art) can be considered a laboratory and a contested site, then it is potentially one of the largest domains for social, cultural and political experimentation, but also innovation in contemporary societies... This exhibition and the QueerSport.LAB program is part of a broader international creative inquiry into tensions between Sport and LGBT/Queer realities. Artists and communities presented here with their works and documentation point to some of many tangents in which creative engagement can work against the normativity of sport through queer expression. Though physically far apart, contextually constrained and of different methodologies and operational networks, all share a common understanding of sport as a context that is neither fixed nor given, but one that needs constant claiming and self-organizing and most of all, imagining viable alternatives.
Goals
To queer existing and establish new forms and relations in sport that would be inclusing, diverse, with shared ownership and participation/emancipation of minorities.
Beneficial Outcomes
Informed public and engaged sport participants, sustainable queer sport practices and reclaiming of mainstream sport system.
Images
Location
Italy
Users
Beggars, worshippers, tourists
Maintained by
Luca Pucci
Duration
2009 - 2010
Category
economy, social
Nr. and Title
274
Questuamatic
Initiator
Luca Pucci
Description
Assisi has recently banned the request for alms outside of its many shrines. This project takes the shape of a vending machine, placed at a proper distance from the sanctuaries, that dispenses photos of the poor of Assisi and a prayer. The proceeds were distributed between all the poor who participated in the project.
Goals
To provide the poor with some finance and to give to the religious visitor a prayer.
Beneficial Outcomes
The beggars can obtain some money.
Images
Location
United States
Users
RainDance Collective, video artists, writers, musicians, filmmakers, schools and communities of NY, readers
Maintained by
RainDance Collective, Daniel Langlois Foundation of Montreal, and Davidson Gigliotti and Ira Schneider
Duration
1970 - 1975
Category
scientific, politics
Nr. and Title
434
Radical Software
Initiator
Beryl Korot, Phyllis Gershuny, Ira Schneider and the Raindance Corporation
Description
Radical Software was a journal devoted to the early independent video art movement. The founders of the publication understood the potentiality of video editing in shaping the way information is disseminated. Thanks to the modest cost of portable video devices available to artists and other potential filmmakers, they emphasised on how using video as a new art form, would become an indispensable tool in accelerating social change. Developed more like a newspaper than an art magazine, it was a platform for the study of alternatives to the dominant mass media structures. Radical software represented a form of grassroots social activism but also a platform, a magazine and a journal of philosophical speculation and political opinion.
Goals
Imagine a world in which the discussion of ideas and values could take place freely and openly, outside of the existing institutional framework and in active opposition to the worldview constructed and maintained by commercial TV.
Beneficial Outcomes
They proposed not only a re-ordered power structure, but also a new information order in which the very idea of hierarchical power structure might be transformed or even eliminated.
Images
Location
Italy
Users
Small farmers
Maintained by
The Bevilacqua La Masa Foundation, Venice; Verlato+Zordan Architects, Vicenza; Termoidraulica Cabi, Vicenza; and project manager Gaston Ramirez Feltrin
Duration
2010 - ongoing
Category
scientific, environment
Nr. and Title
052
Rainwater Harvesting
Initiator
Marjetica Potrč and Marguerite Kahrl
Description
In 2010, Marjetica Potrč & Marguerite Kahrl developed a rainwater-harvesting system for a farm on Sant’Erasmo island in the Venice Lagoon. Rainwater is collected from a rooftop catchment system that is used to irrigate the crops in the greenhouse and it is powered by solar panels. Venice is currently facing serious water resource threats as the lagoon subsides and as a result, is limiting water use from underground aquifers. By creating sustainable and alternate methods of catchment and irrigation, small farmers are able to maintain their livelihoods and provide food for the surrounding areas.
Goals
To respond to changing climate and urban resource needs in Venice by creating a sustainable alternative for accessing water. To support a local farm. To encourage a paradigm shift so that the city of Venice once more has a symbiotic relationship with its water.
Beneficial Outcomes
The farm is able to use rainwater to irrigate crops, leaving more water in Venice’s aquifers.
Images
Location
United States
Users
Range Studio is committed to working with artists, writers, performers, designers, and other creatives concerned with social practice, community engagement, sustainability, and innovative art forms.
Maintained by
David Szlasa, Katrina Rodabaugh, and presenting partners
Duration
2014 - ongoing
Category
urban-development, social
Nr. and Title
559
Range Studio
Initiator
David Szlasa
Description
The project consists of a small mobile workspace and a micro artist residency program composed by two tiny art studios founded in Oakland. Studio 1 is a solar powered art studio which was built on the back of a flatbed trailer and Studio 2 was built in collaboration with students at Stanford University, both spaces are composed of second-hand materials. The project supports artists' creative work and advocates for sustainable solutions for artists and the arts community in creating an adaptable and agile solution to the shortage of affordable art spaces in urban areas and the need for flexible, short-term programming in rural areas.
Goals
Range Studio prioritizes short-term creative residencies for artists across disciplines, collaborations with institutions to create adaptable, site-specific public art programming and acting as a platform for social action, community engagement, and social practice.
Beneficial Outcomes
The project offers a sustainable and mobile studio to artists and art programming. It proposes a model for DIY green building for artists and institutions. So far he provided space for 14 artists.
Images
Location
Italy
Users
IUAV Students, Architects, Venice Biennale Foundation, Sale Docks, Laboratiorio Morion.
Maintained by
Re-Biennale
Duration
2008 - ongoing
Category
economy, environment, social
Nr. and Title
272
Rebiennale
Initiator
Various Authors
Description
The Biennale in Venice is definitely one of the major events that is spread throughout the city, but which rarely interacts with it and its inhabitants. For that reason, this project aims to reuse material from the biennale's closed exhibitions to create a shared project of regeneration, restoration, and reopening of urban spaces, such as the area of Santa Maria. This is also an occasion to take care of the city as complex net of social, functional and spatial relations.
Goals
To transform the city itself into a building site of ideas and facts. To give that sense that state institutions cannot give. To recycle the materials used for the art installation after the biennale events, in order to reuse them for new installations or furniture for Venetian art spaces, labs, not-for-profit institutions.
Beneficial Outcomes
The stockpiled materials are recycled by being put to use when setting up exhibitions; the reopening and restoration of public gardens in the St. Marta area of the city; the rebuilding and renovation by the occupants themselves of a number of squats; breathing new life into the ‘laboratorio Morion’.
Images
Location
Spain
Users
Artist, citizens
Maintained by
Recetas Urbanas, users
Duration
1996 - ongoing
Category
urban-development, economy, social
Nr. and Title
013
Recetas Urbanas
Initiator
Santiago Cirugeda
Description
The project arises from the frustration that for citizens, it is almost impossible to take action to improve the urban environment, due to the difficulty in obtaining official permits for temporary interventions in the public space. With the project, the initiator uses its position as an artist and architect to empower citizens to act by explaining how to subvert regulations and conventions. He created a free toolkit which is distributed freely via the project's website, with instructions and guidelines in order to build, display or create space using the structures already available in the city.
Goals
The goal of his projects are to find out the gaps in administrative structures and official procedures, to intervene where the law falls short and to perpetually redefining global systems of urban planning and legislation.
Beneficial Outcomes
A different use of public space.
Images
Location
Spain-Germany
Users
Colectivo Enmedio, Eclectic Electric Collective, protesters
Maintained by
Colectivo Enmedio, Eclectic Electric Collective (Tools for Action), anyone who builds one.
Duration
2012 - ongoing
Category
pedagogical, politics, social
Nr. and Title
536
Reflecto-cube
Initiator
Eclectic Electric Collective, Colectivo Enmedio
Description
Reflecto-cube is a DIY giant silver inflatable cube that can be used in a demonstration to stop the police charge. This artifact has multiple functions: Transform a grim protest situation into a playful event; De-escalate tension or protect one's own body. Additionally, it reflects the light provoking a momentary loss of vision giving enough time to escape; Inflatables provide strong visual imagery that can capture the media attention creating a spectacle and giving visibility to the protest. The reflecto-cube was one of the outcomes of the workshops organised in the frame of "Como acabar con el mal" (How to End Evil) – a creative activism conference which revolved around the idea of transmitting creative activism practices.
Goals
To transform demonstrations into playful participative games.
To transform an aggression into a funny surrealist situation.
To switch the tension between police and protester with a touch of humor.
To safeguard the physical integrity of protesters.
To stop police riot charges.
Beneficial Outcomes
Anyone can download a free DIY manual in pdf. The reflecto-cubes were used effectively in Spain during the General Strike in 2012 and other demonstrations against the austerity cuts. Later, they have been used in Berlin at the First of May Demonstration in 2013 and in different demonstrations throughout EU, always stopping police riot charges and keeping protesters safe.
Images
Location
United Kingdom
Users
Lucy Orta
Maintained by
Lucy Orta
Duration
1992 - 2007
Category
economy, social
Nr. and Title
228
Refugee wear
Initiator
Lucy Orta
Description
The project consists of a series of temporary shelters that can transform itself into clothing and transport bags, and provide autonomous habitats offering mobility and protection in situations of human distress or unsuitable social environments. The artist has developed the series Refugee Wear in collaboration with individuals in difficulty and nomadic populations as well, like homeless people for instance, to create different prototypes that provide a comfortable place to rest in extreme conditions.
Goals
This project had as its goal to provide a vital refuge, temporary protection, water reserves and medical supplies in many critical cases of homeless people (Kurd refugee population) or a temporary protection and shelter in case of natural disasters such as the Kobe earthquake.
Beneficial Outcomes
These prototypes offer possible solutions to improve homeless people’s lives and providing temporary protection and shelter in case of natural disasters.
Images
Location
Peru, US, Argentina, UK, Spain
Users
Collective Basurama, local organizations, Inhabitants
Maintained by
Basurama, Host institutions
Duration
2001- ongoing
Category
pedagogical, urban-development, economy, environment
Nr. and Title
133
Residuos Urbanos Sólidos (RUS)
Initiator
Basurama
Description
Residuos Urbanos Sólidos repurposed local waste in the context of an art installation at each location. In Lima, the group rehabilitated an abandoned railway, creating an amusem*nt park along the tracks. In Miami school children made musical instruments out of car parts. Basurama also introduced the cheap plastic material PET into the traditional weaving methods of Cordoba, Argentina.
Goals
To be a forum for discussion and reflection on trash, waste and reuse. To study those phenomena inherent in the massive production of real and virtual trash in consumer society, providing points of view on the subject that might generate new thoughts and attitudes.
Beneficial Outcomes
Local waste is transformed in useful installations or objects.
Images
Location
United States, Germany
Users
Scientists, Landfill managers
Maintained by
Mel Chin
Duration
1991 - ongoing
Category
scientific, economy, environment
Nr. and Title
011
Revival Field
Initiator
Mel Chin
Description
The artist in collaboration with scientist Dr. Rufus Chaney created a 60 square foot field test in Minnesota designed as a garden, using special hyperaccumulators plants - sweet corn and bladder campion - that can draw heavy metals like zinc, copper and lead from contaminated soil through the plant's biomass. The project demonstrates that ''green remediation' could be a successful low-tech alternative to expensive and ineffective remediation methods to reclaim contaminated soil and toxic waste. Plants absorb heavy metals through their leaves and roots, and toxic elements are stored in the plants. When plants are mature they are harvested, dried, ashed and analized through a reclamation process, which extracts the metals in order to be re-sold to cover the cost of healing toxic landfills.
Goals
We live in a world of pollution with heavy metals saturating the soil. This pollution could be carved away, and life could return to that soil and then a diverse and ecologically balanced life.
Beneficial Outcomes
Cleaner soil. Significant media attention to Dr. Chaney’s research; 23 years and several test sites later, phytoremediation is becoming commercially viable.
Images
Location
Italy
Users
The artists, citizens who use the sites.
Maintained by
In Bergamo: Municipality of Bergamo; Aprica A2A association. In Gubbio (PG): Municipality of Gubbio; Sperelliana Library. In Ravenna: Regione Emilia Romagna; Municupality of Ravenna; HERA Group, Soc. Coop. ‘Impronte’ association, Circolo Matelda Legambiente.
Duration
2007 - ongoing
Category
pedagogical, economy, environment, social
Nr. and Title
022
Rifiuto Con Affetto
Initiator
Publink
Description
The project aims to minimise and solve the problem of useful objects being thrown away; reducing the trend to waste typical of our society. It consists of transparent dustbins partially based on traditional dustbins. In this way people can see the objects inside, and choose to leave or take something. These ‘waste disposal’ sites therefore take on a new meaning as a point of encounter and exchange. The project was announced to the community through a brochure sent by post. There are currently two versions of dustbin: ‘Yellow’, designed for outdoor use; and ‘Ethics’, designed for indoor use.
Goals
RCA wants to be an instrument for governments who are sensitive to environmental issues. Refuse With Love is a ‘good practice’ that could create a more sustainable society. It promotes recycling and reuse and makes people aware of escalating garbage accumulation and of the choices around its disposal. RCA wants to create a place where people meet and rethink the concepts of ‘refuse’, ‘useful’, and ‘useless’, creating new connections in communities between public and private spaces.
Beneficial Outcomes
RCA has benefits in a practical, social and ecological way. In the practical sense, people are happy to find a place for useless things that they still love, otherwise these objects will be destroyed. People that ‘love back’ objects are satisfied because they take useful things away for free. In a social way, it promotes discussions and workshops about the importance of ecological attitudes. In an ecological way, RCA tries to reduce the quantity of waste heading to incineration or land-fills.
Images
Location
United States
Users
Any person with a problem than money cannot solve.
Maintained by
Liat Berdugo, Leora Fridman
Duration
2016 - ongoing
Category
pedagogical, economy, social
Nr. and Title
561
Rituals Adjacent to Capitalism
Initiator
Liat Berdugo, Leora Fridman
Description
The project provides somatic rituals to solve the problems of creative makers, offering specific somatic instructions for how to deal with breaks in (or lack of) creativity. Rituals available as a live, interactive performance and as limited-edition chapbooks, and broaden an understanding of creative “results,” “ends and means,” and the idea of a muse/magic as relates to creative labour. The initiators identify “problems” be issues not only facing artists but be any issue that “money cannot solve" and they offer capitalist-adjacent rituals to examine indirect and non-monetary solutions to stuck places. They offer these on an individual case-by-case basis, published in artist booklets, and in the form of dinner parties. Dinner party guests bring problems they have that money can’t solve, and leave with rituals for these problems, in addition to an evening engaged with what it means to live and make in a home adjacent to capitalism.
Goals
To encourage emerging models and mindsets. The initiators present rituals that in many cases appear as workarounds -- but workarounds that emphasise agency and ask the agent to think bigger than they may have already, to image the problem/block as an opportunity for emergence into a new way of thinking. Through the somatic, magical, and instructional nature of our rituals, we encourage participants toward their own creativity -- an encouragement they can apply broadly in their work toward empowerment, relevancy and diversity of arts institutions.
Beneficial Outcomes
The project empowers individuals within a proactive network: individuals do not receive rituals for their blocks alone, but within the framework of a home-based, community-building dinner party. Rather than turning to some kind of outside expert or formal training, the ritual dinners harness imagination and creativity within the well-known form of a dinner party to demonstrate to arts and culture workers that they already have within them the capacities they need to sustain innovative, joyful and playful lives.
Images
Location
United States
Users
Inhabitants of north of Delmar, seniors, veterans, children and artists.
Maintained by
Ilene Berman
Duration
2012 - ongoing
Category
pedagogical, urban-development, economy
Nr. and Title
537
Room13Delmar
Initiator
Ilene Berman
Description
Room13Delmar is a tricycle-based mobile studio conceived as a sculpture: a cross between a vending tricycle and a ‘Mary Poppins’ bag that unfolds to create a space for creativity on the sidewalk, at a senior centre and at a veterans medical centre, north of Delmar in the city of St. Louis, Missouri. Delmar is considered to represent a major socioeconomic divide in the city, it demarcates the division between the poorer, mostly African American neighbourhoods located to the north, from the wealthier, largely white ones to the south.
Goals
To provide a visible public space for the creation of art. The mobile studio is conceived as both a celebration of the creativity that already exists north of Delmar, as well as a critique of the absence of creativity in the offerings of the Arts District. The project allows a one-day residency program dedicated to one artist of the neighbourhood who receives a small fee, aiming at proposing different activities around the mobile studio.
Beneficial Outcomes
Inhabitants of north of Delmar as well seniors and veterans can use the studio to create their own object for free.
Images
Location
Various Locations
Users
Film makers, Photographers, Students, Artists
Maintained by
Marinella Senatore
Duration
2012 - ongoing
Category
pedagogical, economy, social
Nr. and Title
528
Rosas – Movie Set
Initiator
Marinella Senatore
Description
Born as part of Rosas – Movie Set was initially used by participants in Great Britain, including local organizations, single individuals, amateur theater groups, activists, filmmaker, associations, students, teachers, and artists. Today proposed as an autonomous work, Movie Set presents itself as an actual production set with mirrors, dance bars, cinema lighting, smoke machines, and a professional movie camera. Here one may make films, videos, photographs, dance sessions, or stage other performances with the possibility of recording them. Placed at the disposal of visitors, who may book its use at the museum, the installation is an open platform, within which the artist’s role is to unleash production processes, thus offering people the opportunity to express their own individual creativity, socialize, and have fun.
Goals
To offer a free movie/photo set for free.
Beneficial Outcomes
You can have professional equipment to shoot your own video or photos for free.
Images
Location
The Netherlands
Users
Amsterdam citizens, Amsterdam visitors, book-crossers, specific readers (related to the material we place on the benches. e.g. photographers, designers, music lovers, etc.), people living/working near the chosen locations.
Maintained by
Pivot (José Subero and Paula Colchero) Pivot Collaborators: Migle Nevieraite, Conor Trawinski
Duration
2013
Category
urban-development, economy, social
Nr. and Title
474
Ruilbank
Initiator
Pivot
Description
Taking a cue from the custom of people leaving books and newspapers on modes of public transport , this project is a sort of artistic-design experiment, aiming to turn the Amsterdam’s typical wooden benches into a place for exchanging these items. As part of the project, a sort of clip would be attached to the benches, the purpose of which is to hold magazines and newspapers. This would generate expectation and curiosity as to what happen around that bench. And for this we would offer a timetable on the project website for the promotion of activities, as well as utilising social media platforms to create a buzz around the initiative. This project is a unique gesture to both citizens and visitors of Amsterdam, which combines design and artistic vision to create a platform for exchange.
Goals
To improve social interaction and the experience of public space by adding an element of surprise to very familiar benches. To promote the activity of reading by fostering exchange of material between users. To provide a setting for connections across sectors (city hall, media groups, artists, general public).
Beneficial Outcomes
Exchange of reading material, notes, letters, books, others. Transform the bench into an “address”. Provide resources to the public at no cost. Provide exposure (public space and online presence) for participating partners.
Images
Location
Switzerland
Users
WochenKlausur, Drug-addicted women, politicians, citizens, journalists, police chiefs and medicine specialist.
Maintained by
Shedhalle, Zurich, Zwitserland, The City, the Canton and the Federal Health Department covered two thirds of the costs, with the rest coming from private supporters
Duration
1994 - 2000
Category
politics, economy, social
Nr. and Title
187
Shelter for drug-addicted women
Initiator
WochenKlausur
Description
WochenKlausur set up a shelter, a facility for women where homeless drug-addicted prostitutes could rest during the day. At the time of the project, election campaigns were underway in Switzerland and relief organizations assisting drug abusers were being attacked by the right-wing parties for being counterproductive to narcotics enforcement. The City reacted with a reduction of social services, particularly for women who prostitute themselves to support their habit. They used an unusual strategy to obtain support for this intervention. Every day, four different experts in the field of drug issues were sent out on Lake Zurich in a boat, where they were able to discuss their views and exchange information without any public exposure. After two weeks a total of almost sixty experts had participated: all of the secretaries of the Swiss political parties, the mayor and four Zurich city councillors, two prosecuting attorneys, the editors in chief of the biggest Swiss newspapers, police chiefs, and specialists from the fields of medicine, prevention and therapy. The plan was discussed with all participants before and after their trip out on the lake. Thus it was possible to secure political and media support for the project. Simultaneously, a suitable house was rented and furnished using the first sponsors’ donations.
Goals
They were invited to conduct a project involving drug issues that would underline the institution’s new philosophy, namely that art should no longer be encapsulated from political reality.
Beneficial Outcomes
The results of the discussions were small improvements on particular issues, such as the controlled distribution of narcotics to AIDS sufferers or the representation of users in court by social workers. For six years, the facility provided a place to sleep for women who needed to get some rest during the day. It was possible to operate the thirty-bed shelter ZORA for six years, until the City of Zurich cut its funding in the year 2000.
Images
Location
Online, Israel
Users
Everyone
Maintained by
Missdata
Duration
2005 - ongoing
Category
scientific, politics, social
Nr. and Title
506
Shmoogle
Initiator
Missdata
Description
Shmoogle is a Google randomiser. When you type your query into Shmoogle, you get Google's results but in random order. In one click Shmoogle instantly neutralizes the PageRank hierarchy and the whole SEO industry induced by it. Missdata, questions the implications and significance of the digital paradigm in which we live. She proposes different alternatives to daily digital tools. Her proposals are less efficient but more human, making a (mis)use of available platforms such as Google. The project has been fighting a long battle with Google. Since it was first reported in the media, Google have been blocking it on and off. The initiator is currently working on a way to bypass this block.
Goals
Her work examines how digital data redefine archaic questions about identity, memory, history and knowledge.
Beneficial Outcomes
Data information is presented in a different way (randomly, not controlled by authors or financial interests).
Images
Location
México
Users
48 workers from Sidra Pino, members of the community of Merida and other cities in Mexico who participated in artistic presentations and other actions.
Maintained by
Murmurante Producciones A.C. Workers of Sidra Pino
Duration
2012 - 2015
Category
social
Nr. and Title
576
Sidra Pino, remnants of a series
Initiator
Juan de Dios Rath, Ariadna Medina, Jorge Vargas, Noé Morales, Eduardo Bernal, Mario Galván, María José Pool, Amaury Alonzo, Josué Abraham, Manuel Estrella.
Description
For more than a century soda bottling beverages produced by Sidra Pino left a deep mark in the culinary tradition of Yucatán. In 2011 the factory in Merida was abandoned by her last administration and closed its doors permanently. The consequences of this closure are multiple and complex. Along with the struggle of the workers who remained in the street without any compensation. Or the discovery of the stories that these products have generated in the memory of generations of Yucatan. In a process of four years and through having contacts with workers, lawyers, descendants of the Pino family, founders and former owners of the company, a series of events were generated: a campaign of dissemination about the situation (spots) and actions in the public space. Murmurante Producciones performed a theater play with reliable information and data about the impunity of the owner who joined the lawsuit for the workers, whilst he was already in negotiations with the local government for another real estate project (while hiding in a place in Miami). The play was the trigger for the intervention of the agents of the National Union and the government for the resolution of the conflict.
Goals
- To make visible tension between local and global issues, between right and legal, the objectual waste of a vanished industry, constellations of affections, subjects and stories organized around products by Sidra Pino, are the axes on which Murmurante Theatre for four years has proposed building scenic devices to investigate what happens when consumer objects transcend its value in use and in many ways become a relic of another era that continues influencing the current imagination of a region.
- To make visible the strike of the workers who were abandoned by the last owner of the factory.
- Support the workers with scenic devices until they finally received their compensations according to the law in 2015.
Beneficial Outcomes
- After five years of strike, 48 workers obtained their compensation in accordance with the law in 2015.
- The campaign in collaboration with Murmurante (events, spots and actions in the public space) provided networks of collaboration and funding resources to maintain the strike.
- Some scenic objects such as the "devil sonidero" became tools for protest marches and demostrations.
Images
Location
Denmark
Users
City Dwellers
Maintained by
N55
Duration
2005 - ongoing
Category
urban-development, economy, social
Nr. and Title
549
SMALL TRUCK
Initiator
Pelle Bragge, N55
Description
SMALL TRUCK is a lightweight, low-cost, human powered vehicle that enables persons to move loads up to about 300 kg at slow speeds. SMALL TRUCK provides shelter from wind and rain and can be equipped with various systems: platforms and trailers that can support micro-economical initiatives, like for example, a transport company, a small shop, restaurant, cinema or office, or it could be equipped to offer an unfold-able concert scene, public library, or a mobile home.
The chassis of the SMALL TRUCK has been realized through a collaboration between Pelle Brage and N55. The chassis will be used by both parties in different ways. This means SMALL TRUCKs will appear in various materials and shapes, depending on the context in which it is meant to function.
Goals
N55 recommend that the SMALL TRUCK is copied by other persons, and that the trucks are made available for others when they are not in use.
Beneficial Outcomes
By transporting things using a SMALL TRUCK, the driver gets physical exercise while working. By combining these activities, time is also spared for other things.
Images
Location
United Kingdom
Users
Participating artists, scientists and visitors.
Duration
2006
Category
scientific, environment
Nr. and Title
547
Space on Earth Station
Initiator
Neal White, N55
Description
A collaboration between artist Neal White and Danish Architects N55, the aim was to create an alternative model and platform for exploring the spaces we inhabit on earth. Drawing on The Whole Earth Catalogue, and a contemporary form of modular architecture proposed by N55 and based on the work of Peter Pearce, they built four modules in separate countries that could be shipped as cheaply as possible (based on the key measuremet of single euro-standard palettes that fit on lorries) and slotted them together on site. Through an online open call and submission process, they helped additional artists - Kayle Brandon, Alex Lockett and Marcus Ahlers, to create micro-projects that explored low cost approaches to a range of issues such as environmental sustainability, urban food gathering, solar power and urban farming. Alternative vehicles were constructed from recycled bicycle parts, a low cost wireless hive system was tested for communications, an informal bird village constructed from found signs used for selling property, and a bee- hive was installed. Space on Earth Station acted as a base and a lab, a space to sleep and work, to meet and discuss issues with members of the public.
Goals
To develop an experimental platform and temporary micro-community exploring issues such as environmental sustainability, urban food gathering, solar power and urban farming.
Beneficial Outcomes
A deeper understanding of spaces people inhabit, forming of a transdisciplinary micro community and new knowledge developed and shared around key issues.
Images
Location
US
Users
Organisations, associations, interest groups and activists
Maintained by
ACFNY Gallery and Wien Kultur
Duration
2012
Category
urban-development, economy
Nr. and Title
441
Space Sharing
Initiator
WochenKlausur
Description
Invited to participate at the Our House exhibition, WochenKlausur decided to initiate and organise a series of presentations from organisations, associations, interest groups and activists dealing with issues of housing and urban built environment in New York City. They decided to look at contemporary positions and practices on the topic of ‘space’ in New York. By handing over their exhibition space to local organisations focusing on this issue, it was possible to present a variety of agendas such as housing, public space and urban built environment on a central city spot.
Goals
The aim was to support the associations with the infrastructure and facilities of the institution. Some looked for exhibition space, some for a room to hold a workshop, others launched a film festival or held a fundraising event.
Beneficial Outcomes
WochenKlausur set up an office in the ACFNY Gallery's Upper Mezzanine, where several meetings with New York-based associations, interest groups, and activists took place. Each of the organisations was invited to use the space for one or two weeks for their purposes.
Images
Location
Italy
Users
Citizens, artists, architects, urban planners, scientists and activists.
Maintained by
Stalker Lab
Duration
1990 - ongoing
Category
pedagogical, urban-development
Nr. and Title
184
Stalker / Osservatorio Nomade
Initiator
Francesco Careri, Aldo Innocenzi, Romolo Ottaviani, Giovanna Ripepi, Lorenzo Romito, Valerio Romito
Description
Stalker is a collective of architects and researcher, particularly active in Rome, who founded Osservatorio Nomade (ON) a network composed by artists, activists, architects and urban planners that are working experimentally to create self-organised spaces and situations. Their methodology of urban research uses participative tools like collective walking, oral history and mapping, as a way to address spaces which have been either disregarded or neglected in order to address urban planning and territorial issues. Using tactical and playful interventions, they create transformations in the space through the collaboration with those who inhabit it. They worked with Roma and gypsy populations of Europe, Kurdish migrants and homeless, among the others.
Goals
Proposes experimental strategies for intervention founded on exploratory spatial practices, using playful, convivial, and interactive tactics that relate to an environment, its inhabitants and their local culture. Such practices and methods are conceived to catalyze and develop evolutionary and self-organizing processes specifically related to architecture and urban planning. They work with the local community that is interested in their buildings and in the possibility for adapting them at different uses.
Beneficial Outcomes
Their projects show a commitment to those that society abandons and their method collectively tries to build projects with them.
Images
Location
Slovenia
Users
Amongst others NSK included the groups Laibach, IRWIN, Noordung, New Collectivism and the Department of Pure and Applied Philosophy, passport holders
Maintained by
Neue Slowenische Kunst
Duration
1992 - ongoing
Category
politics
Nr. and Title
199
State in Time or NSK State
Initiator
Neue Slowenische Kunst
Description
The NSK State was founded by a group of Slovene arts collectives during the disintegration of socialist Yugoslavia. It consists in the reproduction of a utopian micro-nation which has no physical territory. It issues its own passports to anyone who is prepared to identify with its founding principles and citizenship is open to all regardless of national, sexual, religious or other status. It issues its postage stamps, has its own anthem and creates temporary embassy and consulate in cities all over the world. It is part of ‘Micronations’ movement which consists in organisations claiming to be independent nations or states but they are not recognised by official governments.
Goals
To be inherently transnational and the first global state of the universe. The State was conceived as a utopian formation which had no physical territory and was not identified with any existing national state. It issues passports to anyone who is prepared to identify with its founding principles and citizenship is open to all regardless of national, sexual, religious or other status.
Beneficial Outcomes
People used the NSK passports to cross the border out of Sarajevo.
Images
Location
United States
Users
Iñigo Manglano-Ovalle, Paul Tereul and Tony Streit, artists, Inhabitants of West Town, teachers and teenagers.
Maintained by
The center emerged from a collaborative project in the seminal 1992-93 Culture in Action: New Public Art in Chicago exhibition curated by Mary Jane Jacob at Sculpture Chicago.
Duration
1993 - ongoing
Category
pedagogical, social
Nr. and Title
174
Street-Level Youth Media (Tele-Vecindario)
Initiator
Paul Tereul, Iñigo Manglano-Ovalle and Tony Streit
Description
The project was a collaboration between two artists, a teacher and a group of teenagers from a West Town high school located in a predominantly low-income, Mexican, Puerto Rican, Central, and South American neighborhood. They created an installation presented during a block party, composed by forty videos, which documented the everyday life of people living in the area, like gangs and their families, and gentrification in order to encourage action around challenges faced by the community. The high level of participation to the event pushed the organisers to create a long-term program devoted to the media and technology literacy of young people. In 1995 Street-Level Youth Media become one of the first nonprofits in US to offer technology access and media arts training to urban youth.
Goals
«Using video and audio production, graphic design, digital photography, and the Internet, Street-Level youth address community issues, access advanced communication technology, and gain inclusion in our information-based society.»
Beneficial Outcomes
«The original location was opened at the site where numerous gang lines converged; a number of projects created dialogues between rival gang members who had never spoken to one another.»
Images
Location
United Kingdom
Users
Workers.
Maintained by
Conrad Atkinson
Duration
1972
Category
politics, economy, social
Nr. and Title
511
Strike at Brannans
Initiator
Conrad Atkinson
Description
The artist documented the year-long strike of the mostly female factory staff who were demanding better working conditions. The result of his research was an exhibition of newspaper coverage, case histories, wage slips, local people's photographs, films and videos. This action attracted media attention and became the organising centre for strikers. The artist sold copies of a print - strike committee signatures over the factory license - to raise money for the strikers.
Goals
Through the exhibition the artist raised money for the strikers.
Beneficial Outcomes
The project positively influenced the unionisation of Brannan's London Factory.
Images
Location
United States, United Kingdom, United Arab Emirates
Users
Superflex, Citizens
Maintained by
Gallery, Neirbourg community; Kunsthalle Wien, Fruitmarket Gallery (Edinburgh); New Museum (N.Y); 5th International Bienniale in Sharjah, United Arab Emirates; GfZk Gallery; Trapholt Museum of Modern Art, Chiang Mai Art Museum, About Art Related Activities (AARA).
Duration
1998 - 2005
Category
social
Nr. and Title
004
Superchannel
Initiator
Superflex and Sean Treadway
Description
Superchannel is a network of local studios used by people and communities as a discussion forum, presentation medium and a physical gathering place. It is a tool that enables users to produce internet TV, directly engaging users in the creation and evolution of content. During live productions, the spectators could interact directly with the producer through a chat and with the other viewers.
Goals
To investigate the communicative processes by producing and making available online TV content.
Beneficial Outcomes
It generates a place of gathering and discussion and gives the users the freedom to produce their own internet TV content. In total, more than 30 studios opened in very different locations. Even after Superchannel stopped its activities in 2005, some of the studios, continue to be active using now other media platforms.
Images
Location
Tanzania, Thailand, Cambodia, Zanzibar, Mexico.
Users
Superflex, biogas engineers (Jan Mallan, Tomas Peterson) Danish and African engineers, SURUDE (Sustainable Rural Development).
Maintained by
UTA University of Tropical Agriculture and Tomas Peterson NGO (Dantan & ZALWEDA) OPA and TOA.
Duration
1997 - ongoing
Category
scientific, economy, environment
Nr. and Title
003
Supergas
Initiator
Superflex
Description
Supergas is a simple biogas system running on organic materials, such as human and animal dung. The biogas plant produces approx. 3-4 cubic metres of gas per day, enough for a family of 8-10 members for cooking purposes and to run one gas lamp in the evening.
It was designed and constructed in collaboration with a team of European and African engineers.
In August 1997, Superflex installed and tested the first unit in a small farm in central Tanzania, in cooperation with the African organisation SURUDE (Sustainable Rural Development).
Goals
To formulate an environmentally and economically sustainable form to produce energy to be used in the global south.
Beneficial Outcomes
Supergas systems have been installed in Tanzania, Cambodia and a prototype is being developed for mass production in Mexico.
Images
Location
Brazil
Users
The artists, homeless people
Maintained by
Museu Nacional do Conjunto Cultural da Republica, Brasilia, Brazil
Duration
2007
Category
urban-development, economy, social
Nr. and Title
023
Superquadra casa-armário
Initiator
Domènec
Description
The project consists of two prototypes inspired by two buildings called 'superquadras' located in a residential area in Brasilia. The prototypes are conceived as individual shelters for the homeless, and they comprehend a blanket, a pillow and some shelves to store objects.
Goals
It's a prototypes of individual shelters for the “moradores da rua” or homeless.
Beneficial Outcomes
Homeless can have a temporary shelter.
Images
Location
Italy
Users
Asylum seekers, refugees, migrants, designers, fashion designers, artisans, inhabitants of Treviso.
Maintained by
The project is completely self-sustainable thanks to the products’ sales. Operating as a circular economy, it collaborates in particular with Lanificio Paoletti, a local textile factory which provides fine fabric for the fashion produce. Sales make 500 to 700 EUR average: part of the money gets reinvested in materials for the workshop, part is used to purchase food for collective meals, and part is for those who need to send money back home for emergencies. Recently the project received support from Vitra Design Foundation (under the supervision of the Swiss authorities), which purpose is to promote the awarness for art, design and architecture.
Duration
2016 - ongoing
Category
economy, social
Nr. and Title
580
Talking Hands
Initiator
Fabrizio Urettini
Description
The project responds to the urgency that many asylum seekers and refugees have as soon as they touch a new country's soil: working and learning the language. The project, located in the former army barrack 'Caserma Piave' in Treviso, started as a grassroots initiative. After mapping the skills of a group of 25 migrants hosted by local centres for asylum seekers, they initiated a laboratory where they make and sell furniture, clothes and embroidery. Through the organisation of different free workshops in collaboration with local, national and international designers and artisans, the project promotes the professional development of the participants and it creates job opportunities. The products are sold during special events and the profit is partly distributed between the participants and re-invested within the project.
Goals
Due to the funding cuts operated by the government to the welcoming and protection system for refugees and asylum seekers, basic services such as literacy, mental health and individual support have significantly decreased. Through its activities, the project gives professional training, basic literacy as well as social support. The skills of the participants are valued as well through the collaboration with local artisan, national and international designers in supporting the production, from the design to the realization.
Beneficial Outcomes
The core group is composed of 15 people who, in turn, are in charge of the workshops, and around 50 people who hang out in the space every day. Besides professional training, the project gives legal and healthcare support, and it provides free communal meals and some money for those in need.
Images
Location
Mexico
Users
Carla Fernández, Taller Flora's team, indigenous communities, mode and design consumers.
Maintained by
Carla Fernández
Duration
2000 - ongoing
Category
Nr. and Title
505
Taller Flora
Initiator
Carla Fernández
Description
Flora works as a mobile lab developed with indigenous communities. Every 2 months the Flora's team travel through different indigenous communities to research their systems of clothing production. Back to the city, the results of this research are drawn and catalogued to create a source of archive consisting of formal solutions that can be added to the language of design, Haute couture and Prêt-a-Portèr. Flora runs workshops with these communities to increase the artisan's creativity using methods that they already own. It facilitates the creation of new designs, without becoming part of a contracted factory of products. This pedagogy contributes in establishing contact with different cooperatives and reinforces networks that operates following the principles of fair trade and ecological materials.
Goals
The project aims to create a sustainable option that incorporates handcrafts processes integrated in the contemporary scene without be considered as Folklore.
Beneficial Outcomes
Flora have production to supply different shops, increasing their catalogue and giving constant work to cooperatives. With Taller Flora, the artisans can make a living in their areas and they don't have to emigrate to the city.
Images
Location
United States
Users
Artists, prisoners, former prisoners, family members, people of conscience.
Maintained by
Tamms Year Ten
Duration
2008 - 2013
Category
politics, social
Nr. and Title
027
Tamms Year Ten
Initiator
Laurie Jo Reynolds (organizer)
Description
Tamms Year Ten is an all-volunteer grassroots coalition of artists, prisoners, men formerly incarcerated in Tamms, family members and other people of conscience. In 2008, at the ten-year anniversary of the opening of the Tamms supermax prison, the group launched a legislative campaign to call for its reform or closure. Men were originally supposed to be there for one year—but at that point 1/3 of them had been in solitary confinement the entire decade. TY10 held hearings, introduced legislation, worked with legislators, pulled in human rights monitors, and negotiated with the Department of Corrections. After a difficult battle with the guards union, Governor Quinn closed Tamms supermax prison in 2013. "Tamms supermax prison at the tip of southern Illinois was designed for one thing: sensory deprivation. Permanent solitary confinement. No phone calls. No contact visits. No communal activity. No yard, classroom, cafeteria or chapel. Men never leave the cell—except to exercise, alone, in a concrete pen or in a cage if they are mentally ill. Food is pushed through a slot in the cell door. In an international human rights framework, this type of isolation is considered torture."
«At Tamms supermax prison, every man is held in permanent solitary confinement. It was designed to impose the most extreme deprivation. Men never leave their cells except to shower or to exercise alone in a concrete pen. There are no communal activities, jobs or contact visits. Many men have serious mental illness (...) When the prison opened in 1998, prisoners were told they would be housed at Tamms for one year. When we launched Tamms Year Ten, one-third of the prisoners had been warehoused there over a decade» Laurie Jo Reynolds
Goals
The goal is to end the use of long-term isolation at Tamms supermax prison in Southern Illinois, USA.
Beneficial Outcomes
May 14, 2009, Governor Quinn appoints a new IDOC director with the first task of reviewing the supermax prison.
September 10, 2009, Illinois Department of Corrections director introduces the 10-Point Plan for Reform of Tamms supermax prison.
January 4, 2013, Tamms Supermax prison is closed.
Images
Location
United States
Users
Adrian Rivas, Hugo Hopping and art students of KRABBESHOLM HØJSKOLE in Skive, Denmark, Luis Hernández, Mark Sanderson (art collector), Pilar Tompkins, York Chang, Fernando Cruz, Gronk, James Rojas (urban planner), York Chang,
Maintained by
Fieldfaring
Duration
2004-2007
Category
pedagogical, economy, social
Nr. and Title
121
Temescal Amity Works
Initiator
Fieldfaring
Description
The project drew upon historical models of mutual-aid society and DIY collectives and urban communism in order to create a network among citizens living in the Temescal neighbourhood of Oakland. The initiators built on the past identity of the neighbourhood composed by an Italian-American immigrant community that was planted with fruit trees, in particular, citrus. Today the trees are still there but nobody harvests them, so fruits rot on the ground. In order to stop the waste of fruits and vegetable surplus, Fieldfaring created a hand-built, steel pushcart to either collect, give away or transform them in marmalades and fruit butters. The project provided a Reading Room at a storefront space, which functioned as a meeting place and a resource library. Despite the success of the project, Fieldfaring decided to end the project because it became to be recognised as a sort of service rather than an incentive for neighbors to self-organise.
Goals
To function as a resource for the distribution of surplus of fruits and vegetable within the neighbourhood.
Beneficial Outcomes
The residents got the surplus fruits and vegetables in a new re-usable form and they learnt about different posibilities of re-use food and sharing. The project comprehended also a neighbourhood resource map that was given out to all of the residents and continues to be distributed through local businesses.
Images
Location
United States, Denmark
Users
marginalized and disadvantaged populations
Maintained by
Assorted activists, artists and contributors
Duration
1998 - ongoing
Category
pedagogical, social
Nr. and Title
520
Temporary Services
Initiator
Brett Bloom, Salem Collo-Julin and Marc Fischer
Description
Temporary Services started as an experimental exhibition space in a working class neighbourhood of Chicago. It was initiated by the desire to provide art as a service to others, to pay attention to the social context alongside the cheap restaurants, dollar stores, currency exchanges, and temporary employment agencies on the street. Not immediately recognisable as an art space to stave off the stereotypical role art plays in the gentrification neighbourhoods. Temporary Services offer artful solutions to specific urgencies taking the form of posters, A-boards, newsstands, libraries, print shops and various content delivery systems
Goals
The aim of Temporary Services is to reverse the power dynamics within the art world, giving the position of judging how art is seen and interpreted to the people. Moreover, to enhance the lived experience and the places we inhabit on a daily basis.
Beneficial Outcomes
Increased physical, social and mental wellbeing for individual and group users.
Images
Location
Mexico City; Tlahuitoltepec; San Juan Tabaá; Yalalag; Oaxaca, Mexico
Field
Repurposing, Use-It-Together
Strategy
Education, Indigenous Communities Rights
Users
Assembly of Indigenous Migrants of Mexico City (AMI), Organización social de Yolotepec de la Paz en la CDMX, Working Midwives, pupils, teachers
Maintained by
Initial supporters were The project was initially founded by the artist himself through the participation of exhibitions at Museo Universitario Arte Contemporáneo (MUAC), Mexico City; then it was included in other exhibitions at the École nationale supérieure des beaux-arts, Paris; Galería Metropolitana, Mexico City; Van Abbemuseum, Eindhoven and Centre for Contemporary Arts, Glasgow. The project was shortlisted for the Visible Award in 2019. It is maintained by Daniel Godínez Nivón and users who download the materials.
Duration
2010 - ongoing
Category
pedagogical, social
Nr. and Title
470
Tequiografías
Initiator
Daniel Godínez Nivón
Description
The artist in close collaboration with the Assembly of Indigenous Migrants of Mexico City (AMI) has created a series of 8 school monographs which reinterpret some topics about historical events, places and habits of native peoples that are currently stereotyped. Through ‘tequio’, a system of unpaid social service typical of indigenous communities, they created the new monographs for topics such as ‘Assembly’, ‘Death’, ‘Tequio’, ‘Day of the Dead’, ‘Cargo System’, ‘The Seven Natural Elements’, ‘Health’, and ‘The Urban Indigenous’. The new cards follow the same structure of the usual monographs in being double-sided, where on one side there is a drawing representing the topic and on the other a written explanation of it. The new monographs, now called Tequiografías, are sold on the market, through the current system of distribution in stationery stores where families buy school’s materials for their children. Currently, the languages used are Zapoteco Didza Xidza, Tlahuiltoltepec Mixe and Spanish. After the dissolution of AMI in different ethnic groups in 2019, the artist has been working in collaboration with other groups such as the Organización social de Yolotepec de la Paz en la CDMX (Meixteco) and the Working Midwives (Triquis). They are developing some new Tequiografías such as the rights to the city, and how to live in the city as a woman and midwives for example.
Context
Godínez Nivón, whose family has an indigenous migrant background (Juchitan, Oaxaca), started collaborating with the AMI during the last year of his art studies out of his research about the representation of women in his family. He joined the tequio regularly for about a year before agreeing with the assembly on a project to create together. As happened to him, due to the massive production of standardised monographs which are sold all over Mexico, different native peoples who use the same materials for educational purposes, either in the cities or in their villages, don’t feel represented by them.
Goals
Through the distribution of the Tequiografías both in urban and rural areas, children learn that a plurality of experiences and stories is possible, and it does not have to be either stereotypical or imposed. Moreover, through collective writing and drawing, the Assembly of Indigenous Migrants challenges the system of oppression from within, thanks to direct intervention in the education system.
Beneficial Outcomes
Tequiografías facilitate the reflection on the self-representation of the indigenous groups living in the urban context as migrants. The monographs are created collectively following the system of the assembly, which facilitates decision-making and agreements within the group. The Mexican Ministry of Public Education does not control Tequiografías. However, Godínez Nivón made the Ministry promote them among indigenous teachers in some states. During the Covid-19 pandemic in 2020, classes were broadcasted on national TV, and the artist noticed an increase in downloads from his website.
Images
Location
United States, Austria, France, United Kingdom, Sweden, Spain, Switzerland, Australia, Germany.
Users
Tom Marioni, beer drinkers
Maintained by
Tom Marioni
Duration
1970 - ongoing
Category
economy, social
Nr. and Title
231
The Act of Drinking Beer with Friends is the Highest Form of Art
Initiator
Tom Marioni
Description
In 1970, Marioni started a free beer saloon at the Oakland Museum of California. Since then it has become a weekly event in the artist's studio in San Francisco for over 45 years. There were a few important house rules such as: no art collectors except in disguise; no drinking from the beer bottle except in character; or the management reserves the right to refuse service to anyone who does not know where they are, or what is going on.
Goals
To use beer as a social lubricant.
Beneficial Outcomes
Free beer for users.
The action of The Act of Drinking beer with friends is the highest form or Art has been performed in many different countries around the world.
Images
Location
United States
Users
Norene Leddy (lead artist), Ed B. Lepow, Andrew Milmoe, Melissa Gira Grant, prostitutes
Maintained by
Eyebeam Art + Technology Center, New York State Council on the Arts, Experimental Television Center, Rave Wireless, The Feminist Art Project
Duration
2000 - ongoing
Category
scientific, politics, social
Nr. and Title
465
The Aphrodite Project
Initiator
Norene Leddy
Description
In the past, prostitution was intrinsically tied to religion ritual and public policy, and it wasn't considered a taboo. Taking up from the idea of ancient sandals worn by prostitutes, the artist has created platform shoes that specifically focused on their protection and safety nowadays, with a GPS tracker that can send emergency signals to 911 or a sex workers' rights group. There is also a small screen in the platform acts as an advertising and promotion medium through which phone numbers, email addresses, and images can be displayed for client recognition. In addition to these features, an online social network allows sex workers to communicate with one another to track customers. The project include also a belt, corset, and saltire, all of which contain the same technology.
Goals
To debate the moral and ethical attitudes about a taboo industry. The Aphrodite Project aims to raise questions about the social positioning of these marginalized workers: do prostitutes have a right to protection, despite the explicit deviance of their profession? Who deserves new technology and when? Could this technology empower sex workers instead of endangering them? Using an archetypal model, could prostitution be decriminalised, legalised, and regulated once more?
Beneficial Outcomes
Prostitutes may work more safely and independently. This apparel will enable sex workers to have greater control of their often-dangerous jobs, whilst also be fostering a community of support and resources. Leddy designed a second version to be ’do-it-yourself.’ The latest design would be more affordable and therefore, more accessible for potential use by a sex worker.
Images
Location
United States
Users
Artists, designers, community organisers, project supporters, students, teachers, individuals
Maintained by
Public funds, private funds
Duration
1997 - ongoing
Category
pedagogical, politics, urban-development
Nr. and Title
043
The center of urban pedagogy (CUP)
Initiator
Damon Rich, Jason Anderson, AJ Blandford, Josh Breitbart, Stella Bugbee, Sarah Dadush, Althea Wasow, Rosten Woo
Description
CUP is a non-profit organisation that takes on complex policy and planning issues —from the juvenile justice system to zoning law to food access— and breaks them down into simple, accessible, visual explanations. They collaborate with art and design professionals, educators, community-based advocates and policymakers to develop documentaries, posters, and publications, as well as workshops, and other teaching tools that they use in community education programs. CUP also partners with schools and afterschool programs to produce experiential, project-based curricula.
Goals
To break barriers and improve civic engagement in the shaping of public policy especially for historically under-represented communities.
Beneficial Outcomes
CUP's print, audio, video, and media projects, along with tactile interactive workshop tools, are in use by dozens of community organisers and tens of thousands of individuals in New York City and beyond.
Images
Location
The Netherlands
Users
Marjetica Potrč and Wilde Westen (Lucia Babina, Reinder Bakker, Hester van Dijk, Sylvain Hartenberg, Merijn Oudenampsen, Eva Pfannes, Henriette Waal), Residensts of Nieuw West neighbourhood.
Maintained by
Stedelijk Museum Amsterdam; Far West, Amsterdam; The Netherlands Architectural Fund, Rotterdam.
Duration
2009
Category
economy, social
Nr. and Title
014
The Cook, the Farmer, His Wife and Their Neighbour
Initiator
Marjetica Potrč and Wilde Westen
Description
The project combines visual art and social architecture to redefine the village green. Community vegetable gardens become a tool by which the residents of Amsterdam Nieuw West reclaim ownership of their neighbourhood at a time when demolition and redevelopment are causing many to feel uprooted. Together with the residents of the multicultural Geuzenveld-Slotermeer district the initiators reflect on this history and celebrate a return to local food production. Here, farming and cooking are viewed as a way for people to share knowledge and traditions, and a means for the cultural renewal and rebirth of the neighbourhood.
Goals
The project has been an example of 'redirective practice', where people from different backgrounds have come together to create a community, the purpose of which was to redefine the neighbourhood from below as well as urban and rural coexistence.
Beneficial Outcomes
A community kitchen and a meeting place provides a centre around which the community can engage in the process of “building a place” – a much-needed ritual in a climate where families experience continual resettlement. Beyond the core group of residents, the community kitchen attracts other residents, too, who take part in the activities there. With its open-door policy, the community kitchen has also brought security to the street, another added value for the neighbourhood. The community vegetable garden is located behind the kitchen on land that used to be fenced off. Today, twenty-two families from seven ethnic groups take care of the garden.
Images
Location
United States
Users
The San Francisco Diggers and residents of San Francisco.
Maintained by
The San Francisco Diggers.
Duration
1960's
Category
economy, social
Nr. and Title
265
The Diggers Free Store
Initiator
The San Francisco Diggers
Description
The Diggers' Free Store was a small ground-floor shop at 264 East Tenth Street, and its name is a simple description, not an advertising slogan. Diggers were part of the hippy generation, who sought to help their neighbours, so everything in the Free Store is given away. The group sought to create a mini-society free of money and capitalism. The Diggers combined street theatre, anarcho-direct action, and art happenings in their social agenda of creating a Free City. Their most famous activities revolved around distributing Free Food every day in the Park, and distributing "surplus energy" at a series of Free Stores, where everything was free for the taking.
Goals
To implement an alternative economy based on giving rather than money.
Beneficial Outcomes
The Diggers’ Free Store persisted as a tangible model for potentially reformulating local economic relationships.
Images
Location
United States
Users
Former prisoners, poor families and seniors, neighborhoods.
Maintained by
San Francisco Sheriff’s Department, San Francisco Police Department, California Department of Forestry.
Duration
1992 - ongoing
Category
pedagogical, politics, economy, environment, social
Nr. and Title
405
The Garden Project
Initiator
Cathrine Sneed
Description
The project consisted in an environmentally based-job training, assistance in continuing education and counselling directed to former inmates, addressing the high rates of recidivism. The programs developed in the frame of the project provided employment and support to former offenders. The Garden Project participants grew organic vegetables for donation, and planted over 10,000 street trees in San Francisco. Today the project focuses on the empowerment of at risk young adults through environmentally based job training and it includes a special summer program and school year program for San Francisco high school students. Nowadays the Garden Project farm at the San Francisco County Jail San Bruno Complex provides plants for use on public works projects.
Goals
To provide job training and support to former offenders through counselling and assistance in continuing education, while also impacting the communities from which they come from.
Beneficial Outcomes
From their work will then donate the produce grown to the local families in need and local food pantries. They also offer their work for the maintenance of green areas in various parts of the city. The project supports nutrition education, community clean-up and planting activities.
Images
Location
Australia
Users
Activists, citizens, inhabitants
Maintained by
Big fa*g Press, The Cross Art Projects, The Firstdraft Depot, City of Sydney (a cultural grant), Awesome Foundation
Duration
1971 - 1974
Category
urban-development, environment, social
Nr. and Title
420
The Green Bans
Initiator
NSW Builders Labourers Federation and Victoria Street Resident Action Group
Description
Green bans were first conducted in Australia in the 1970s by a group of women who asked the collaboration of New South Wales Builders Labourers Federation (BLF). The first green ban was put in place to protect Kelly's Bush, the last remaining undeveloped bushland in the Sydney suburb of Hunters Hill. The BLF stopped conducting green bans in 1974 after the federal leadership under Norm Gallagher dismissed the leaders of the New South Wales branch. Gallagher was later jailed for taking bribes from developers. One of the last bans to be removed was to prevent the development of Victoria Street in the suburb of Potts Point. This ban involved hundreds of residents, trade union members, and other activists and was successful for a number of years, despite facing a well-connected developer who employed thugs to harass residents. The artist Ian Millis and Jack Mundey were part of the movement, among others.
Goals
To keep urban low cost housing and to protect the environment and heritage.
Beneficial Outcomes
They created a planning system revolution changing institutions and introduced new laws. They set standards around the world. Bigfa*gPress organised The Green Bans Art Walks in 2001. Green Bans saved many vital urban spaces and over 100 buildings were considered by the National Trust to be worthy of preservation.
Images
Location
Everywhere
Field
Use-It-Together, Coefficient of Art
Strategy
Redistribution
Users
Everyone
Maintained by
Initial supporters were: UC Berkeley Art Museum & Pacific Film Archive, Furtherfield, De Fabriek Eindhoven, A Blade of Grass, Creatures. Now it has been maintained by its users
Duration
2020 - ongoing
Category
economy, social
Nr. and Title
587
The Hologram
Initiator
Cassie Thornton
Description
The Hologram is an integrative care model for the distribution of mental, emotional, social and physical care where the currency is time. Care is distributed through a protocol elaborated by the early users of the project, who collectively developed a toolkit, a course and a community of practice to support each other in the process. The person in need decides to become ‘The Hologram’ and invites three friends who become ‘The Triangle’. The group should commit to periodic meetings, either in person or online, to support the mental, emotional, social and physical health of the hologram. To activate the process, users can find a book, a guide, and a meeting helper on the project’s website or attend one of the courses regularly offered by a group of facilitators. Users are encouraged to actively participate in the community of practice every month to share their experiences with the Hologram and potentially bettering the protocol.
Context
The Hologram was one of the strategies elaborated by the ‘Intentional Community in Exile’ (ICE), a project developed by Thornton which took the form of a ‘new mutual aid society built to sustain radical, creative and political practices within a hostile economic system’. Starting from a shared condition of precarity as artists and activists constantly living at high risk of eviction in California, the group’s attempt was to elaborate a toolkit to exit economic precarity by building human relationships instead of accumulating goods and capital. The idea was further developed thanks to the Greek Solidarity Clinics movement, an experiment in radical healthcare, which consists of doctors, nurses and other health professionals offering autonomous and free access to basic healthcare.
Goals
Through practising the Hologram, it is possible to ask for long-term help, support and solidarity without money exchange. The Hologram does not substitute professional medical care but fosters the construction of a strong multidimensional network, collectively oriented social practices and trust that can outlive capitalism. The protocol of the Hologram ensures that all caretakers are cared for and regards properly supporting someone else’s wellbeing as therapeutic in itself.
Beneficial Outcomes
Users receive mental, physical, emotional and social support and are trained to give it to others using the same protocol. So far, over 200 people worldwide have participated and activated the Hologram online or in person, and many of them have participated in one of the 6 courses. Free educational resources such as video recording, toolkits and manuals are available for free on the project’s website.
Images
Location
United States
Users
In its first year, the project had over 7,000 site visits and was in use in over 20 schools. The curriculum was distributed to 100 educators (in print form) as well as available for free online. Users ranged from private school 7th graders to high school students at San Francisco juvenile hall to UC Berkeley 3rd and 4th year Ethnic Studies students.
Maintained by
Evan Bissell
Duration
2012 - ongoing
Category
pedagogical
Nr. and Title
564
The Knotted Line
Initiator
Evan Bissell, Erik Loyer
Description
The project consists of an interactive, tactile laboratory for exploring the historical relationship between freedom and confinement in the United States. Featuring miniature paintings of over 50 watershed historical moments from 1495-2025 that uncover the roots of contemporary mass incarceration, histories of political reimagining and self-determination and future possibilities, the project asks, how is freedom measured? In use in schools, universities, organizations, jails and arts institutions across the country, the project facilitates an evolving public history that bridges social action, new media, painting, research, and radical pedagogy. It developed out of a workshop tool created for an art project in the San Francisco Jail which addressed the impact of incarceration on families. Conversations with Bay Area educators and artists clarified the need to expand the initial workshop tool (a hand-drawn timeline of the history of the prison industrial complex) into a more accessible and deeply researched online form. After completing the website, the initiator worked with educators to design workshops and projects using the Knotted Line over 2013. These projects were compiled in a curriculum that was then distributed to hundreds of educators across the country.
Goals
Create accessible, engaging visual tools for learners and educators that deepen and widen the popular analysis of the prison industrial complex, connect moments and movements of resistance across time, and develop new pedagogical forms.
Beneficial Outcomes
The Knotted Line has been used by hundreds of educators around the country, ranging from middle school to University. Educators and students share that the work produced in conjunction with The Knotted Line transforms how they approach and think about history. The project has been presented in education conferences, at the American Studies Association conference, the Allied Media Conference and numerous other locations for educators, media-makers and activists.
Images
Location
UK
Users
People Living with Dementia, Prisoners, Young people discussing attitudes to body image, Homeless
Maintained by
Liverpool John Moores University, Liverpool City Council (Dementia Schools Labyrinth)
Duration
2017- ongoing
Category
pedagogical, social
Nr. and Title
582
The Labyrinth Exchange
Initiator
Elaine McNeill, Alex Irving, Teri Howson-Griffiths
Description
This arts-based public engagement tool is rooted in the principles of Freire, Boal and participatory action research. The project was established to increase participation by patients with complex health needs, in the planning, commissioning, delivery and evaluation of the health and social care services they receive. The Labyrinth Exchange strengthens the patient’s voice and provides the means to activate social change. By co-producing a labyrinth art installation, constituents are placed at the heart of the process intended to deepen the policy makers and health commissioners understanding. Constituents use art to develop content in relation to a health urgency. This is used to create a labyrinth path. The labyrinth is a unicursal path, outlined on the floor. Its circular shape is combined with a spiral that takes you into the centre and back out again. Health topics covered by the Labyrinth Exchange include dementia, body image and the wellbeing of prisoners.
Goals
The Labyrinth Exchange creates a space for open dialogue, education, and provides authentic information in relation to the patient experience. It enhances the process of involving constituents in the co-design of health services. It presents the exploration of marginalised and controversial perspectives that can often be missed with more traditional engagement methods. (i.e. focus groups, surveys, interviews, questionnaires etc.). Labyrinth installations can be used as a tool to raise awareness amongst the wider population of the complexities around health conditions.
Beneficial Outcomes
The Lost and Found (Dementia) Labyrinth resulted in the development of a toolkit for social groups to increase social interaction, vital for those with an early diagnosis of dementia. The toolkit has been disseminated amongst health services as a social prescribing model to reduce the impact of loneliness. ( Made Up to Meet Up). A comedy play ‘On Cloud 79’ co-produced using content from the labyrinth exchange, amused audiences whilst raising awareness of the issues around living well with dementia. The Lost and Found Labyrinth was endorsed by Liverpool City Council and Dementia Action alliance Liverpool to raise awareness of dementia in schools. The Bird Lime (Prison) Labyrinth has been used as a family day activity providing additional time for prisoners to spend with family.
Images
Location
The Netherlands
Users
The Eindhoven community but hopefully interested individual an designers outside the Netherlands.
Maintained by
Alix Bizet
Duration
2013 - ongoing
Category
pedagogical, environment, social
Nr. and Title
508
The Making Make It Yours
Initiator
Alix Bizet
Description
The manmade and cultural aspect of Dutch landscape inspired this project. We have tamed nature as we do with our own bodies. We treat our hair everyday to shape it as we desire, whilst at the same time disposing of dead hair which we consider waste. As a conversation piece, I try to reflect on our human nature to define the useful or useless, and our industrial culture to create waste. From the idea that to change our relationship with Nature we must look at ourselves first. I then explored the idea of recycling dead hair with the traditional felt technique to produce homemade felt and objects.
Goals
Create awareness and curiosity about a free material which goes everyday to general waste. Go beyond the boundaries and taboo which can be associated with dead hair. Experimenting with an unusual material by using a traditional technique. Put the user and the consumer in the design and production process. Create an open source platform where people can react, comment but also upload suggestions or their own design. Design for the invisible technology.
Beneficial Outcomes
Recycling a free an open source material. Creating a cheap and easy processing material which could be used by the clothing industry. Plan a production which is responsible for sustainability and social good. Highlight the hyper local community such as the hairdresser and specialist shops. Improve the individual and community talents.
Images
Location
United States
Users
Lee Mingwei, gallery and museum visitors.
Maintained by
Lombard-Freid Projects (2009); Liverpool Biennial (September 2010); 18th Biennale of Sydney (September 2012).
Duration
2009
Category
economy, social
Nr. and Title
073
The Mending Project
Initiator
Lee Mingwei
Description
The project consists of an installation where the artist prepared a table, two chairs and colourful spools of thread. During gallery hours the initiator was welcoming visitors who could bring their damaged textile articles or clothes and what the artist while he mended the article. The mended textile was then placed on the table and visitors were invited to return to the galley to collect their objects at the end of the exhibition.
Context
Mended visitors' damaged textile articles, fostering a connection between personal belongings and the artist's craft, promoting the art of mending and the preservation of memories associated with these items.
Goals
The goal was to gain insights into the relationships among self, other and immediate surroundings. It also constituted an act of sharing between the initiator and a stranger.
Beneficial Outcomes
The articles were mended for free.
Images
Location
United States
Users
Mothers, babies, and social media supporters.
Maintained by
The Andy Warhol Museum (Pittsburgh Biennial exhibition), Jill Miller, Tara McElfresh, Daisy Klaber, Trivia Guru, Michael Bennett, Brandon Boan, Vanessa Manz, Vicky Yuh, Caitlin Boyle, and donations.
Duration
2011 - ongoing
Category
scientific, politics, economy, social
Nr. and Title
479
The Milk Truck
Initiator
Jill Miller
Description
The Milk Truck is a combination of guerrilla theatre, activism and slapstick humour. When a woman finds herself in a situation where she is discouraged, harassed, or unwelcome to breastfeed her baby in public, she contacts The Milk Truck. The truck summons social media supporters and arrives to the location of the woman in need, providing her with a shelter for feeding her baby. A giant breast is attached to the roof of the converted ice cream truck, creating a spectacle, which incidentally is the very thing that the person who harasses the woman wanted to avoid. Artist Jill Miller created The Milk Truck when The Andy Warhol Museum invited her to participate in their Pittsburgh Biennial exhibition.
Goals
Raise awareness of Pennsylvania and of other states' breastfeeding-in-public protection laws.
To educate people about the benefits of breastfeeding to the child, the mother, the family and the community.
Beneficial Outcomes
Pittsburgh Board is planning to focus on distributing supportive breastfeeding bags to interested mothers when they give birth at local hospitals and birthing centres. Pittsburgh City Council declared September 13, 2011 "The Milk Truck Day," by official proclamation.
Images
Location
Austria, Germany
Users
Michael Clegg, Martin Guttmann, citizens of Graz, Hamburg, Mainz, and Firmini
Maintained by
Michael Clegg and Martin Guttmann
Duration
1991 - 1993
Category
pedagogical, economy
Nr. and Title
167
The Open Public Library
Initiator
Michael Clegg and Martin Guttmann
Description
Michael Clegg and Martin Guttmann installed The Open Public Library by placing weatherproofed, unlocked bookcases in three different neighbourhoods of Graz, Austria. The artists established direct contact with the community through collecting donated books door-to-door. Each bookcase held those books donated by the community. Neighbours could borrow the books for a few days and then return them to the cabinet. Neither registration nor a library card was needed.
Goals
To provide a representation of the neighbourhood, to stimulate social imagination and collective responsibility.
Beneficial Outcomes
Access to public and shared resources without any restriction or administrative requirement.
Images
Location
Pittsburgh (USA), Colombus (USA), Havana (Cuba), Tehran (Iran), London (UK), Cologne (Germany), Portland (USA)
Users
So far: Youth Latino activists living in Pittsburgh and Columbus, young Syrian Refugees living in Cologne, Migrant labours living in the USA, London based / non EU-UK artists and researchers, Cuban-based hackers and artists.
Maintained by
Felipe Castelblanco, Francisco Carballo, Borderless TV (Cologne), CAT Cologne.
Duration
2011 - 2018
Category
pedagogical, politics, social
Nr. and Title
581
The Para-Site School
Initiator
Felipe Castelblanco
Description
The Para-Site School takes place at the intersection between education, research, institutional practices and participatory art. By operating from inside the university in a parasitical way, the Para-Site school appropriates the university’s resources such as its faculty, classrooms, labs, equipment, researchers, and so on, in order to create alternative opportunities for minorities, undocumented migrants and artists facing immigration issues to attend college and access higher education in the U.S and Europe. Meanwhile, the school itself serves as a platform for artists, educators and researchers to investigate forms of experimental pedagogy, participation and social interventions in the public sphere as a form of artistic practice and social action. The project was activated in Pittsburgh (USA), Columbus (USA), Havana (Cuba), Tehran (Iran), London (UK), Cologne (Germany), Portland (USA).
Goals
The mission is to function as an elastic - and sometimes antagonistic - space for thinking, making and implementing alternative models where artistic practice, research and education engage underrepresented groups. The project seeks to spark political imagination through enactment, action and forms of co-production.
Using experimental pedagogies, participation and social interventions in the public sphere, it seeks to fold inside out the intellectual discourse and allow other intelligences and postcolonial realities to take the center stage.
Beneficial Outcomes
Since its conception, the project has become a nomadic platform moving across institutions in Europe and the USA. Castelblanco initiated several art courses in secrecy at the Universities where he was invited as a guest or lecturer, such as at Carnegie Mellon University in Pittsburgh, Royal Academy Schools in London, or art spaces like the Akademie der Kunst der Welt in Cologne. Among the interventions, the Para-Site School created classes for undocumented Latino youth who produced a participatory documentary about their experience as students and their own legal situation, which was then featured in several film festivals across the United States. In collaboration with Latino day workers, Castelblanco created a temporary business and training format in order to offer to paint people’s houses in Portland and Philadelphia as an excuse to stimulate a public debate about immigrant labor, class and misrepresentation. For the project, WPH employed undocumented Latino laborers and provided faire wages in the form of artists’ stipends, using funds from academic research grants and artistic fellowships granted by U.S. universities. The Para-Site School used performance and data streaming to extend—virtually—Nima Deghani’s presence to the USA while still being in Tehran, after his visa was delayed by a bureaucratic process between the U.S. embassy in Dubai and a U.S. university. This resulted in a year-long collaboration and an exhibition where Nima was able to interact and communicate directly with other students and publics in the U.S. through the body of Castelblanco, who became a surrogate for the artist. For an extensive list of the projects carried on by the Para-Site School, we recommend visiting the project’s website.
Images
Location
United States
Users
Citizens, Christy Thomas, artists collective Finishing School
Maintained by
The initiators
Duration
2003
Category
pedagogical, politics
Nr. and Title
163
The Patriot Library
Initiator
Finishing School, Christy Thomas
Description
The project consists of a collection of documents such as books, periodicals and other media that could be considered dangerous without questioning the motivation of the user. The archive keeps no records of users' personal information or which materials they consult. It offers printed books, manuscripts, maps, photographs, prints and drawings, sound recordings, digital images and artifacts. The organisers of the project oppose any governmental action which may lead to intimidation of its users or to limit intellectual freedom. This project was first presented at Lucky Tackle, an art gallery in Oakland, CA. It is currently available online.
Goals
The Patriot Library's goal is to provide free access to books, periodicals, and other media which may be censured because considered dangerous. It makes available the widest diversity of views and expressions and it opposes and challenges all attempts to impose censorship. The project is nomadic and can be replicated and take on various spatial configurations.
Beneficial Outcomes
The Patriot Library offers access to these materials, returning them to the public domain.
Images
Location
United States, Germany, Belgium, Finland, Puerto Rico, United Kingdom, Austria
Users
Telic Arts Exchange (TAE), Sean Dockray, users of the school
Maintained by
First Independent; Van Alen Institute (The Public School (for Architecture) New York; Komplot in Brussels; Ptarmigan in Helsinki; Betalocal in San Juan, Puerto Rico.
Duration
2007 - ongoing
Category
pedagogical, economy, social
Nr. and Title
126
The Public School
Initiator
Telic Arts Exchange
Description
The Public School is an independent and alternative school with no curriculum which does not give any degrees. Throughout its website, users you can find classes happening in various locations all over the world for free. Related to the school is the online library aaaaarg.fail which offers texts, outside institutional frameworks for studying despite the restrictions of copyright. Boards and thematic lists of texts are organised by users.
Goals
It is a framework that supports autodidactic activities, operating under the assumption that ‘everything is in everything’.
Beneficial Outcomes
People have the opportunity to ask for classes and the school finds a teacher, offering the class to those who signed up.
Images
Location
United States
Users
US Citizens
Maintained by
Strike Debt donations
Duration
2012 - ongoing
Category
politics, economy, social
Nr. and Title
161
The Rolling Jubilee
Initiator
Strike Debt (OWS)
Description
With roots in Judaism, Christianity and Islam, Jubilee is a time when sins are remitted, debts are forgiven, and the enslaved or imprisoned are set free. Strike Debt, an organization that arose out of the Occupy movement, developed The Rolling Jubilee in 2012 to resist the growing debt system in the US. In an act of mutual support, people donate to the organization in order to abolish other people’s debt. Taking advantage of the deregulation of the finance industry and the ability to legally purchase charged-off debt, Strike Debt is able to buy individuals debt at random, for pennies on the dollar, and abolish it. Whereas banks may sell debt at pennies on the dollar to debt buyers and collectors who profit on the exchange by charging the full amount to the debtor, The Rolling Jubilee cancels the debt immediately, intervening for the benefit of the 99% and highlighting the harmful affect of our predatory debt system.
Goals
To build a network of resisters and a movement to establish an alternate economy that benefits everyone.
Beneficial Outcomes
Individual debt is abolished while bringing awareness to the issue of predatory debt systems in the US. A Debt Resistors’ Operations Manual offers advice on resisting debt and joining the movement. As of February 16, 2013, Strike Debt has raised a total of $557,451 to abolish an outstanding $11,153,855 of debt.
Images
Location
Russian Federation
Users
Olga Zhitlina, Andrei Yakimov (human rights consultant, concept development), Olga Zhitlina (idea, concept development), Alexander Lyakh, Galina Zhitlina (board game design), David Ter-Oganyan (drawings), Tatyana Alexandrova, Nadezhda Voskresenskaya (graphic design), players.
Maintained by
Olga Zhitlina
Duration
2011 - ongoing
Category
politics, social
Nr. and Title
317
The Russia – The Land of Opportunity
Initiator
Olga Zhitlina
Description
The Land of Opportunity is a board game the goal of which is to understand the way of life, the fate and the obstacles to which immigrants are subjected. Every fact and situation in the game is real. Thousands of immigrants arrive every year in the Russian Federation from the Soviet Central Asian republics. The game is suitable for both adults and children of secondary school age.
Goals
To become a historical document. To give players the chance to live in the shoes of a foreign worker: to feel all the risks and opportunities; to understand the play between luck and personal responsibility; and thus answer the accusatory questions often addressed to immigrants: ‘Why do they work illegally?’ ‘Why do they agree to such conditions?’
Beneficial Outcomes
Only by describing the labyrinth of rules, deceptions, bureaucratic obstacles and traps that constitute the immigration of contemporary Russia can we get an overall picture of how one can operate within this scheme and what needs to be changed.
Images
Location
United Kingdom, Sweden, Germany, Jordan
Users
Ahmet Ögüt, lectures, researchers, consultants fellows, asylum seekers, migrants and refugees
Maintained by
TATE, Delfina Foundation, The Showroom, Tensta Konsthall, ABF Stockholm, Stadtkuratorin Hamburg, Werkstatt für internationale Kultur ind Politik, Impulse Theater Festival, Ringlokschuppen Ruhr, Urbane Künste Ruhr, Spring Sessions, Visible Award
Duration
2012 - ongoing
Category
pedagogical, politics, social
Nr. and Title
241
The Silent University
Initiator
Ahmet Öğüt
Description
The Silent University is a platform for knowledge exchange initiated by artist Ahmet Ögüt during a year-long residency at Tate in partnership with Delfina Foundation. It has recently been set up in Stockholm and there are plans to develop other offices in European cities. The university is led by a group of lecturers, consultants and research fellows. Each group contributes to the programme in different ways which include course building, specific research on key themes, as well as personal reflections on what it means to be a refugee or asylum seeker. In each case the Silent University uses the hosting institution and its resources to bring together users. A series of weekly workshops have taken place, with a group of participants that have had a variety of asylum, migrant, and refugee experiences. In particular the project has involved those that have had a professional life and academic training in their home countries, but are now unable to use their skills or professional training in their new home due to a variety of reasons related to their status.
Goals
To address and reactivate the knowledge of the participants and make the exchange process mutually beneficial by inventing alternative currencies, in place of money or free voluntary service. The Silent University’s aim is to challenge the idea of silence as a passive state, and explore its powerful potential through
performance, writing, and group reflection. These explorations attempt to make apparent the systemic failure and the loss of skills and knowledge experienced through the silencing process of people seeking asylum.
Beneficial Outcomes
The participants were connected with their former academic level and through the workshops improved their skills.
Images
Location
Brazil
Users
Augusto Boal, actors and spect-actors.
Maintained by
Augusto Boal.
Duration
1956 - ongoing
Category
pedagogical, politics, social
Nr. and Title
285
Theatre of the Oppressed: Legislative Theatre
Initiator
Augusto Boal
Description
As Vereador (city councilman) in Rio de Janeiro (1993-1996), Boal created the Legislative Theatre as a new means to give his voters the opportunity to voice their opinions generating a 'transitive democracy', which lies in between direct democracy, which was practised in ancient Greece, and delegate democracy. The Legislative Theatre uses the forms of the Theatre of the Oppressed to transform citizens' desires into laws. After a first session where spect-actors discuss their proposal, the assembly votes and at the end the approved suggestions are collected and presented to lawmakers to have the proposals approved. The Theatre of Oppressed is a method of analysis which uses theatre as a vehicle to enable people to act in their own lives. Inspired by the theories of the educator Paulo Freire, Augusto Boal developed a system of exercises, games and techniques to help men and women to become 'spect-actors' using theatre as a means of promoting social, political and legislative change.
Goals
To use theatre as means of promoting social and political change. To study, discuss and express issues concerning citizenship, culture and various forms of oppression using theatrical language, opening up a flow of power between both groups.
Beneficial Outcomes
The subject of the production is based on a proposed law to be passed. Some 13 laws were created through legislative theatre during Boal's government.
Images
Location
United States
Users
Marisa Jahn, REV, Street Vendor Project (SVP) of the Urban Justice Center, street vendors, general public
Maintained by
Urban Justice Center
Duration
2010
Category
politics, economy, social
Nr. and Title
216
Ticketing Jessica Lappin
Initiator
REV
Description
The initiators collaborated with the Street Vendor Project (SVP) of the Urban Justice Center to campaign against New York City Council Member Jessica Lappin’s 2010 law project. The bill, intended to revoke permits issued to street vendor trucks if they got parking tickets, was so restrictive that it threatened to put most food trucks out of business. As a way of protest, REV and SVP designed and handed 500 pink mock “citizens’ parking tickets” to Lappin during the hearing, signed by vendors and 500 members of the general public.
Goals
To create a campaign drawing attention to this attempt to legislatively criminalize the City's food vendors.
Beneficial Outcomes
By garnering negative publicity in media such as The Wall Street Journal, The New York Times, and local foodie blogs, Lappin's bill was defeated before it got to the hearing.
Images
Location
México
Field
Extractivism, cultural landscape, collective urbanism
Strategy
Use It Yourself, Deactivating (art’s aesthetic function), Hacking, Alternative Economies
Users
Residents of the Lázaro Cárdenas neighbourhood and anyone who is passing through.
Maintained by
Residents of the Lázaro Cárdenas neighbourhood.
Duration
2010 - ongoing
Category
urban-development, social
Nr. and Title
572
Topography in decline (Topografía en declive)
Initiator
Inhabitants of Colonia Lázaro Cárdenas
Description
Self-built ramp by the residents of the Lázaro Cárdenas neighbourhood in Cuernavaca, Morelos. It was constructed to point out a new route and make a shortcut road. They traced a line that connects the main avenue with a street situated in a different level to get there faster, to facilitate the walking path, to speed access to the public transport and to communicate both levels. This route is a diagonal line in space that allows a different way.
The ramp was self-built with materials donated by the neighbours, using the surplus from their own construction works. If one of them was building something—their house, a room, the bathroom, stairs, changing tiles, or flattening—and they had some left-over material—stones, cement, or mixture—they used it to build the ramp. The ramp indicates five phases of self-construction, which are clearly identified as you walk along it.
Context
The Colonia was an area of sand mines, in which there is still an active mine where sand is extracted. The extraction has generated dangerous consequences for the stability of the soil and the constructions in the area, with the risk of landslides and collapse of the houses during the raining season. The context of the Lázaro Cárdenas colony became a silent but imposing sign of the exploitation of natural resources and the work of the inhabitants of the area.
Goals
- Continue the ramp with neighbours’ strategies: collection, extraction, and reuse of construction materials.
- Reading the public space when it appears clumsy, almost invisible, or imperceptible from a communicative, cumulative, material ramp that echoes in contradictions, imaginations and survivals.
- Construct an exchange of meanings in the public space, based on perception and reflection, to build history of past events and those that are waiting to happen as a collective and participatory creation.
Beneficial Outcomes
- Implementation of an alternative demonstrating the ability to transform closed and institutional procedures, allowing the construction of more equitable spaces, for use and common good to make public space a place to be.
- Generation of a relationship with the materiality of the place where important knowledge is produced, about self-production and habitable spaces, which allow the consolidation of a sense of citizenship based on community work.
- A revolution in front of urbanization processes, proving the dignity of open and sequential, but not ephemeral, architecture. Generating encounters that truly enable an active transformation and an indelible social mark, which at the local level reveal a long-term commitment.
Images
Location
Mexico, United States
Users
People traversing a border.
Maintained by
Torolab
Duration
1995 - 2009
Category
politics, social
Nr. and Title
221
Torovestimenta
Initiator
Torolab
Description
Torovestimenta is a utilitarian line of clothing designed for border crossing developed by the collective Torolab. Established in 1995 in Tijuana, Mexico, Torolab is a socially engaged collective committed to improving the lives of people in the transborder region through ideologically advanced design. The Torovestimenta line features the Transborder Trousers that act as a survival suit for border crossing. The pants are durable, made of heavy blue-denim, and built with wide legs to support multiple inside pockets. There are a series of flat interior pockets specifically sized to fit the Mexican passport and visa card for Mexicans entering the United States. Conversely for Americans who may not need entry documents at all, there are pockets designed to support credit cards, cash or pharmaceuticals purchased at a discount in Mexico.
Goals
The project was inspired by the contested territory of Tijuana in an effort to design utilitarian products and interventions that address border politics, migrant identity and improve the quality of life in the trans-border region.
Beneficial Outcomes
Clothing articles specifically designed for people crossing the US / Mexico border in both directions.
Images
Location
United Kingdom
Users
Open to all users.
Maintained by
Toynbee Hall
Duration
1884 - ongoing
Category
pedagogical, urban-development, social
Nr. and Title
521
Toynbee Settlement
Initiator
Canon Samuel and Henrietta Barnett
Description
The Toynbee Settlement at Toynbee Hall was founded on Ruskinian Principles in the East End of London, and is the home to a charity of the same name. It works to bridge the gap between people of all social and financial backgrounds, with a focus on working towards a future without poverty. It was the first of the university settlement houses that strove to stimulate social mobility by encouraging rich and poor to live closely together and become a more interdependent community. It was named in memory of their friend and fellow reformer, Oxford historian Arnold Toynbee, who died the previous year. It was built specifically for the charity as a centre for social reform and remains active today. In the late Victorian and Edwardian period, settlements were residential ‘colonies’ of education for either men, or women, or both, in a deprived area of a city, often associated with an Oxbridge college or other educational institution. Graduates or others with the means to do so, would come into residence for a period of time, and engage in community-based activities, including youth work, adult education, social work and the provision of legal advice.
Goals
The overall goal was social and economic reform for all.
Beneficial Outcomes
Increased physical, social wellbeing for individual and group users.
Images
Location
Worldwide
Users
Trade School volunteer organisers and community members
Maintained by
Trade School organisers and volunteers
Duration
2009 - 2019
Category
pedagogical, economy, social
Nr. and Title
129
Trade School
Initiator
OurGoods
Description
Trade School is a self-organised, alternative learning space that runs on barter. It was started in 2010 in New York’s Lower East Side by Rich Watts, Louise Ma, and Caroline Woolard of OurGoods.org, a creative barter network. Over 800 students participated in 76 single-session classes during 35 days. Anyone can teach a class, and students sign up by agreeing to meet the barter requests of teachers. Barter items included homemade pickles, mix tapes, drawings, research help, cheese, and music tips. Subjects of past courses have included composting, ghost hunting, and community organising. Trade School celebrates hands-on knowledge and experience. It is a place to learn with other people who value practical wisdom, mutual aid, and the social nature of exchange.
Goals
Create an alternative, sustainable economy of mutual exchange, emphasising education as a communal, reciprocal resource.
Beneficial Outcomes
The community – their needs, their interests – determine the curriculum. The project is an open model, and the organisers encourage its replication in new communities.
Images
Location
Denmark
Field
1:1 scale, Extraterritorial Reciprocity, Use-It-Together
Strategy
Legislative Change, Human Rights, Migrant Crisis
Users
The artists, refugees, asylum seekers, migrants, volunteering artists, activists, lawyers, students, and theorists from Denmark and abroad.
Maintained by
Initial supporters were private donors, private and public foundations (among others OAK Foundation Denmark). The project is maintained by a donors scheme. It has been awarded the LIVIA prisen 2016, the Bispebjerg Lokaludvalgs Frivilighedspris 2016, the Yggdrasil-prisen 2015 and the Hal Koch Prisen 2011.
Duration
2010 - 2020
Category
pedagogical, politics, social
Nr. and Title
242
Trampoline House
Initiator
M. Goll, J. Hamou, and T.O. Nielsen, refugees, undocumented migrants, students, cultural producers and migration justice activists
Description
Trampoline House is a user-driven refugee justice community initiative located in the centre of Copenhagen, where refugees, asylum seekers, migrants and other residents of Denmark find support to navigate the Danish migration system. The project operates as a non-profit and self-organised platform for social interaction and solidarity building. Users are encouraged to share their skills and interests, so Trampoline House can provide an internship program, education and legal counselling according to their needs. Users are offered a transportation reimbursem*nt from the asylum seekers centre to Trampoline House twice per week in order to take part in the internship program. The internships are organised around two main aspects such as practical work and education. Interns should offer one day of labour at the house (such as helping at the help desk, cooking the daily meals, taking care of the children, and cleaning) in exchange for an educational program which provides language classes, democracy classes, and classes focused on empowering refugee women. Trampoline House also offers legal counselling and escorts people to interviews with immigration officers. Trampoline House had an exhibition space, CAMP - centre for Art on Migration Politics (2015-2020), focusing on the work of artists with migration or refugee backgrounds whose practices generate dialogue and exchange with the public through political migration art. The aim of CAMP was to offer a space for imagining, inspiring and exhibiting art as a tool to influence and transform migration policies and laws in Denmark.
Context
The project supports asylum seekers navigating immigration laws in Denmark. When migrants arrive in the country, they are temporarily hosted by asylum centres while authorities establish their identities. Asylum seeker centres are often housed either in former military barracks or former mental hospitals located far from the city centre, which causes isolation from organisations that could offer them support. While people are waiting for their applications to be processed, they can’t work or get an education; the state provides some pocket money to buy food and personal care items. If the application is approved, authorities assign a location where migrants should go and settle, while going through a 3-years integration program. In case the application is rejected, it is possible to appeal, which implies that one needs legal support and counseling. If the application doesn’t go through an appeal, people are first encouraged to leave voluntarily, and if they can’t leave, they are transferred to a deportation centre. Denmark is not allowed to deport people who are from countries that do not have a repatriation agreement with the state, so one might stay in a deportation centre forever without getting any support.
Goals
To offer asylum seekers the opportunity to be a part of a community, to educate themselves, and build relations within Danish society while they wait for their asylum application to be analysed. To provide asylum seekers tools such as job training and education, democratic practice, counselling and system awareness, and a social network. To break the social isolation that most refugees, asylum seekers, and undocumented migrants in Denmark experience, and to inform them about the system that surrounds them in order to provide agency and tools to bettering and support their social and legal situation. To inform the Danish public about the experiences of refugees, asylum seekers, and undocumented migrants who live in the Danish asylum camps, in an attempt to motivate the public to advocate to reform the Danish refugee and asylum policies. Ultimately, the project aims at realising an ideal asylum system, where refugee families are offered accommodation and a community garden with other people who are not part of any asylum seeker program.
Beneficial Outcomes
All services and activities are free and draw on the skills, knowledge, and competencies present among the users of the house and volunteering professionals. Users are offered transportation costs reimbursem*nt twice a week to reach the house from the asylum seeker centres. 79% of the funds are spent on activities and advocacy, 8.5% on transport for asylum seekers and 12,5% in administration. Trampoline House is constantly lobbying with the Red Cross which administers the camps, to assure better conditions for refugees. Trampoline House was invited to be part of the curatorial committee of documenta 15.
Images
Location
United States and Mexico border
Users
Ricardo Dominguez, Brett Stalbaum, Micha Cárdenas, Amy Sara Carroll, and Elle Mehrmand (the artists)
Maintained by
Calit2 (California Institute for Telecommunications and Information Technology) at the University of California in San Diego.
Duration
2007 - ongoing
Category
scientific, politics, social
Nr. and Title
048
Transborder Immigrant Tool
Initiator
Electronic Disturbance Theater (EDT) 2.0/B.A.N.G. Lab
Description
Researchers, new media artists, and co-founders of the Electronic Disturbance Theater/b.a.n.g. lab, Ricardo Dominguez and Brett Stalbaum, together with a wider team of poets and professors, devised the Transborder Immigrant Tool (TBT) to improve the odds of a safe crossing of the Mexico–U.S. border. Thousands of people have died in their journey, mostly due to its vertiginous and deserted geography. The TBT consists of a GPS system (in this case, standing for Geo Poetic System) with 24 hours of experimental poetry aimed at providing not only inspiration for survival, but also information on food/water caches, security activities, and directions to potentially safer routes. Its simple, user-friendly interface is designed as an easy hack to low-cost cell phones.
Goals
To guide the immigrants to water safety sites and to increase safety during border crossing.
Beneficial Outcomes
While it takes the form of a functional opportunity to save the lives of other human beings, the tool is as much a cultural product aimed at bringing into light an important issue: the inequality between classes, drawn along racial and political boundaries, that has caused a deep resentment on both sides of the border.
Images
Location
Argentina
Users
Balvé, Bortolotti, Carnevale, De Nully Brown, Favario, Ferrari, Ghilioni, Giura, Gramuglio, Jacoby, Elizalde, Escandell, Maisonnave, Naranjo, Puzzolo, Pidustwa, Renzi, Rippa, Rosa y Schork. Walsh. In the idea : Carreira, Paksa (Title), Ruano y Suárez.- inhabitants of Tucumán
Maintained by
Vanguard Artist's Group
Duration
1968
Category
politics, social
Nr. and Title
009
Tucumán Arde
Initiator
Vanguard Artist’s Group
Description
After the government decided to close down sugar mills and farms in Tucumán, people were lead to poverty and starvation. Vanguard Artist's Group conceived the project for the CGT of Rosario (Argentinean labour union formed by workers, artists and intellectuals) as an intervention in mass communication, generating a circuit of counter information about the situation in Tucumán that opposed that of the dictatorship in Argentina while political parties, education policies and the mass media were strictly controlled and censored by the government.
Within the frame of the First Biennial of Avant-garde Art (1ª Bienal de Arte de Vanguardia), the group developed isolated actions that formed an overall campaign which went unnoticed until its final manifestation: "Tucumán" stickers were placed throughout the city, promoting the biennial, "Tucumán Arde" (Tucumán burns) graffiti and stickers were all over the city as a political campaign. Participants in the Biennial travelled to Tucumán to research and document the conditions of the workers and the documentation was part of the exhibition which was attended by 3000 people.
Goals
The artists conceived of art as an effective instrument for social change, and through the Tucumán Arde project they sought to bring the social conditions of the province to the attention of a large public.
Beneficial Outcomes
The public of the exhibition could take away the printed information to disseminate it. In Buenos Aires, the exhibition was closed by the police on the opening day and it was reviewed by different media attracting national attention.
Images
Location
Spain
Users
Ruben Santiago, homeless, inhabitants of Gothic district
Maintained by
Hangar
Duration
2007
Category
economy, social
Nr. and Title
108
Turning a public toilet into a spa
Initiator
Ruben Santiago
Description
For three days, Ruben Santiago has installed, without any official authorization, a hydro-massage shower in a public bathroom in the Gothic Quarter of Barcelona. The installation also made available to users bath gel, shampoo and towels that were regularly replaced.
Goals
Adding a functional element inside an already existing official device to instate an exercise of civil disobedience and infiltration. This infiltration, in spite of its desire to improve the public services given to the citizen, is illegally generated.
Beneficial Outcomes
The users could get a hydro-massage bath for free.
Images
Location
The Netherlands
Users
Taxi clients, elderly and handicapped people in general.
Maintained by
Ron Krielen
Duration
2014-2016
Category
pedagogical, politics, social
Nr. and Title
529
Two Hats
Initiator
Ron Krielen
Description
Ron Krielen is a social designer and a taxi driver. He spent five years driving a taxi for elderly and disabled people. En route, he would get to know them and their individual situation. He realized that this kind of personal contact gave him a better insight into possible solutions than many of the healthcare providers who were actually assigned to each case. Why not banish the bureaucracy faced by many of his passengers, and get them in the car with the very people able to help them? Two hats is a system that enables the taxi driver to highlight and connect relevant problems of the passengers to the people that can resolve it, in order to offer quick and thorough solutions. Its first initiative consisted of articulating the situation of a disabled young man (Merlijn) in an understandable and simple way, to accelerate an otherwise long bureaucratic process. In this case, Ron Krielen did a short film that showed Merlijn's character and how he needed a wheelchair adapted to his particular condition. The video was sent to Merlijn's healthcare providers and he received an appropriate wheelchair in less than 3 months.
Goals
Finding solutions for relevant problems of elderly and disabled people. Creating a new system to address the real difficulties of this population and highlight them in an effective way.
Beneficial Outcomes
Two Hats connects passengers with specific problems to the people that will have the solution. Each initiative could become a strategy to deal with that specific kind of problem. Merlijn has got an appropriate wheelchair and an adapted program of activities better related to his character.
Images
Location
Online
Users
Artists, curators, critics, general public, students
Maintained by
Kenneth Goldsmith and Ubuweb staff
Duration
1996 - ongoing
Category
pedagogical, economy
Nr. and Title
270
Ubuweb
Initiator
Kenneth Goldsmith
Description
Ubuweb was founded in response to the marginal distribution of avant-garde material (cinema-art sound and mp3 files). It is an online independent platform where hundreds of films, podcasts, documents and videos can be viewed free of charge. The material is provided by filmmakers or is placed online by UBUweb, without artists’ permission. UbuWeb operates with no money thanks to the work of volunteers. Its server space and unlimited bandwidth are donated by several universities, who use the UbuWeb as a case study related to radical distribution and gift economies on the web.
Goals
To give free, online access to hard-to-find, out-of-print and obscure materials about avant-garde.
Beneficial Outcomes
UbuWeb hosts over 7,500 artists and several thousand works of art. There are over 2500 full-length avant-garde films and videos, both streaming and downloadable, free and open to all. Ubuweb is continually being updated and keep expanding the range of materials.
Images
Location
South Africa
Users
Raw Foundation, Dala (artists/activist group), Sukuma Arts Center, VEGA, Area Base Management, Musicians, inhabitants of Cato Manor.
Maintained by
The Netherlands Architectural Fund
Duration
2009 - ongoing
Category
urban-development, economy, social
Nr. and Title
408
uMuthiMAYCHE
Initiator
Raw Foundation
Description
Raw built a small construction working with the community in Cato Manor, in Durban. It was rehearsal space that opens up as a small podium and tuck-shop. uMuthiMAYCHE was activated for the local musicians to use as their platform.
Goals
The aim was to utilise the space in between the government houses and build a prototype for community structures.
Beneficial Outcomes
The place is still in use and the local council started negotiations for more similar interventions.
Images
Location
Italy, Greece
Users
Communities in Matera (Italy) and Athens (Greece)
Maintained by
Katalin Hausel, James Lewis, Luisa Lapacciana, Lauren Lapidge, Juliana Van Hemelryck, Penny Travlou, M.K. Jaffer, Bembo Davies, Kei Kreutler, Ben Vickers.
Duration
2012 - Ongoing
Category
scientific, politics, economy, social
Nr. and Title
543
unMonastery
Initiator
EdgeRyders LBG
Description
The unMonastery is a social clinic for the future. It is a place-based project of social innovation that is aimed at addressing the interlinked needs of empty space, unemployment and depleting social services by embedding committed, skilled individuals within communities that could benefit from their presence. It is a non-profit project that aims to challenge existing dependency chains and economic fictions, developed in collaboration with EdgeRyders LBG over the course of 18 months. Edgeryders started out as a project by the Council of Europe and the European Commission, which after termination developed into an international, community-run social enterprise.
The first unMonastery opened its doors February 2014 in Matera, Italy. Working with Matera2019, the prototype hosted projects including CoderDojo Matera, Mapping the Commons, and unTransit, an app to follow the city's transport system in real-time. Greater details on projects, people, and the community involved in the prototype are available on the unMonastery Matera site. unMonastery activities are currently based in Athens, Greece working to support autonomous initiatives around appropriate technology, open workshops, and collective kitchens, while continuing to develop the unMonastery model and a BIOS toolkit around the question of the future(s) of living together.
Goals
To address social issues caused by empty space, unemployment and depleting social services.
Beneficial Outcomes
Skilled committed individuals embedded within local communities for a dedicated working period. New need specific tools for local people develop through appropriate technologies.
Images
Location
United States
Users
Visitors of the Gallery, Museum
Maintained by
303 Gallery in New York, MoMA
Duration
1992, 1995, 2007, 2011
Category
economy, social
Nr. and Title
185
Untitled (free/still)
Initiator
Rirkrit Tiravanija
Description
The artist converted 303 Gallery’s exhibition space into a lounge area, where he cooked and served rice and curry to visitors free of charge. The gallery became a hub for informal gatherings, communal meals, and engaging conversations, challenging the notion of art as a purely passive spectator experience.
Goals
"The work is a platform for people to interact with the work itself but also with each other. It is about the experiential relationship, so you actually are not really looking at something but you are within it, you are part of it. The distance between the artist, the art, and the audience gets a bit blurred".
Beneficial Outcomes
People could eat for free in the gallery space.
Images
Location
US, Spain, Germany
Users
Natalie Jeremijenko, Angel Borrego Cubero, Fran Gallardo, Giuliana di Gregorio, Noemi Gomez Lobo, Cesar Harada, Jaime Salo, Feike Reitsma, Manuel Borja, Jose Luis de Vicente, Florian Matzner
Maintained by
New York University (USA), Museo Reina Sofia (Spain), Emscherkunst (Germany)
Duration
2008 - ongoing
Category
scientific, urban-development, economy, environment, social
Nr. and Title
419
Urban Space Station
Initiator
Angel Borrego Cubero and Natalie Jeremijenko
Description
The project consists of a device which collects the carbon dioxide emissions from buildings, with a return of oxygen-enriched air for the building itself. It consists of a closed system engineering the same used in space stations. For this reason the device is able to improve the air inside the building by 20 times its own volume. The structure can be adapted with small amendments to function in different types of buildings, transforming wind into energy. Inside the buildings urban vegetation is cultivated, able to provide significant food resources for the building’s inhabitants, and increase food yields.
Goals
The USS is designed to sequester CO2 emissions. A part of this air residue is paradoxically produced in order to clean up air inside buildings themselves. Its main objective consists in perfecting an adaptable prototype to help buildings cope with user demands in a way that allows them reduce their engineering and energy requirements. The USS than can also filter street level air by exploiting building height and thermal capture in south façades to funnel significant volumes of air over inexpensive electrostatic precipitator plates. A by-product of this fine particulates extraction system is the accumulation of enough residue, on average, to make one soot pencil out of every building per day. By decoupling green roofs from the demands of urban agriculture we allow the exterior vegetation of green roofs to function as an open ecological system optimised for biodiversity, phyto-remediation and particulate matter capture.
Beneficial Outcomes
Developing the USS has produced a wealth of know-how and information about natural systems integration within and around buildings and urban structures. This knowledge is proving essential in the perfecting of the USS prototype and the planning and design of other proposals, objects, products and urban projects. We now have a more precise idea of building requirements and needs, and how can they be addressed in new ways, without the need to resort to traditional and entrenched engineering and energy practices. And, of course, for the duration of time these prototypes have been installed, some air was cleaned by it and given back naturally smelling of flowers and aromatic plants.
Images
Location
US
Users
Artists, Scott Burton.
Maintained by
Eduardo Costa
Duration
1969
Category
urban-development, social
Nr. and Title
032
Useful Art works
Initiator
Eduardo Costa
Description
The project was part of Streets Works, an event organised by a group of artists and poets in New York City. The artist in collaboration with Scott Burton, proposed that art would have a direct social impact and utility by improving city living conditions. His first Useful Art work consisted of buying metal street signs and placing them on the streets of New York, where they were missing. His second, consisted of painting a subway station on the Flushing line; Costa was prevented from finishing this work.
Goals
These art works were intended to attack the myth of the lack of utility in the arts, while being themselves a modest contribution to the improvement of city living conditions.
Beneficial Outcomes
Improvement of city living conditions.
Images
Location
Online, Kenia
Field
Ecological activism, Human Rights, Open Access, Networks
Strategy
Deactivate (art’s aesthetic function), Hacking, Cognitive surplus, Narratorship (talking art), Externalities (positive and negative)
Users
David Kobia, Juliana Rotich, Erik Hersman, Brian Herbert, Ushahidi team and 45.000 users just in Kenya, communities affected by a disaster or emergency situation.
Maintained by
Smallworldnews, Rob Baker, KOMPAGROUP, Donations
Duration
2008 - ongoing
Category
scientific, politics, environment, social
Nr. and Title
404
Ushahidi
Initiator
Juliana Rotich, David Kobia, Erik Hersman and Ory Okolloh
Description
Ushahidi is an open-source web-based tool for collecting, visualising and mapping information using multiple channels, including SMS, email, Twitter and the web. It is designed as a platform to gather news and reports of the people on the ground and connect them with organisations and institutions willing to organise and quickly respond to any emergency. It has been used for election monitoring, crisis response, advocacy, and Human Rights Watch, among other functionalities. The original Ushahidi website has evolved into a free, open-source software platform that streamlines information collection.
Context
After the post-election fallout in Kenya (Dec.2007), the country broke out in riots and violence. It was hard to understand what was happening on the ground and how to stay safe. Within days, four technologists build a web-based platform to crowdsource first-hand reports from citizens via SMS and the web. These reports were then geolocated and time-stamped; triggering service was also more effective, alerts back to the people on the ground and citizens watching from around the world. They submitted, verified, and triaged over 40,000 reports. Currently, Ushahidi has grown into a social enterprise with a global team of 30+ highly skilled and diverse experts from 10 different countries, building on their open-source roots.
Goals
They initially developed Ushahidi, which means “testimony” or “witness” in Swahili, as a tool to denounce, trace and give visibility to any emergency, violence, injustice or environmental assault. It is currently oriented to democratising information, increasing transparency, and lowering individuals' barriers to sharing their stories worldwide.
Beneficial Outcomes
The Ushahidi Platform has been used over 150,000 times in over 160 countries, crowdsourcing over 50 million reports worldwide from citizens, activists and news organisations not only in Kenya but also to monitor violence in Congo and Gaza, to monitor Indian elections, to connect volunteers with people in danger during Russian wildfires or Crowdsourced crisis mapping during the Haitian earthquake in 2010. Artist collective Hysteria in Semarang (Indonesia) used Ushahidi to improve citizen participation in government.
In 2020 as a response to the COVID-19, Ushahidi toolkit was used by multiple crowdsource platforms to share information and mapping resources, connecting volunteers, institutions, and those in need in various countries like "Ampas" in Italy, or "Frena la Curva" in Spain, Ecuador, Argentina, Colombia, etc.
Moreover, Ushahidi has inspired other innovators like The Nairobi Innovation Hub, or iHub (a spinoff of Ushahidi) that has developed new tech ideas in Africa by providing entrepreneurs, designers, programmers and researchers with community lab space. It has incubated over 150 startups.
Images
Location
Wales
Users
Local community
Maintained by
Initially part of ADAIN/AVION Cultural Olympiad Wales it is now completely maintained by the local community who uses it
Duration
2011- ongoing
Category
urban-development, environment, social
Nr. and Title
586
Vetch Veg Community Garden
Initiator
Owen Griffiths, ADAIN/AVION Cultural Olympiad Wales, Swansea University, Taliesin Arts Centre, Glynn Vivian Art Gallery, City and County of Swansea
Description
Located on the iconic former football ground, the project consisted in a temporary community garden aimed at promoting and encouraging community spirit through gardening and social activities. The development of the project was organic and guided by the community. Through consultation and dialogues what became clear was the need for a green resource, greater communal spaces and to address how the community could access and use this land. Local residents and groups worked together to create a productive green space on a 2,500m2 derelict site which was earmarked for regeneration and sale. The site contained 110 beds where members of the community, families, organisations, churches, retirement centres and charities could explore ideas of community and growing their own food. Users built an on-site kitchen, which became the heart of the project, a pizza oven, two polytunnels and a library. To launch the library Griffiths and the gardeners worked with the Glynn Vivian Gallery to curate a local festival where cooking, gigs, performance, yoga classes, talks and children's activities were held at Vetch Veg. It is now a successful community garden for over 100 people, supporting an urban community to explore issues of climate, food, support and self organisation together.
Goals
The aim of the project is to create new green space in the heart of the city where food could be grown, people could meet and work together to explore culture and community to provides a sustainable and long-term platform that continues to exist as a useful community resource after the project’s initial 2 year development; to promote an environmental green space that would influence and affect use of local green and civic spaces.
Beneficial Outcomes
Intended as a 9-months project by the local council, the garden became a permanent green civic space run by its users. As the project developed it was recognised as a critical resource for the community and was granted extended access. Vetch Veg is now considered a Cultural Shift project in Wales, it has informed Arts Council of Wales policy, encouraged the creation of the first Cabinet Member for Sustainability position in Swansea, and encouraged public funding into community green projects in the city. In 2013 an apple planting project was developed and has since spread into the larger green space prompting a local movement called ‘the people's park’ to stop the local government from developing the site which has been successful. Vetch Veg continues as a community green space and is now run by its members, many of whom have participated in the project since its beginning. It continues to work in a hyper-local way on community green infrastructure projects through art. The gardeners care for the site, learning skills such as beekeeping and cob oven building, as well as keeping chickens and preparing meals for each other. The garden became a space for a divided community to work together, exploring cultures and identities through food, produce, recipes exchanging seeds and coordinating the project as a group.
Images
Location
Cuba
Users
Watchmen
Maintained by
Agencia Española de Cooperación Internacional, Embassy of Spain in Cuba.
Duration
2005 - 2006
Category
urban-development, social
Nr. and Title
020
Vigilia / Night Watch
Initiator
Adrian Melis
Description
Through his relationship with a watchman at a State carpentry warehouse, the artist 'a-legally' obtained wood to build a roofed post for the watchmen who work there. The watch-post was placed in an area suitable for preventing thefts and actions similar to the one the artist accomplished to obtain the wood to create the project.
Goals
Generate a paradoxically useful fact. The watching post was placed in a zone suitable for controlling activities of a similar nature to the one that the artist used to create it.
Beneficial Outcomes
Watchmen have a covered shelter. The project made use of and exposed the ways in which everyday citizens in Cuba bypass the system to address their needs. The watching post is still on use.
Images
Location
South Africa
Users
AHT Group, Sun Development PTY, Approximately 200000 people in four neighborhoods of between 25000 and 50000 residents each. ARG Design, Charlotte Chamberlain & Nicola Irving Architects, Jonker & Barnes Architects, Macroplan townplanners, Masimanyane Community Participation, Partners for Impact, Naylor & Van Schalkvwyk, Talani Quantity Surveyors, Tarna Klitzner Landscape Architects
Maintained by
City Council, City, the German Federal Ministry for Economic Development and Co-operation and Development, and the German Development Bank (KfW), Regional and National Fonds, civil societies.
Duration
2006 - ongoing
Category
urban-development, economy, social
Nr. and Title
407
Violence prevention through urban upgrading (VPUU)
Initiator
AHT Group, Sun Development PTY
Description
This project proposes a holistic approach through specific design tools, to develop safety principles in Cape Town. Its program is based on three “pillars”: situational crime prevention, social crime prevention and institutional crime prevention. In collaboration with residents and local associations, the project helped the development of a traders facility and live-work units and a system for monitoring and maintain existing taps and toilets in the area.
Goals
It is aimed at reducing violent crime and improving social conditions in Cape Town communities across the Cape Flats, as well as to upgrade neighbourhoods, improve social standards and introduce sustainable community projects to empower local residents.
Beneficial Outcomes
Two new community buildings, a park and a sports complex were opened in Harare, Khayelitsha on Saturday 23 May 2009. According to the authorities, it has helped transforming the township of Khayelitsha into a vibrant, safe, and attractive place but most importantly into a community that is environmentally, economically and socially sustainable.
Images
Location
Online
Users
The artist, anyone with a social network account.
Maintained by
José Jiménez Ortiz
Duration
2011 - ongoing
Category
social
Nr. and Title
471
vivireternamente.org
Initiator
José Jiménez Ortiz
Description
The project www.vivereternamente.org starts from a simple question: do you know what would happen to your Facebook, Twitter and email, if you died suddenly? www.vivereternamente.org is a platform designed for the posthumous management of this kind of information. People are thus invited to organise their own data and deposit it in cyberspace. The purpose of this website is to guide users on legal, psychological a aspects of their own information and let them understand what happens to their personal information after death. The project is divided into two phases: 1) Legal advice; 2) It allows users to think about the possibility of staying alive, continue to operate as avatars that their networks.
Goals
Being an online platform for managing information posthumously, in life, was deposited in cyberspace. Start discussions on the legal use of social networks. Generate reflections on the tracks we leave as users of social networks, and the impact it can have on our lives, even after death.
Beneficial Outcomes
The posthumous management information, in life, was deposited in cyberspace. Help in choosing a picture to be placed on profiles after death. Legal advice on the processes required to manage archived information posthumously on social networks. Managing email accounts and all their contents. Photo sessions for a desired post-mortem image.
Images
Location
Ireland
Users
Local people, tourists, historians, students
Maintained by
Fiona Woods and the people of Silvermines
Duration
2007 - ongoing
Category
pedagogical, politics, economy, social
Nr. and Title
567
Walking Silvermines / Siúlóid Bhéal Átha Gabhann
Initiator
Fiona Woods, Clive Moloney, Sally-Anne McFadden and Dave Wrenne
Description
The village of Silvermines, Co. Tipperary, is surrounded by unremediated mining works that have poisoned cattle and watercourses. This toxicity prevented the local community from accessing funds to create a much-desired tourism economy. Over a period of four years, a history-from-below was elicited through a rich and transparent process of dialogue with the local community, which resulted in an agreed set of histories and counter-histories. Gathered as an online application and a printable guidebook which can be sold by anyone in the area for a price of their choosing, Walking Silvermines is both a resource and a critical examination of the construction of public narratives - by whom and for whom?
Goals
To engage a community of place in a conversation about their desire to publicly narrate a history of mining in their area. To elicit a history-from-below, challenging the idea of a single or dominant historical narrative. To render visible a set of global connections between a small rural place and the global infrastructure of mining economies. To generate a useful resource in the form of a piece of virtual tourism infrastructure which can be used to develop a local tourism economy.
Beneficial Outcomes
Creates a public space for the production and contestation of public histories. By drawing less prominent voices into the development and production process, the work empowers individuals and forms a collective resource. Functions as an archive for historical and socio-political materials gathered by the community. Enables the local community to seek additional resources and funding for further projects.The open access guide, which can be sold for any price, has been downloaded 137 times so far. The one tourism accommodation business in the village was regularly downloading and selling the guide, and the local publican has some copies available in the bar. The walk was included for several years as part of the 'Walks of Ireland' website, an official walking tourism promotion initiative. The project was handed over to the co-producers, who choose how to maintain it, or whether to maintain it. The initiators consciously did not maintain any kind of overseer role in relation to how the village uses the project.
Images
Location
Belgium, The Netherlands, UK,
Users
Open to all users.
Maintained by
Different institutions
Duration
2000 - ongoing
Category
urban-development, environment, social
Nr. and Title
357
Wasteland
Initiator
Lara Almarcegui
Description
Almarcegui highlights neglected or undefined spaces within urban environments, which she researches, preserves, and documents through photos, text, guides and publications. She identified one hectare which was a neglected plot of land situated between two highways in Genk. Accompanied by a local nature guide, she carefully scouted, surveyed and described the land. Through negotiations with the City of Genk, Almarcegui then arranged to protect the terrain from development for a period of ten years, preserving the wasteland in its untouched state and allowing nature to take its own course, subject only to the forces and the temporality of wind, rain, sun, vegetation, spontaneous use and litter.
Goals
To intervene into urban codes and preserve the wasteland.
Beneficial Outcomes
The area will remain open to the public, even as most of the adjacent plots are built upon, standing as a memory inscribed on the landscape.
Images
Location
India
Users
DIAA (Navjot Altaf, Rajkumar Korram, Shantibai and Gessuram Viswakarma), residents of Kopaweda and Kondangaon, women and children.
Maintained by
DIAA
Duration
2000 - ongoing
Category
urban-development, social
Nr. and Title
367
Water Pumps sites (Nalpar)
Initiator
DIAA ‘Dialogue Interactive Artists Association’
Description
The project consists of a water pump surrounded by a muddy pool in the village of Kopaweda. The pump emerged as a central meting point for women in the village and nexus of daily activity, essential to daily survival. After a lengthy dialogue with the users of the pump, a group of artists decided to restructure the pump sites for free. In 2001 the first water pump structure was built or Nalpar site, consisting of a smooth concrete pad, a more efficient pump design, an enclosure incorporating Adivasi cultural symbols, and a system of paved trenches to channel the water and collect it into smaller reservoirs. The sites operates on a more practical, ergonomic level and the construction was undertaken collaboratively.
Goals
To provide an easy and healthy means to collect water; to claim these spaces as a site of dialogue and recreation, as well as work, among women, while men are prevented from entering the Nalpar.
Beneficial Outcomes
In 2007, they had constructed 3 Napalr sites in Kopaweda, Bastar and 4 elsewhere in Kondagaon, Chhattisgarh State, Central India.
Images
Location
The Netherlands, Germany
Users
Everyone
Maintained by
Volunteers
Duration
2003 - ongoing
Category
economy, social
Nr. and Title
501
Weggeefwinkels
Initiator
Various Activists
Description
The first Weggeefwinkel was created by a group of activists, artists and anarchists with the aim to criticize the consumerist tendency of accumulating goods. The Weggeefwinkel (Free Shop) is a place where everyone is welcome to take whatever the shop provides, without the exchange of money. Every shop is run on a volunteer basis and they are independent, but connected to each other through a website.
Goals
Everything is free of charge.
Beneficial Outcomes
People can find a broad variety of objects, which are free of charge.
Images
Location
Germany, United States, Spain, Israel and Palestine
Users
Musicians of the Staatskapelle Berlin
Maintained by
Kunstfest Weimar
Duration
1999 - ongoing
Category
pedagogical, politics, social
Nr. and Title
240
West-Eastern Divan Orchestra
Initiator
Daniel Barenboim and Edward Said
Description
Daniel Barenboim and Edward Said created a workshop for young musicians from Israel, Palestine and various Arab countries of the Middle East seeking to enable intercultural dialogue and to promote the experience of collaborating on common interests. Together with a group of Spanish musicians they met each summer in Seville for a workshop with rehearsals, lectures and discussions, followed by an international concert tour. The only political aspect prevailing the West-Eastern Divan’s work is the conviction that there will never be a military solution to the Middle East conflict, and that the destinies of the Israelis and Palestinians are inextricably linked.
Goals
Prove how music can break down barriers previously considered insurmountable. Through its work and existence the West-Eastern Divan Orchestra demonstrates that bridges can be built to encourage people to listen to one another.
Beneficial Outcomes
Daniel Barenboim also initiated a project for music education in the Palestinian territories which includes the foundation of a music kindergarten as well as a Palestinian youth orchestra.
Images
Location
United Kingdom
Users
Open to all users
Maintained by
Friends of Abbey Gardens society.
Duration
2008 - ongoing
Category
urban-development, economy, environment, social
Nr. and Title
517
What Will The Harvest Be?
Initiator
Karen Guthrie and Nina Pope
Description
What Will the Harvest Be? is a new kind of garden devised by artists Karen Guthrie & Nina Pope as a horticultural, social experiment. It is a public access project that invites anyone to participate in communal growing and harvesting of vegetables and flowers. The garden occupies a 2000 Sq meter urban site in East London, protected from development by English Heritage due to the mediaeval monastic remains of a 12th Century Cistercian Abbey. In the early 1900s, the "Plaistow Landgrabbers" inspired the artists. This group of unemployed men squatted on a nearby piece of empty land to prove that the unemployed wanted to work. They painted a slogan on the wall behind their camp: What Will The Harvest Be?
The site is open every day for visitors. Rather than people claiming individual plots, the idea is to experiment with treating the Garden as one shared resource and distributing the produce amongst the regular gardeners as well as through an honesty stall on site.
Goals
To highlight politics of food production and land use. To create a working garden able to feed people.
To make a space that fulfils a community led brief for a visually pleasing space.
Beneficial Outcomes
Highly productive gardens hosting events offering educational benefits bringing different communities together, regeneration and retention of an area of public, urban land.
Images
Location
Sri Lanka, United Kingdom
Users
Christopher Kulendran, communities displaced by civil war
Maintained by
Christopher Kulendran
Duration
2012 - ongoing
Category
economy, social
Nr. and Title
460
When Platitudes Become Form
Initiator
Christopher Kulendran Thomas
Description
The project when-platitudes-become-form by Christopher Thomas Kulendran, involves re-configuring, for the Western art market, the works of Sri Lanka's young artists. Taking the whole system by which art is distributed as its own materials, the project aims to raise funds in support of the communities displaced by the civil war, channelling non-government controlled resources to the formerly Tamil-occupied territories.
Goals
To translate what counts as ‘contemporary’ in Sri Lanka into what is expected of the ‘contemporary’ at the heart of art-imperial power.
Beneficial Outcomes
The project raises funds; establishes an online / offline media platform for social change (an open-source tool that can be taken up by anyone anywhere); is based on Forum Theatre (Augusto Boal) within communities displaced by civil war; channels resources that are not under government control to the formerly Tamil-occupied territories.
Images
Location
The Netherlands
Users
Rebecca Gomperts, Atelier van Leishout, Gunilla Kleiverda, Myra ter Meulen, Margreet Parlevliet, Kinga Jelinska, Susan Davies, Marlies Schellekens, Carrie Watters, Greet Habraken, Women from countries where abortion is illegal
Maintained by
Private and philanthropic funding
Duration
1999-ongoing
Category
politics, social
Nr. and Title
197
Women on waves
Initiator
Rebecca Gomperts
Description
Women On Waves, founded in 1999 in the Netherlands by Rebecca Gomperts, provides safe legal abortions in international waters on-board a Dutch ship. The ship travels with a specialized abortion doctor, gynecologist, and nurse who offer contraceptives, information, trainings, and safe and legal abortions. Women on Waves partners with local organizations to offer sexual health services and workshops. By operating outside territorial waters, 12 miles off shore, local laws are subverted and legal abortions are made accessible.
Goals
To prevent unsafe abortions and empower women to exercise their human rights to physical and mental autonomy. To provide access and information for women to be able to perform their own medical abortions. To provide tools to resist repressive cultures and laws.
Beneficial Outcomes
Training, information, contraceptives, workshops, safe and legal early medical abortion services with pills, and targeted media campaigns; The Women on Waves public interest campaign helped catalyze the legalization of abortion in Portugal in 2007.
Images
Location
Croatia and elsewhere
Users
Women in shelters for victims of domestic violence
Maintained by
women's shelters involved in project
Duration
1998 – ongoing
Category
politics, social
Nr. and Title
525
Women’s House
Initiator
Sanja Iveković
Description
Women’s House is a project in progress where each stage is realised through a series of workshops done in close collaboration with women's shelters. In the workshops, the artist gathers women's personal stories of violence and abuse and casts their faces in plaster. While exhibiting results in museums and galleries, Iveković applies various strategies of display and presentation and develops further public and media campaigns using postcards, posters, interventions and advertisem*nt in magazines and media. Each realisation reveals many pertinent issues closely related to particular geopolitical contexts: the problems related to the war in former Yugoslavia, the sex industry in Bangkok, honour killings in Turkey, abortion rights in Poland and the frightening level of domestic violence in the wealthy liberal democracies like those of Luxembourg or Genova.
Goals
The project aims to develop experimental and collaborative form that in various contexts merges artistic practice with social activism, to question the role of the museum as a social institution and to subvert mass media strategies, with the goal of raising visibility of the issue of violence against women and of offering tools for empowerment to women in women' shelters.
Beneficial Outcomes
The project makes the issue of violence against women more visible and addresses it to the general public, while at the same time looks for ways for abused women to articulate and share their stories, seeking to find the means for collaboration and fighting victimisation. The Women’s House has initiated a number of collaborations with Autonomous House in Zagreb, the Fraenhaus in Luxembourg, the Bangkok Emergency Home in Bangkok, Safe House in Peje, Kosova, Casa per le donne in Genova, the Centre for Women and Children in Belgrade, Vie-Ja in Utrecht, Mor Cati in Istanbul, and Federation for Women and Family Planning in Poland.
Images
Location
The Netherlands
Users
Children
Maintained by
Mike Merrington
Duration
2010 - ongoing
Category
pedagogical
Nr. and Title
502
Work before playing
Initiator
Mike Merrington
Description
‘Work before Playing’ is a pop-up crèche and a playground for children made by children themselves. The initial structure is a simple framework provided by the initiator, where children should nail down wood panels in order to finalize it. Slides and stairs are added at the very last minute, when the structure is ready, so children can start playing with it.
Goals
Children should finish the structure before using it to have fun.
Beneficial Outcomes
The structure is built from the children themselves and it become a new facility and resource.
Images
Location
Ireland
Users
Amanda Dunsmore, Sennan Kileen, Michael Fortune, Jay Koh, Juliette de la Mere, Megs Morley, Micky Donnelly, Jim Vaughan, Deirdre O’Mahony, Peter Rees, Rinnamona Research Group, Francis Whelan, X-PO Mapping/Irish/Singers/Craft Groups, Julius Zus.
Maintained by
Initial Phase: Deirdre O’Mahony, now maintained and funded by a team of X-PO Participants. Funding Initial phase the Arts Council, SuperValu, Clare County Arts Office, Latterly primary funding from participants and local fundraisers.
Duration
2007 - ongoing
Category
pedagogical, politics, environment, social
Nr. and Title
469
X-PO
Initiator
Deidre O’Mahony
Description
The landscape of the west of Ireland has immense cultural importance, serving a double function as a representation of the post-colonial nation state and as a signifier of alterity in Ireland. Over the past forty years subsidies have driven change in Irish farming, leading to unsustainable surpluses. Paradoxically, those same policies have saved the otherwise economically unsustainable, small farms in the west of Ireland, preserving much of the tacit, place-based knowledge. Legislation and rural development policies now promote the farmer as custodian of the landscape a paradigmatic shift from landscapes as sites of food production to arenas of cultural production. The conservation and regulation of this post- agricultural landscape is often deeply contested. Access to the decision-making processes is limited and conflicts arising from hierarchical attitudes by state experts that ignore or disregard place-based knowledge, are commonplace. X-PO functions as a reflexive space where the social, economic and environmental future of rural public life is open for discussion. Providing social space for incomers and locals to meet, it allows different forms of knowledge; farming, artistic, academic and place-based, to make unexpected connections and conjunctions. Participants run weekly clubs in singing, mapping, crafts, painting and film. People could discuss, disagree and challenge ideas.
Goals
Re-activate a former rural post office through a collaborative exchange process between artist and different communities. Establish social and cultural clubs for locals and incomers, creating archives of local, place-based knowledge. Curate a programme of exhibitions, events and talks to animate and activate a discourse that publicly complicates perceptions of rural life as simple and slow. Network and connect with other like-minded agencies and initiatives. Provide a model of local democracy that can be applied to other places. Make available traditional farming knowledge to contemporary urban publics. Demystify simple food production.
Beneficial Outcomes
It is participant-led, self-sustaining and is now economically self-sufficient after the initial activation period. It has created four archives that have publicly complicated received understandings of landscape and land use. It provides an open social/cultural space, for weekly clubs, occasional talks, film nights, collaborative exhibitions, site or context-specific interventions and events. Exemplifies a model of participative action providing space for individual and social empowerment. While laying no claim to be representative. It informs local development policy making by being too visible to be overlooked in consultative fora. Allows open space for disagreement and dissent.
Images
Location
France
Users
Artist, Lawyers, migrants
Maintained by
Patrick Bernier and Olive Martin
Duration
2006 - 2007
Category
politics, social
Nr. and Title
024
X. C. Préfet de … Plaidoirie pour une jurisprudence
Initiator
Patrick Bernier and Olive Martin
Description
The project is inspired by a short story written in 2004 by Patrick Bernier and entitled ‘A Tale for Creating a Legal Precedent’ in which a migrant woman defends her right to remain in France as co-author, tutor and artist of a work of art immaterial. Based on this tale, two lawyers Sebastien Canevet and Sylvia Preuss-Laussinotte, specialising in intellectual property and immigrant rights, have developed a performance in which they are the defenders of an undocumented migrant, who is the bearer of an intangible art work made with the collaboration of a European artist.
Goals
Considering that French and EU lawmakers are constantly restricting immigrants’ rights on the one hand, and zealously expanding the domain of copyright on the other hand, Bernier and Martin set out to make their fictional scenario a template for real social action.
Beneficial Outcomes
Propose a new model for dealing with the EU’s legal restrictions on immigrant rights.
Images
Location
Australia
Users
Natives of Yirrkala.
Maintained by
Queensland Art Gallery, Gallery of Modern Art (QAGOMA)
Duration
1963 - ongoing
Category
social
Nr. and Title
393
Yalangbara
Initiator
Djambawa Marawili and artists from the Yirrkala region
Description
The Yirrkala bark petitions are historic Australian documents that were the first traditional documents prepared by Indigenous Australians that were recognised by the Australian Parliament, and are thus the first documentary recognition of Indigenous people in Australian law. The bark petitions asserted that the Yolngu people owned the land and protested the Commonwealth's granting of mining rights to Nabalco of land excised from the Arnhem Aboriginal Land reserve. The son of one of the Yirrkala plaintiffs, a Gumatj clan leader, Munggurrawuy, was Galarrwuy Yunupingu who assisted in drafting the petitions. More recently, as land cases involving Aboriginal populations have continued to be tried in Australian courts, different traditional art forms have been used as evidence in court. In the Blue Mud Bay case in the High Court, for example, the Salt Water Pantings were used as part of the case regarding the ownership of fishing rights in tidal waters overlying Aboriginal land at Blue Mud Bay. The case was eventually decided in 2008 declaring that waters The High Court ruled that the water lying over Aboriginal land should not be treated differently from the land itself. Ownership of Aboriginal land adjoining marine waters in the Northern Territory generally extends to the low tide level.
Goals
To demand that indigenous’ rights be recognised from the Commonwealth. The artists painted their country and history in an attempt to stop the desecration of their sacred lands and to ensure the health and safety of future generations of Yolngu people.
Beneficial Outcomes
The result was a parliamentary inquiry which recommended that compensation was owed to the Yolngu. Thus, the petition was the first recognition of native title. In 1971 it was ruled that the Yolgnu people were not able to establish their native title at common law. Justice Richard Blackburn used the notion of terra nullius to justify this.
Images
Location
Spain
Users
Citizens
Maintained by
Yomango
Duration
2002 - ongoing
Category
politics, economy
Nr. and Title
128
Yomango
Initiator
Yomango
Description
In Spanish slang, “yo mango” means “I steal.” The project represents a sort of "shoplifting movement" that originated in Barcelona, as a parody of the wildly popular MANGO clothing line, to promote direct action against global brands.
Goals
To promote “ethical shoplifting,” returning to the people what the transnationals have stolen (labor, time, ideas, lives). To appropriate the idea of “branding” in order to celebrate anti-consumerist lifestyle and direct action.
Beneficial Outcomes
Franchises of the movement have recently sprung up in countries including Argentina, Chile, Mexico and Germany, transforming hidden non-cooperation with consumerism into direct anti-capitalist action.
Images
Location
United States
Users
Electronic Disturbance Theater (Ricardo Dominguez, Carmin Karasic, Stefan Wray, Brett Stalbaum), Zapatistas, Netizens, hacktivists.
Maintained by
Electronic Disturbance Theater
Duration
1998
Category
scientific, pedagogical, politics, social
Nr. and Title
428
Zapatista Tactical Floodnet
Initiator
Electronic Disturbance Theater
Description
FloodNet was a tool for empowered net citizens to participate in electronic civil disobedience (non-violent digital action) in solidarity with the Zapatistas. Electronic Disturbance Teather combined politics and performative ways of protest with digital media. Floodned was developed as a device, a software to orchestrate collective electronic civil disobedience, disrupting access to the targeted website by flooding the host server with requests for that site. On April 10, 1998, there was the first global digital action: it took the form of a virtual sit-in generating a disturbance, to hack the websites of President Zedillo; U.S. government and Pentagon. The FloodNet Tactical Version 1.0 was showcased during an electronic civil disobedience action against Mexican President Zedillo's website.
Goals
To foster new forms of protest through digital media
Beneficial Outcomes
With the free version software, everyone could Download EDT's Public Version of the Zapatista FloodNet, and use it to protest with any website, creating new campaigns of protest.
Images
Location
The Netherlands
Users
Founders: bands like VovoKai, Zwoek, MTVS, Afflict actief, painters E. de Smet and Frank Teeuwes, film makers as Luk Sponselee, Yvette Bolger and sound recordings of Kees de Groot en Pidah. Second step (since 1985): The Rose Frustrates, 35007, 69 Charger, The Super Dispencers, Spades, Shearer, 7 Zuma 7, Suimasen, Turbine, Zombies Under Stress, Hard Headed Soul, Steve Hubback. Inhabitants of Eindhoven, artists from Eindhoven, Tilburg, Den Bosch, Helmond, even Roermond, Breda and Antwerpen
Maintained by
Wooncooperatie Woonbedrijf, Gemeente Eindhoven
Duration
1984-ongoing
Category
pedagogical, politics, economy, social
Nr. and Title
297
Zesde Kolonne-Flipside Art Space
Initiator
Luk Sponselee and others
Description
Zesde Kolonne is a non-profit foundation that started in 1984 as a music (cassettes) and film label, providing space and organising activities and performances where artists, musicians, designers and different creative people could share, show and exchange their ideas with the community. The project began at the Activity Center 2B as an experimental factory of art and culture (formed by painters, artists, writers, musicians, etc). It was used for almost all the organisations based in Eindhoven in many different “unruly” ways (often with political content) from public theatre to punk, from world music to techno sessions, etc. Since 2007, Zesde Kolonne is located in the Art space Flipside. Until now, Flipside used part of the building, a former sports-hall, to offer cheap ateliers for artists, a bar, record studio, a concert’s space, Gallery, and different activities for the neighbourhood in coordination with the public library (located in the same building). Lately, they received a permit to use the whole location. They are building rehearsal studios, more ateliers, a green roof and a restaurant of green food in relation with the Art Gallery. Within their list of projects are examples such as Transart Festival (1999-2000) with some organisations from Austria and Croatia; Guerrilla Scope (1994), Mobile Art Connection (1998-99); Home Sweet Stratum (2000-2001) a film made by youth from Stratum; Workshop Fotografie Oude Stijl; OK-net (web archive-platform of art, music and video), the fanzine NTXT and others.
Goals
Expand the borders of the art and share creativity
Beneficial Outcomes
Exchange of culture, lab of free expression and learning